Princess. Priestess. The most beautiful girl in Troy. Cassandra is used to being adored – and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl – and the war she’s going to bring to Troy’s shores.
Helen fled Sparta in pursuit of love, but it’s soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it’s more than the army at their walls they must contend with. Cassandra and Helen might hold the key to reweaving fate itself – especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?
"We should not tell stories of the heroes, but of the women who survived them."
Bea Fitzgerald's The End Crowns All is a lovely retelling of the Iliad, seen through the eyes of the women who suffered during the Trojan War, with a special focus on the two main characters, Cassandra and Helen. Their dual POV narration explores the events of the war and what came before, following closely enough the epic poem, until it starts veering towards a kinder, more hopeful ending. Cassandra, Helen, and the women of Troy reclaim their agency, taking matters into their hands and fighting against a future that isn't set in stone, no matter what prophecies say.
Cassandra and Helen steadily grow closer as their inital emnity, caused by the fact that Cassandra sees the downfall of Troy, turns into an alliance and then affection blooms between them. The book features such an in-depth, lovely, careful rendition of asexuality, and especially sapphic asexuality, and it's a joy to read how Cassandra comes to terms with her orientation, and finds love in the unlikeliest place. It's lovely, too, to see romantic love equated to all other kinds - friendship, familial - and not treated as the most important kind of love. Cassandra finds a partner, yes, but she also finds companionship, and people who care about her for who she is.
The conditions of women at the times is thoroughly explored, from forced marriage to kidnapping and the consequences of war. I adored how the grim epilogue of the Iliad is tamed and conquered, giving new meaning to the saying "history is written by the victors." The exploration of the changes one can make to the threads of fate makes for a compelling story, and the complexity of Apollo's curses, and the way Cassandra and Helen try to navigate each change, adds conflict in a believable way.
The book deals very well with treaths of sexual violence, not one to sugarcoat it despite the younger audience. It's marketed as a YA, and it shows especially in the kind of language used and the simple narration, but it's readable by an adult audience. Apollo is every bit the villain of the story, wanting to own and terrorize Cassandra for the crime of spurning him, but Aphrodite is a close second, her threats to Helen bone-chilling.
The End Crowns All is a remarkable retelling.
✨ 4 stars