Review: Obsidian Island, by Arden Powell

 

Emery Lapwing is only interested in two things: exploring the natural world, and pretending that he's not in love with his closest friend, Captain James Rawlings of The Achillean. The first is easy: James will sail him anywhere he wants to go. The second, Emery has been doing for the past ten years. Emery's routine is shattered when he and James are swept overboard in a lightning storm. When the storm passes, they find themselves on the glittering pink beach of an unmapped island where no one has ever walked before.
The island hides a dangerous secret, and James and Emery aren't the only castaways falling under its spell. Monstrous creatures stalk their every move and something is taking root in their dreams, luring them deeper into the island's deadly, tropical heart.

"Any being capable of creating art must have a soul, surely." 

Arden Powell's Obsidian Island is an achillean horror adventure set some time during the Nineteen century, featuring four sailor friends with different background as a storm makes them land on a deliciously creepy island. From something much like Castaway, then, the atmosphere switches very quickly as the group - at first separated - reckon with various terrifying natural threats and with a seemingly sentient, monstrous tree. Running parallel to this is the subplot of queer desire in a time and society where queerness was punished with death. 

The best aspect of the novel is certainly the creepiness and slow horror of the island; the interpersonal relationships, on the other hand, are not so well developed, and while the primary couple at least has some meaty history, the secondary couple seems to come out of nowhere.

Obsidian Island is an intriguing read.

✨ 3 stars

 

 

 

Review: No Gods for Drowning, by Hailey Piper

The old gods have fled, and the monsters they had kept at bay for centuries now threaten to drown the city of Valentine, hunting mankind as in ancient times. In the midst of the chaos, a serial killer has begun ritually sacrificing victims, their bodies strewn throughout the city. Lilac Antonis wants to stop the impending destruction of her city by summoning her mother, a blood god—even if she has to slit a few throats to do it. But evading her lover Arcadia and her friends means sneaking, lying, and even spilling the blood of people she loves. Alex and Cecil of Ace Investigations have been tasked with hunting down the killer, but as they close in—not knowing they're hunting their close friend Lilac—the detectives realize the gods may not have left willingly.
As flooding drags this city of cars and neon screaming into the jaws of sea demons and Arcadia struggles to save the people as captain of the evacuation team, Lilac’s ritual killings at last bear fruit, only to reveal her as a small piece in a larger plan. The gods’ protection costs far more than anyone has ever known, and Alex and Cecil are running out of time to discover the true culprit behind the gods’ disappearance before an ancient divine murder plot destroys them all.

"Sometimes, love's not enough, and good intentions die in the street."

Hailey Piper's No Gods for Drowning is a perfectly contained standalone set in a holy land abandoned by its gods. Now scattered cities are haunted by the threat of mythical sea figures who kill and vanish people, and by the sea moving inland to reclaim what was once an archipelago. In this oppressive climate, Lilac's decision to try and summon a god makes perfect sense, even though the necessary rituals amount to plain murder. This book plays a lot with the idea of morality and the dichotomy of right and wrong, showing there's no easy answer when faced with certain death.

The book contains multiple POVs. We follow Lilac, her lover who's an ex-soldier who couldn't follow terrible orders, and a duo of investigators from out of town. Lilac's relationship with Arcadia is already established, thus providing a good source of angst when the plot is revealed, but it's the friction with the detectives, one of them a friend to Lilac and the other to Arcadia, that makes for the bulk of the conflict, especially in the second half. Duty - with a dash of PTSD - and motherhood are also central themes.

The worldbuilding isn't especially original, but it's clear and well-developed, and it shines when the gods finally make an appearance. Twists and turns keep the readers on the edge of their seat, while the book turns from noir to an exploration of existential dread and what it means to be human and to be in a community, wrapping up with a finale that's devastating in its simplicity. Empathy, in the end, is what can save us.

No Gods for Drowning is a remarkable novel.

✨ 4 stars

Review: The Lowest Healer and the Highest Mage, by Hiyodori

In a country where mages have all the power and healers supposedly only exist to support them, Clematis—a talented healer—is despised for her past attempts to defy the mageocracy. In her early thirties, she’s already on year seven of a life sentence for treason. But when the most powerful mage in the nation suddenly loses all her magic, the government wants unconventional Clematis to help get it back.
The mage is a tall, distant woman called Wist, and Clematis knows her all too well. They used to be classmates. Best friends. Perhaps more. Wist is also the person who reported Clematis for leaking state secrets. She’s the reason Clematis spent the last seven years in prison. Clematis wants revenge for her betrayal, but she wants freedom even more. She’s got thirty days to recover Wist’s magic: miss the deadline, and she’ll be shunted back to prison for the rest of her life. Yet attempting to resurrect Wist’s lost magic will force her to face the real reason why Wist betrayed her—and to face her unresolved, unspoken feelings for the mage who stabbed her in the back and walked away.

"I never forgot the sound of you calling for me. Not for a second."

Hiyodori's The Lowest Healer and the Highest Mage is a sci-fi/fantasy hybrid that combines a compelling protagonist and sole POV character with a surprising plot that keeps you on your toes as it slowly unveils the background of the characters and their history. Clematis and Wist navigate the consequences of an old betrayal that put them at odds with each other, while trying to solve a problem that might prove to be fatal for their world.

Clematis is a delight, caustic and angry and incredibly competent. Her old friend Wist is remote and mysterious and she has secrets which will change everything Clematis thinks she knows. Their relationship, in the present and the snippets of the past, is a compelling one, and so is the way they learn to trust each other again. The supporting cast does its job, with two very fleshed-out and interesting characters in the form of a friend Clematis made more recently, and a Healer that Wist trusts to treat her.

The snippets of world-building paint a vivid picture, albeit a fragmented one, that I hope to see explored more in the other books of the series. The contrast and politics of the usage and abuse of magic, with Healers as glorified batteries for Mages that, at least in the nation where the characters live, have no system in place to check their treatment of Healers, makes for an interesting conflict.

The Lowest Healer and the Highest Mage is a captivating novella.

✨ 4 stars

Snippet: Empire of the Feast, by Bendi Barrett

We awaken with Riverson, 32nd ruler of the Stag Empire, as he attempts to govern without the memories of his previous lives. To survive the ever-sharpening gears of war, he will need to mend the political schisms threatening to tear his empire apart while maintaining the erotic rituals holding off the eldritch horror known only as the Rapacious.

“We will eat the stars and drench the darkness in ecstasy.”

Bendi Berrett's Empire of the Feast is a sci-fi novella with a touch of magic, compact and luxurious. In less than a hundred pages, the author paints the delicate balance of an intergalactic empire held together against an eldritch foe only thanks to the power surges created by a never-ending orgy. Despite the particular subject, the book isn't too explicit, and follows the efforts of the newly resurrected Emperor attempting to regain his footing and stop a coup, having been brought back memoryless and with a different gender. This delightfully queer page-turner of a novella packs a complex journey that resolves in less than a day; it only stumbles in the Epilogue, where it tries to tie too neat a bow to the detriment of a perfect roller-coaster.

✨ 4 stars

Review: The Unbalancing, by R.B. Lemberg

Beneath the waters by the islands of Gelle-Geu, a star sleeps restlessly. The celebrated new starkeeper Ranra Kekeri, who is preoccupied by the increasing tremors, confronts the problems left behind by her predecessor. Meanwhile, the poet Erígra Lilún, who merely wants to be left alone, is repeatedly asked by their ancestor Semberí to take over the starkeeping helm. Semberí insists upon telling Lilún mysterious tales of the deliverance of the stars by the goddess Bird.
When Ranra and Lilún meet, sparks begin to fly. An unforeseen configuration of their magical deepnames illuminates the trouble under the tides. For Ranra and Lilún, their story is just beginning; for the people of Gelle-Geu, it may well be too late to save their home.

"To heal, you must first become trusted".

R.B. Lemberg's The Unbalancing is a quiet story of salvation, an Atlantis-like story set in a world governed by a Bird goddess, where stars are kept by starkeepers and people do magic with their names. The main characters, a nonbinary demisexual poet and a loud starkeeper with much hurt in her past, come together to save their island from destruction, and they find love with each other.

The poet is a quiet character, unwilling to take on the role that others are sure should be hers; the contrast with the starkeeper, who took what she could to emancipate herself, makes for an interesting dynamic. The starkeeper is an extrovert, taking on many lovers, but behind the exuberant veneer is someone who is deeply hurt. The poet is still questioning, attempting to find their place and the precise iteration of their nonbinary identity, for this is a world where nonbinary people can be of five different types, and they signal it through hair tokens and complex hairstyles. This is a story of acceptance, too, and finding one's worth, and overcoming one's past.

The worldbuilding is immaculate, painting with deft strokes a world that is complex and different and deeply accepting, where consent matters to acts of magic and the stars come from afar. It is a slow unraveling, when the mystery of the stars' origin is revealed, and it is deeply touching. The ending feels just right in its inexorability, with pages of exquisite prose.

The Unbalancing is a quiet treasure of a novel.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Keeper of the Dawn, by Dianna Gunn

for: community, consent

Review: The Stagsblood Brother, by Gideon E. Wood

The goddesses and gods have restored King Tel’s magic. His power over dirt, wind, fire, and rain is keener than ever. Still, his people are in danger. The sorcery of the antlered ones has also returned to his exiled brother, Lag. Hungry for power and revenge, Lag will cross any moral boundary to defeat his older brother—and make him suffer in the process. He’ll exploit Tel’s faith, decency, and generous heart to win the advantage in a war that will spill blood over the heart of Feigh. He’ll terrorize unarmed innocents. He’ll use sinful magic to transform the man Tel loves into a weapon.
To end the bloodshed and secure the kingdom, Tel must ready himself to meet his brother and lover on the battlefield and eliminate the threat to peace and justice, whatever the cost. To do that, he’ll need to realize the final confrontation is really with the darkness, tragedy, and grief of his own past. The last war must be won inside himself.

"Fortune has surrounded me with good people".

Gideon E. Wood's The Stagsblood Brother sticks the landing with this incredible conclusion to the Stagsblood Trilogy, where all the loose threads are tied up and the final confrontation between Tel and his sadistic brother takes center place, pushing Tel beyond his limit. He will have to battle with himself and with his own, and make hard decisions that might haunt him; but he might find healing in the end.

This book deals with loss, grief, memory, and healing in such a poignant way. Tel, a recovering alcoholic, must do his best to avoid the lure of the drink when all things seem to go wrong; he has help, from his friends and loved ones, as he battles both himself and the dangers that threaten to tear not only his kingdom apart, but the known world, the cluster of six kingdoms inhabited by different races of humanity who hail from the gods and goddesses. The gods of the Stagsblood Trilogy are very real and passionate and meddle in the human affairs, appearing to Tel ever since the first book; the prophecy that was at the center of the second book takes here new meaning, for an extraordinary and quiet ending where wounds begin to heal and peace might be found.

The world-building keeps being effective and rich, painting the history of the nations, the struggles of the smallfolk, and the powers that control the world in all their irrationality. Lag is a perfect antagonist because he's truly unhinged, stopping at nothing in his quest for blood purity. He maimes and corrupts and revels with childlike delight in the destruction of his own kingdom, showing no remorse and a chilling amorality. The mental torture he subjects his own brother to is painful and difficult to read.

The author course-corrects all the things that prevented the previous books from being truly excellent (especially the second book, that was a step down from the quality of the first while still narrating a beautiful journey of healing), adjusting the way he recounts events and the pace of the book. The heart of his writing, the emotional passages that tear at the reader, he keeps and strengthens, creating a novel that doesn't shy away from the ugly in order to make it beautiful, that uses language at times very crude but always precise. This is a journey in three books, and he doesn't forget what started Tel's emotional journey towards healing, but always keeps it at the forefront of the reader's mind. The decision to tear Tel apart so cruelly in the first novel, followed by the way he begins to give Tel peace in the second, might make some readers decide to pull away, but I admire his decision to show that life doesn't end after a terrible tragedy.

Unfortunately this book is still saddled with numerous typos and small mistakes that take aback and stop the flow of reading, although it's less than in the first two books. But the strength of the narration is so intense that I'm inclined to forgive the lack of proper editing. The author also has a list of trigger warnings on his website, that I urge to check before embarking on this fulfilling but dark journey.

The Stagsblood Brother is a beautiful exploration of grief and healing.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* All the Hidden Paths, by Foz Meadows

for: trauma, healing

Review: Legacy of the Vermillion Blade, by Jay Tallsquall

Talon Cour-Vermane is not only the sole inheritor of his House’s lands, titles, and political power, but also of the pact his family has forged with darkness through countless generations. From birth, Talon’s father tethered his son’s life to the family’s bloodline and his own ambitions of power, but everything changes when a new blacksmith and his young apprentice, Richen, join the staff at the Cour-Vermane estate. With their fateful meeting, Talon’s life changes course forever, derailing the meticulously laid out existence planned for him. From his family’s estates and the countryside of Eleryon to the extents of the Xallian Empire and the dwarven kingdom of Lymehold, Talon discovers the different aspects of love, true family, and himself as he battles his cursed blood and the shackles to darkness his father bound him with.

"Sometimes all you had in life was blind faith". Jay Tallsquall's Legacy of the Vermillion Blade trudges on as we follow the life of the main character, a lord's son who was possessed by powers bigger than him and attempts to free himself from them, while looking for his lost love and making connections along the way.

It's a lovely exploration of asexuality (especially towards the middle of the novel, as an older Talon explores his boundaries) but it's not a good fantasy novel. The narration jumps from one year to another to decades later with no real effort to make a cohesive story, only painting vignettes and telling us to trust that things are advancing. When it takes its time to breathe and explore the characters and situations, it's good, but that happens rarely.

The worldbuilding is confusing, not really clear, and the main character's father is almost cartoonish in the depiction of his villainy. This could have been a great novel, with some editing; it's rare we get a homoromantic asexual protagonist, so I was very excited for it, but it didn't deliver on the speculative fiction side.

Legacy of the Vermillion Blade is a book with a good premise and some great representation.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Perfect Assassin, by K.A. Doore

for: sword fights, asexual protagonist

List: Best Books of 2023

2024 is coming! Here are my favorite books of this year, with links to my reviews.

 

 

 

✨ 4.5 stars
You can find my review here.

 

 

✨ 4.5 stars
You can find my review here.

 

   ✨ 4.5 stars
    You can find my review here.

 

 

   ✨ 4 stars
   You can find my review here.

 

 

 

✨ 5 stars
You can find my review here.

 

 

 

✨ 4.5 stars
You can find my review here.

 

 

 

✨ 4.5 stars
You can find my review here.

 

 

   ✨ 5 stars
   You can find my review here.

 

 

   ✨ 5 stars
   You can find my review here.

 

 

   ✨ 5 stars
   You can find my review here.

 

 

   ✨ 4.5 stars
   You can find my review here.

Review: The Red Scholar's Wake, by Aliette de Bodard

Xích Si: bot maker, data analyst, mother, scavenger. But those days are over now-her ship has just been captured by the Red Banner pirate fleet, famous for their double-dealing and cruelty. Xích Si expects to be tortured to death-only for the pirates' enigmatic leader, Rice Fish, to arrive with a different and shocking proposition: an arranged marriage between Xích Si and herself.
Rice Fish: sentient ship, leader of the infamous Red Banner pirate fleet, wife of the Red Scholar. Or at least, she was the latter before her wife died under suspicious circumstances. Now isolated and alone, Rice Fish wants Xích Si's help to find out who struck against them and why. Marrying Xích Si means Rice Fish can offer Xích Si protection, in exchange for Xích Si's technical fluency: a business arrangement with nothing more to it.
But as the investigation goes on, Rice Fish and Xích Si find themselves falling for each other. As the interstellar war against piracy intensifies and the five fleets start fighting each other, they will have to make a stand-and to decide what kind of future they have together.

"I go with my wife". Aliette de Bodard's The Red Scholar's Wake is a book about sapphic space pirates. It's hard sci-fi, with sentient ships that manifest themselves through human avatars, and Rice Fish is one of such ships; the resulting romance could take some suspension of disbelief, but it's intense in what's at stake. The book reflects over consent, and over neglect in previous relationships, in a sound manner. The relationship between the main characters is a bit instantaneous, and the way it starts isn't auspicious; things happen much too quickly, but in the end the relationship doesn't come without struggles, and I found that believable.

The books shines the most when it explores the main character's relationship with their respective children: Xích Si needs to save her daughter from indentures servitude, while Rice Fish has to face the misunderstandings that came from her first marriage. On that note, Rice Fish's first wife's perceived aromanticism is villanized in some way, but it might be a question of perspective; Rice Fish was, after all, traumatized by her first wife's choice of words - and actions - and so the narrative reflects that.

The use of Vietnames honorifics (little sis, big sis) might confuse some, but it's very clear there's no familiar relationship between the main characters (one's a ship!)

This is part of a bigger narrative universe, and it shows in the lack of explanations for many things, for example the overlays. I don't want to have my hand held (or I wouldn't read speculative fiction), but I'd like some context when it can be provided.

The Red Scholar's Wake is a solid sci-fi adventure with stunning prose.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Strange and Stubborn Endurance, by Foz Meadows

for: arranged marriage, previous toxic relationship

Review: Locklands, by Robert Jackson Bennett

Sancia, Clef, and Berenice have gone up against plenty of long odds in the past. But the war they’re fighting now is one even they can’t win. This time, they’re not facing robber-baron elites, or even an immortal hierophant, but an entity whose intelligence is spread over half the globe—a ghost in the machine that uses the magic of scriving to possess and control not just objects, but human minds.
To fight it, they’ve used scriving technology to transform themselves and their allies into an army—a society—that’s like nothing humanity has seen before. With its strength at their backs, they’ve freed a handful of their enemy’s hosts from servitude, even brought down some of its fearsome, reality-altering dreadnaughts. Yet despite their efforts, their enemy marches on—implacable. Unstoppable. Now, as their opponent closes in on its true prize—an ancient doorway, long buried, that leads to the chambers at the center of creation itself—Sancia and her friends glimpse a chance at reaching it first, and with it, a last desperate opportunity to stop this unbeatable foe. But to do so, they’ll have to unlock the centuries-old mystery of scriving’s origins, embark on a desperate mission into the heart of their enemy’s power, and pull off the most daring heist they’ve ever attempted.

"There is no dancing through a monsoon". Robert Jackson Bennett's Locklands aims higher than ever and crafts a tale of gigantic scope, a novel about transhumanism, choices, and sacrifices. Set eight years after Shorefall's devastating conclusion, it follows the original cast as they make a new society, something so vastly different from everything that came before, a new way of being. They fight for a chance to survive, battling against the ancient being that they awakened in the past, and finding unexpected allies. It's all-out war, vast and desperate, the very surface of the earth altered.

And yet at its heart, it's also a quiet story of loss and despair, about what a single man can accomplish in the face of a personal tragedy. It's terrible to imagine that much of the pain and catastrophies suffered by humanity were done in the course of attempting to right a wrong. Against the backdrop of the war mysteries are revealed, and the tragedy at the center of it all pulls at heartstrings in its simplicity.

Sancia and Berenice suffer through a trial of their own, as they're forced to face the consequences of what happened in the first book. They're an older couple now, they've been together for years, and they're comfortable in their skin and their love and in the ties that bind them; they know each other, inside and out, but darkness looms ahead, and choices that must be made.

The epilogue is masterful, tying all the final threads together to form a heartbreaking conclusion that nonetheless is filled with hope.

Locklands is the perfect finale to an imaginative trilogy.

✨ 5 stars

Snippet: Babel, by R.F. Kuang

 

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide: can powerful institutions be changed from within, or does revolution always require violence?

"There are no kind masters". R.F. Kuang's Babel, or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution is a bleak and tragic tale about racism and colonialism. It's a hard read, it doesn't mince words, and it's a tragedy in the truest sense of the word. It's also a beautiful exploration of languages and philology, and a love letter to the act of translation, which powers magic in this world. It's an alternate history that draws on very real and terrible things, like the opium trade. It deserves to be on this blog because of the unspoken and unresolved attraction between the two male main characters, but I wouldn't recommend reading it merely because of the evanescent queer content. It is a phenomenal tale, though, and one I think everyone should read.

✨ 5 stars

Review: The Godbreaker, by Mike Brooks

 

As the Black Keep Council prepares for war, journeying far to protect their lands and friend, The God-King and his sister try to keep Narida together in the face of betrayal while the Splinter King remains at large.
The Golden and his hordes of raiders press their advantage and sweep across the land with unholy powers. Sacrifices will be made, and not everyone will make it back to Black Keep alive.

I raced through the series and now I'm directly reviewing the third and not-so-final book. Mike Brooks' The Godbreaker is not, unfortunately, a good conclusion for a trilogy that started so strong and with such unique storytelling, with its nuanced focus on diplomacy. It's a shame, because the story is still so interesting, and the queer characters are a delight to explore.

There's an established mlm couple whose back-and-forth is frankly amazing, a really cute mlm relationship taking its first steps, and a whiff of an unexpected wlw relationship. The world-building is incredibly interesting, and the big surprise event at the beginning of the third book was adequately forewarned, in retrospect.

But one can't help feeling cheated by the cop-outs, the fake ending, and all the time focused on a sub-plot that should definitely have been a separate novella, given it doesn't seem to affect the main plot at all. This book feels chaotic, and not in a good way. It feels as if Brooks had the material for a quadrilogy but decided to make it a trilogy and create a new series after this one, but there are huge gaps and events that feel forced, just to create a sort of adequate conclusion.

The God-King Chronicles is an intriguing series, but The Godkiller doesn't stick the landing.

✨ 3.5 stars

Review: A Restless Truth, by Freya Marske

 

The most interesting things in Maud Blyth's life have happened to her brother Robin, but she's ready to join any cause, especially if it involves magical secrets that may threaten the whole of the British Isles. Bound for New York on the R.M.S. Lyric, she's ready for an adventure.
What she actually finds is a dead body, a disrespectful parrot, and a beautiful stranger in Violet Debenham, who is everything—a magician, an actress, a scandal—Maud has been trained to fear and has learned to desire. Surrounded by the open sea and a ship full of loathsome, aristocratic suspects, they must solve a murder and untangle a conspiracy that began generations before them.

"A person is a theatre". Freya Marske's A Restless Truth is the delightful sequel to 2021's exhilarating A Marvellous Light. The author makes the daring decision to change the beloved protagonists from the previous novel, and write about the sister of one of them. The plot follows some time after what happened in the first novel, as the mystery gradually unfolds and our heroes try to find out the truth.

Maud is different than her brother; she'd headstrong and very stubborn, but she's been sheltered all her life. She finds her match in the older performer Violet, whose walls are high and impenetrable. Their short game of seduction - the book takes place over the course of a week - is thrilling, as the more experienced Violet shows Maud that women can be with other women and Maud is allowed to explore her own attraction. Like the previous book, this one is definitely on the spicy side, with a few descriptive sex scenes that range from tender to intense. Maud and Violet grow to have a complex and nuanced relationship as they navigate their respective boundaries and their places in life.

The action unfolds in a single setting, the ship crossing the Atlantic. This allows for a sharper focus and a smidge of claustrophobia, which works well for the unfolding of a mystery, but also doesn't help relate to the characters as we have so little time to watch them interact. In contrast, the previous book excelled in showing the slow dismantling of the characters' walls together with the unfurling of the central mystery. The first book also had more worldbuilding, whereas here we don't discover much more of the bigger world, although we see some tantalising details of how other countries' magic works. English magicians use a complex series of hand gestures that remind me of Lev Grossman's The Magicians novels.

The supporting cast steals the scene sometimes. We meet again Lord Hawthorn, who had an unfortunate introduction in the first novel, and a delightful new character, Ross. The other passengers of the ship are a wild variety of characters, and it's fun to slip into the whudunit game together with the protagonists. There's daring action and investigations and misunderstandings aplenty, making this a solid sequel and a much-needed middle-book as it sets the stage for the final book of the trilogy, which will feature other two characters.

A Restless Truth is an incredibly fun read with a lavish prose that feels like an embrace.

✨ 4 stars

Review: When Women Were Dragons, by Kelly Barnhill

 

Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex’s beloved aunt Marla transform but her mother did not? Alex doesn’t know. It’s taboo to speak of.
Forced into silence, Alex nevertheless must face the consequences of this astonishing event: a mother more protective than ever; an absentee father; the upsetting insistence that her aunt never even existed; and watching her beloved cousin Bea become dangerously obsessed with the forbidden.

“What is grief, but love that’s lost its object?”. Kelly Barnhill's When Women Were Dragons is a powerful exploration of sisterhood, grief, motherhood, and mysogyny, a timeless feminist tale. In this alternate world, all throughout history women have been becoming dragons, and each time their so-called "dragoning" was erased from history. Dragoning is seen as inherently female and wrong and almost impure, not a subject for polite company. The protagonist, Alex, struggles at first with this obligation to silence, uncomprehending of the reasons behind such a prohibition.

There is a long string of injustices in this novel that make one want to dragon oneself. As a young girl in the Fifties, Alex faces the discrimination of her gender and, too, of her orientation, when she's separated from her childhood friend who's obviously becoming so much more. She cultivates with her little cousin a relationship that becomes stronger as time passes and, too, almost obsessive, marred by fear of additional loss. Bea is a firecracker, a vivacious kid that dreams of the sky and doesn't seem to understand the dangers of showing it.

But there's not only injustice. Alex has allies, people in her life that see her struggle and try to help. There's the librarian, Mrs. Gyzinska, set on truth and liberation - and this book is also a powerful story about the importance of libraries; there's the ever elusive Dr. Gantz, popping up at first in pamphlets and in sparse chapters recounting the long history of dragoning in the world. There's dragons, so many dragons freeing themselves from the shackles of their lives. And there's joy, at the end, joy and understanding but also loss.

The relationships between mothers and sisters and daughters and nieces is so beautifully explored, it made me want to cry. We don't really know our parents, we think we know everything, but we don't know their inner lives. When Alex consumes herself with grief over what-ifs, she is all of us. When she rages at seemingly becoming her own mother, she is all of us. When she reflects over loss, over making your peace with things, she is all of us.

When Women Were Dragons is a stunning story about overcoming oppression.

✨ 5 stars

Snippet: When the Angels left the Old Country, by Sacha Lamb

 

Uriel the angel and Little Ash (short for Ashmedai) are the only two supernatural creatures in their shtetl (which is so tiny, it doesn't have a name other than Shtetl). The angel and the demon have been studying together for centuries, but pogroms and the search for a new life have drawn all the young people from their village to America. When one of those young emigrants goes missing, Uriel and Little Ash set off to find her.
Along the way the angel and demon encounter humans in need of their help, including Rose Cohen, whose best friend (and the love of her life) has abandoned her to marry a man, and Malke Shulman, whose father died mysteriously on his way to America. But there are obstacles ahead of them as difficult as what they’ve left behind. Medical exams (and demons) at Ellis Island. Corrupt officials, cruel mob bosses, murderers, poverty. The streets are far from paved with gold.

This is a lovely immigrant tale. Sacha Lamb's When the Angels left the Old Country will seem very familiar to Good Omens fans, but Jewish culture permeates the narration and the story couldn't be more different, a tale of antisemitism, friendship, and justice. The relationship between the genderless angel and the small demon is the best part of the book, but all the small interations with all the people they met on the way are truly delightful, and Rose is a perfect co-protagonist.

✨ 4 stars

Review: The Final Strife, by Saara El-Arifi

 

Sylah dreams of days growing up in the resistance, being told she would spark a revolution that would free the empire from the red-blooded ruling classes’ tyranny. That spark was extinguished the day she watched her family murdered before her eyes. Anoor has been told she’s nothing, no one, a disappointment, by the only person who matters: her mother, the most powerful ruler in the empire. But when Sylah and Anoor meet, a fire burns between them that could consume the kingdom—and their hearts. Hassa moves through the world unseen by upper classes, so she knows what it means to be invisible. But invisibility has its uses: it can hide the most dangerous of secrets, secrets that can reignite a revolution. And when she joins forces with Sylah and Anoor, together these grains of sand will become a storm.

"A world run by people who think they are better will never be better for everyone". Saara El-Arifi's The Final Strife is a stunning debut with roots in african and arabian mythology that will haunt you and break your heart, exploring issues of xenophobia, class struggle, child abuse and slavery with a deft hand. One of the main characters also has a drug addiction that she must learn to overcome, her need for it born from her past and her terrible living conditions as she's a member of a lower cast.

In this small world, nightly plagued by strong hurricanes, people are divided by the color of their blood, ensuring a reign of oppression that borders on inhumane, with quarterings and a systematic mutilation of an entire caste, rendering the clear-blooded caste mute and handless, relying on a silent language to communicate with each other. The occasional depictions of such brutal acts are vivid, and highlight the injustice and pain and terror the population is feeling. In the backrop of this brewed a revolution that was quelled soon, but it's not too late to change things for the better.

The blood magic system is incredibly well-developed and the snippets of worldbuilding, leading up to major revelations, introduce a world which is much larger that we anticipated, turning what seemed to be a typical "tournament fantasy" into something much more exciting. For the first half of the book the conflict is slow-developing, but things finally kick into high-gear with a couple well-timed revelations and strong moments of characterization. Unfortunately while two of the POV characters have much focus, the third one doesn't get much; I'm hoping she'll be more explored in later installments.

This book is marketed as a wlw friends-to-lovers and while that does happen eventually, and it's beautiful and tender and throughout the book we can see all these little moments as the two POV characters grow close to each other, this is more of a triangle situation where one of the characters is bisexual and first has a relationship with a childhood non-POV male friend, before finally turning to the other female character. Which is fine! Give me some conflict. But it's marketed in such a way that I don't expect the male character to be a love interest at all, and when it happend it threw me for a loop for a good chunk of the book.

The Final Strife is an incredile novel about oppression.

✨ 4 stars

Snippet: The Heretic's Guide to Homecoming - Practice, by Sienna Tristen

 

Freshly-risen from the underworld of his insecurities, Ronoah Genoveffa Elizzi-denna Pilanovani is halfway through his journey to the fabled Pilgrim State. But the world this side of the Iphigene Sea is not an easy one: violence and subterfuge litter the way forward, and something meaner stalks the edges of Ronoah’s certainty, something that threatens to turn the very reason for his pilgrimage to dust.
To survive, he will have to be clever and kind in equal measure. To ask for help from the acrobats and queens-to-be and foreigners’ gods that cross his path. To confront that beguiling, bewildering companion he travels with, the one whose secrets are so vast and unforgivable. He will have to draw on every story he knows in order to make it to the Pilgrim State with his soft heart intact—and then make it home again.

"Speak of this to everyone". Sienna Tristen's The Heretic's Guide to Homecoming - Practice is a stunning conclusion to this rich duology filled with empathy and self-care. Ronoah's journey towards healing is not over after the first book; now he has to practice what he learnt. Meanwhile the author shows us with their stunning prose their world filled with joy and life, a wonderful tapestry of stories where everything is connected. Ronoah builds new, lovely connections with people, and his relationship with the god first known as Reilin only grows in complexity and tenderness, towards a miraculous ending.

✨ 4 stars

Review: Legends & Lattes, by Travis Baldree

 

After a lifetime of bounties and bloodshed, Viv is hanging up her sword for the last time. The battle-weary orc aims to start fresh, opening the first ever coffee shop in the city of Thune. But old and new rivals stand in the way of success — not to mention the fact that no one has the faintest idea what coffee actually is.
If Viv wants to put the blade behind her and make her plans a reality, she won't be able to do it alone. But the true rewards of the uncharted path are the travelers you meet along the way. And whether drawn together by ancient magic, flaky pastry, or a freshly brewed cup, they may become partners, family, and something deeper than she ever could have dreamed.

You don't need a big conflict to make a good story. Travis Baldree's Legends & Lattes is a cozy fantasy novella set entirely in a coffee shop, detailing Viv's journey as she puts up her sword and navigates the exciting life of a barista. This includes renovating, decorating, and finding partners to join her on this adventure. At its core, it's a book about connections and warmth and building up a new life.

The novella is absolutely brimming with life and warm feelings and so many great characters, from the succubus showing up to bartend, to the carpenter with big ideas, and the cook with even bigger ideas, to the magic student, to the lute player. The coffee shop grows, and Viv with it, building connections with so many people and falling into a delicate love story with the succubus, a fantastic character on her own right. Viv's ragtagag band of adventurers show up as well, to help and support her. Even the local crime boss isn't immune to a cup of good coffee and a delicious cinnamon roll.

Legends & Lattes is just what you need if you want to read a cozy high fantasy with low stakes.

✨ 3.5 stars

List: Best Books of 2022

2023 is almost here and here I am, attempting to list my favorite books of the year! This is going to be hard: to avoid a headache, I've decided to list only five titles; but having to choose was excruciating.

Without further ado, in no particular order of appreciation save from this first title who's already among my all time favorites:

You can find my review here. This book has so much heart, and it's so complex and beautiful, that it truly is a must read. If you can read only one book from the many I reviewed this year, make it this one.

You can find my review here. This stunning novel isn't for the faint of heart, exploring the cruelties of Old Hollywood with a dash of faerie, beautiful and dangerous and just as much cruel.

You can find my review here. A delicate exploration of trauma and endurance, of healing despite all odds, of intimacy and acceptance. A lovely book that must be read with caution.

You can find my review here. A perfect second volume for a perfect series, rich and complex and terrifying in parts; love isn't enough when the fate of the world is at stake.

You can find my review here. Perfect for fealty enthusiasts, this book is a loving comfort read set in a richly detailed world and features a thorough exploration of anxiety and power differentials in a relationship.

Review: The Spear Cuts Through Water, by Simon Jimenez

 

The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.
With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.

“This is a love story to its blade-dented bone.” Simon Jimenez's The Spear Cuts Through Water defies the boundaries between genres. Is it a sweeping narration of the bonds between people? Is it an oral story? A stunning theater performance? An analysis of the monsters of our own creation? Is it going to make you cry about turtles? Is it a beautiful love story? Is it a tragedy? Is it full of hope? Yes. A sound, earth-shattering Yes to all of the above. This book changes you. I'm trying to find a way to talk about this, but the truth is that this book left me speechless.

The basics, then. The plot, as seen above, is pretty straightforward while also being filled with twists and turns and moments so powerful and touching in their simplicity. At its core, it's also a love story about two violent people, showing them slowly getting closer and finding comfort in each other. But this isn't the story. This is the performance, as shown to the protagonist: you. Is it a real story? Did it happen, in the past of the protagonist's world? Absolutely. Does it blend perfectly with the performance, until you lose yourself in the narration? You bet it does.

If you don't like the second person narration, it's likely you won't like this novel. It's very diffucult to get it right, after all. But this novel gets it exactly right. It doesn't take you out of the book, but rather draws you further in, leading you to the Inverted Theater and its wonders. There are also small segments in the first person, like a chorus in a Greek Tragedy, punctuating the more poignant moments, and it works. Everything works perfectly, like clockwork, creating a stunning tapestry of a novel.

Every character is important. Every small interation counts. Love is the most important thing there is, especially loving yourself. The world is rich, lived in, with astonishing bits of worldbuilding (did I say you'd be crying about turtles?); even the glimpses we get about the present, though less developed, are intriguing. The prose is truly phenomenal, lyrical and evocative. There are terrible depths of depravity and gut-wrenching moments of hope.

The Spear Cuts Through Water is my favorite book of the year. Perhaps it will become yours too?

✨ 5 stars