Review: An Education in Malice, by S.T. Gibson

Deep in the forgotten hills of Massachusetts stands Saint Perpetua's College. Isolated and ancient, it is not a place for timid girls. Here, secrets are currency, ambition is lifeblood, and strange ceremonies welcome students into the fold. On her first day of class, Laura Sheridan is thrust into an intense academic rivalry with the beautiful and enigmatic Carmilla. Together, they are drawn into the confidence of their demanding poetry professor, De Lafontaine, who holds her own dark obsession with Carmilla.
But as their rivalry blossoms into something far more delicious, Laura must confront her own strange hungers. Tangled in a sinister game of politics, bloodthirsty professors and dark magic, Laura and Carmilla must decide how much they are willing to sacrifice in their ruthless pursuit of knowledge.

"Face death bravely, and greet her as a lover."

S.T. Gibson's An Education in Malice is a sapphic dark academia with vampires, loosely connected to the author's A Dowry Of Blood and inspired by the classic Carmilla, although the inspiration ends at the names. The titular character enters a heated academic rivalry with the seemingly innocent Laura, while the two work under the tutelage of their poetry professor, a mysterious figure with her own agenda.

Their two POVs entwine as they navigate their attraction and their battle for their teacher's attention; Laura struggles with her own desires, which she can only safely explore with the help of erotic fiction, while Carmilla is trapped in an inappropriate relationship with her mentor. Gradually, the two will come together and overcome their hurdles, while also coming into their own.

The prose is exquisite, with lovely turns of phrase, and the obsessive nature of their fascination is mirrored by the lush descriptions and the carnality of the world they come into. The attraction between Carmilla and Laura culminates when they are invited to a vampiric bacchanalia, with voyeuristic plays and public sex. We also meet a few older vampires, expanding the world and giving it depth.

The book seems to be a standalone, but I would love something else with the same characters. Perhaps I would have preferred a singular POV, to add to the intrigue, but this worked as well.

An Education in Malice is a deliciously debauched retelling.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* In the Roses of Pieria, by Anna Burke

for: academia, deeper history

Review: A Market of Dreams and Destiny, by Trip Galey

Below Covent Garden lies the Untermarkt, where anything and everything has a price: a lover’s first blush, a month of honesty, a wisp of fortune. As a child, Deri was sold to one of the Market’s most powerful merchants. Now, after years of watchful servitude, Deri finally spots a chance to buy not only his freedom but also his place amongst the Market’s elite when he stumbles into the path of a runaway princess desperate to sell her royal destiny.
But news of the missing princess and her wayward destiny spreads. Royal enforcers and Master Merchants alike are after it. Outmanoeuvring them all would all be hard enough had Deri not just also met the love of his life, a young man called Owain, whose employers are using the Market for their own nefarious schemes. Deri soon finds that the price of selling the royal destiny, making a name for himself, and saving the man he loves is dear. The cost of it all might just change the destiny of London forever.

"True Love? That’s worth far more".

Trip Galey's A Market of Dreams and Destiny is a fun adventure set in an alternative England where Henry VIII turned to druidry to achieve his divorce, and Elizabeth I made a pact with Titania; where magic permeates every dealing, and the goblin market is the place where one can find anything, ruled by its own fay rules, but also a place where great injustice abounds.

The setting is intriguing, and yet the execution feels a little lacking; much more could have been explored. We follow the lives of two indentured servants as they navigate the market and face new threats, attempt to buy back their contracts, fight against the system, and fall in insta-love. Their relationship isn't fully explored, and this takes away from the shock that the big resolution should provoke.

Deri is a great protagonist, mischievous and very smart, able to male do with less than nothing and find new ways out of trouble. A thorough planner, it's a joy to watch him outmaneuver almost everyone in his quest to find the best solution with the least loss, even though his more altruistic plans are almost an afterthought. His ability to hear words when the London bells ring makes for an interesting power that could have been explored further.

The prose is phenomenal, lyrical and vivid and filled with great imagery, clever turns of phrase, and memorable characters populating the goblin market, from Deri's master who can speak with gold, to the cat that decides to take an interest in Deri's affairs, and many others. The goblin and fae, being genderless, are referred to exclusively with a neutral pronoun of the author's design.

A Market of Dreams and Destiny is a book that's filled with wonder.

✨ 3.5 stars

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* Lava Red Feather Blue, by Molly Ringle

for: faerie, mischief

Review: Bitterthorn, by Kat Dunn

Blumwald is a town overshadowed by an ancient curse: in a sinister castle in the depths of the wild wood lives a monstrous Witch. Once a generation, she comes to claim a companion to return with her – never to be seen again. Now that time is drawing near once more.
Mina, daughter of the duke, is grieving and lonely. She has lost all hope of any future for herself in Blumwald. So when the Witch demands her next companion, Mina offers herself up – though she has no idea what fate awaits her. Stranded with her darkly alluring captor, the mystery of what happened to the previous companions draws Mina into the heart of a terrifying secret that could save her life, or end it.

"Loneliness isn't a fixed state".

Kat Dunn's Bitterthorn is a sapphic gothic tale set in the Nineteenth Century, its atmosphere reminiscent of The Beauty and the Beast while not being a complete retelling. Told in the first person, it narrates a tale of profound loneliness and duty, of cruelty born of isolation, of love and infinite kindness. The story gravitates around Mina and her relationship with the Witch, the monster haunting the region with her curse.

The Witch is seen through Mina's eyes; through Mina we are first scared, then fascinated, as the inquisitive narrator does her best to understand her captor and what is to be asked of her. Her ignorance of her fate makes for a compelling read as the reader puts the pieces together and divines what the climax of the novel may be, only to be surprised by the outcome. I don't deny I would have loved a more tragic ending - it seemed to be inevitable - but this book is softer than what one might glimpse at first.

The historical backdrop, with its use of Bismark's unification, serves the novel well, giving it an edge; the ignorance of the more modern Germans, who treat the Witch's existence as mere superstition, contrasts with the terrified knowledge of the country folk, who have to live with the seeping inevitability of the coming reaping. The few named characters are well-rounded, especially the schloss' all-present servant and Mina's father, but others seem to be paper-thin, like Mina's stepmother; of her step-sisters, only one seems to be a character.

This book would have maybe benefitted from more pages to truly appreciate the slow development of the relationship between Mina and her Witch, and to better explore the slow horror of the schloss, haunted with strange happenings and trapped in time. The writing was exquisite, lyrical and evocative and perfect in creating a haunting atmosphere.

Bitterthorn is a beautiful tale of love and duty.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Thorn, by Anna Burke

for: Beauty and the Beast, gothic

Review: The Watchmaker of Filigree Street, by Natasha Pulley

1883. Thaniel Steepleton returns home to his tiny London apartment to find a gold pocket watch on his pillow. Six months later, the mysterious timepiece saves his life, drawing him away from a blast that destroys Scotland Yard. At last, he goes in search of its maker, Keita Mori, a kind, lonely immigrant from Japan. Although Mori seems harmless, a chain of unexplainable events soon suggests he must be hiding something. When Grace Carrow, an Oxford physicist, unwittingly interferes, Thaniel is torn between opposing loyalties.

"Being solitary isn't a disease that needs a cure".

Natasha Pulley's The Watchmaker of Filigree Street is a delightful debut. I'm slowly but surely reading every book by this author and bemoaning the fact that she slipped under my radar for so long. This book is a breath of fresh air, a whimsical historical novel with touches of magical realism and a fantastic cast. The author isn't afraid to write complex characters, people of dubious morality, even unlikable.

The main narrator, Thaniel, is thrown into a mystery; in the course of trying to solve it, he finds the elusive watchmaker who could be more sinister than one sees at first glance. Thaniel is fascinated, and strikes up a deep friendship that might evolve into something more, with striking moments of tenderness and references to the homophobic laws of the time. Thaniel is fiercely loyal, and his synesthesia makes for a lovely excuse to really delve into some gorgeous prose, while also being a plot point that helps him.

The watchmaker Mori, as we get to know him, especially thanks to a few flashbacks to his past (never through his eyes, always through someone else's POV) is an intriguing figure that slowly reveals itself, and still at the end of the novel we're left with so many questions about him.His gift is terrifying, not only for those around him (and I had to understand the female character's fears, Grace with her scientific mind, trapped in the role the times force her to take if she wants to still follow her studies), but also for himself, as it makes him remember and forget to a frightening degree.

The glimpses of history, the focus on Japan, and the mechanical wonders created by Mori, made for a gorgeous story. The resolution was a bit rushed, especially a chapter that explained things going on behind the scenes, and the aether seems more of a gimmick than a plot point, but the mystery was solved like clockwork.

The Watchmaker of Filigree Street is a quiet marvel.

✨ 4 stars

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* A Marvellous Light, by Freya Marske

for: visions, magical England

Review: The Knowing, by Emma Hinds

Whilst working as a living canvas for an abusive tattoo artist, Flora meets Minnie, an enigmatic circus performer who offers her love and refuge in an opulent townhouse, home to the menacing Mr Chester Merton. Flora earns her keep reading tarot cards for his guests whilst struggling to harness her gift, the Knowing - an ability to summon the dead. Caught in a dark love triangle between Minnie and Chester, Flora begins to unravel the secrets inside their house. Then at her first public séance, Flora hears the spirit of a murdered boy prostitute and exposes his killer, setting off a train of events which put her life at risk.

"We are all ghosts".

Emma Hinds' The Knowing is a dark atmospheric piece about abuse and recovery, with a number of chilling scenes. The true horror, as in the best books, comes not from the supernatural elements (Flora has the ability to see and be possessed by ghosts) but from the abuse and harsh threatment of women during the Nineteenth Century.

This book doesn't hold its punches, tackling dark themes like incest, rape, forced abortion, and pedophilia. Flora was taken in by an abusive man when she was very young, and so was Minnie, a past circus performer with dwarfism. The two of them are quickly drawn to each other, but their own relationship isn't devoid of red flags. The so-called "love triangle" in the blurb is less that and more of an "abuse triangle", with Flora and Minnie seeking comfort in each other. The complex tangled web of their intersecting lives makes for a poignant reflection on abuse and the lies we tell ourselves in order to survive.

The supernatural part is handled well and it's appropriately harrowing, with ghosts that are victims of violent crimes and bent on revenge. I appreciated the focus on the card reading, another facet of Flora's Knowing, one she can teach others as well; her healing seems to settle in one such scene.

With this kind of setting I wasn't certainly expecting an HEA ending, but while a sudden tragedy strikes in the second half of the book, things end up looking up, in a way.

The Knowing is a gritty debut.

✨ 3.5 stars

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* Wild and Wicked Things, by Francesca May

for: flawed characters, abuse

Review: The Unbalancing, by R.B. Lemberg

Beneath the waters by the islands of Gelle-Geu, a star sleeps restlessly. The celebrated new starkeeper Ranra Kekeri, who is preoccupied by the increasing tremors, confronts the problems left behind by her predecessor. Meanwhile, the poet Erígra Lilún, who merely wants to be left alone, is repeatedly asked by their ancestor Semberí to take over the starkeeping helm. Semberí insists upon telling Lilún mysterious tales of the deliverance of the stars by the goddess Bird.
When Ranra and Lilún meet, sparks begin to fly. An unforeseen configuration of their magical deepnames illuminates the trouble under the tides. For Ranra and Lilún, their story is just beginning; for the people of Gelle-Geu, it may well be too late to save their home.

"To heal, you must first become trusted".

R.B. Lemberg's The Unbalancing is a quiet story of salvation, an Atlantis-like story set in a world governed by a Bird goddess, where stars are kept by starkeepers and people do magic with their names. The main characters, a nonbinary demisexual poet and a loud starkeeper with much hurt in her past, come together to save their island from destruction, and they find love with each other.

The poet is a quiet character, unwilling to take on the role that others are sure should be hers; the contrast with the starkeeper, who took what she could to emancipate herself, makes for an interesting dynamic. The starkeeper is an extrovert, taking on many lovers, but behind the exuberant veneer is someone who is deeply hurt. The poet is still questioning, attempting to find their place and the precise iteration of their nonbinary identity, for this is a world where nonbinary people can be of five different types, and they signal it through hair tokens and complex hairstyles. This is a story of acceptance, too, and finding one's worth, and overcoming one's past.

The worldbuilding is immaculate, painting with deft strokes a world that is complex and different and deeply accepting, where consent matters to acts of magic and the stars come from afar. It is a slow unraveling, when the mystery of the stars' origin is revealed, and it is deeply touching. The ending feels just right in its inexorability, with pages of exquisite prose.

The Unbalancing is a quiet treasure of a novel.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Keeper of the Dawn, by Dianna Gunn

for: community, consent

Review: The Stagsblood Brother, by Gideon E. Wood

The goddesses and gods have restored King Tel’s magic. His power over dirt, wind, fire, and rain is keener than ever. Still, his people are in danger. The sorcery of the antlered ones has also returned to his exiled brother, Lag. Hungry for power and revenge, Lag will cross any moral boundary to defeat his older brother—and make him suffer in the process. He’ll exploit Tel’s faith, decency, and generous heart to win the advantage in a war that will spill blood over the heart of Feigh. He’ll terrorize unarmed innocents. He’ll use sinful magic to transform the man Tel loves into a weapon.
To end the bloodshed and secure the kingdom, Tel must ready himself to meet his brother and lover on the battlefield and eliminate the threat to peace and justice, whatever the cost. To do that, he’ll need to realize the final confrontation is really with the darkness, tragedy, and grief of his own past. The last war must be won inside himself.

"Fortune has surrounded me with good people".

Gideon E. Wood's The Stagsblood Brother sticks the landing with this incredible conclusion to the Stagsblood Trilogy, where all the loose threads are tied up and the final confrontation between Tel and his sadistic brother takes center place, pushing Tel beyond his limit. He will have to battle with himself and with his own, and make hard decisions that might haunt him; but he might find healing in the end.

This book deals with loss, grief, memory, and healing in such a poignant way. Tel, a recovering alcoholic, must do his best to avoid the lure of the drink when all things seem to go wrong; he has help, from his friends and loved ones, as he battles both himself and the dangers that threaten to tear not only his kingdom apart, but the known world, the cluster of six kingdoms inhabited by different races of humanity who hail from the gods and goddesses. The gods of the Stagsblood Trilogy are very real and passionate and meddle in the human affairs, appearing to Tel ever since the first book; the prophecy that was at the center of the second book takes here new meaning, for an extraordinary and quiet ending where wounds begin to heal and peace might be found.

The world-building keeps being effective and rich, painting the history of the nations, the struggles of the smallfolk, and the powers that control the world in all their irrationality. Lag is a perfect antagonist because he's truly unhinged, stopping at nothing in his quest for blood purity. He maimes and corrupts and revels with childlike delight in the destruction of his own kingdom, showing no remorse and a chilling amorality. The mental torture he subjects his own brother to is painful and difficult to read.

The author course-corrects all the things that prevented the previous books from being truly excellent (especially the second book, that was a step down from the quality of the first while still narrating a beautiful journey of healing), adjusting the way he recounts events and the pace of the book. The heart of his writing, the emotional passages that tear at the reader, he keeps and strengthens, creating a novel that doesn't shy away from the ugly in order to make it beautiful, that uses language at times very crude but always precise. This is a journey in three books, and he doesn't forget what started Tel's emotional journey towards healing, but always keeps it at the forefront of the reader's mind. The decision to tear Tel apart so cruelly in the first novel, followed by the way he begins to give Tel peace in the second, might make some readers decide to pull away, but I admire his decision to show that life doesn't end after a terrible tragedy.

Unfortunately this book is still saddled with numerous typos and small mistakes that take aback and stop the flow of reading, although it's less than in the first two books. But the strength of the narration is so intense that I'm inclined to forgive the lack of proper editing. The author also has a list of trigger warnings on his website, that I urge to check before embarking on this fulfilling but dark journey.

The Stagsblood Brother is a beautiful exploration of grief and healing.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* All the Hidden Paths, by Foz Meadows

for: trauma, healing

Snippet: The Stagsblood Prince, by Gideon E. Wood

Tel, crown prince of Feigh, has negotiated an end to the war between his country and the strange queendom of Omela. He looks forward to an easy reign of wild parties and wilder men. When his father dies suddenly, Tel is outmaneuvered by his brother, losing the throne. Tel’s faith prohibits him from raising his sword and spilling blood, so he accepts the humiliation, working to temper his brother’s baser impulses. But the new king’s reign takes a dark turn, and his collaborators begin to round up undesirables, including those with a magic called the stagsblood.
Tel must decide: Flee or fight? Running means abandoning his people to his brother’s evil whims. Standing his ground means the sin of total war. He has no army and only a few allies—and his magical secret. Caip, his closest friend and protector, brings military experience and blunt advice. Her right hand, Dar, is the picture of loyalty. Tough, battle-scarred Bin doesn’t suffer fools gladly. And Vared, a mysterious singer-turned-diplomat from Omela, speaks the truth to Tel in ways no one else can.

"How do I make war when all I want is to be tender?".

Gideon E. Wood's The Stagsblood Prince is a poignant exploration of duty, addiction, and grief, a beautiful tale of finding one's purpose after a terrible loss, of persevering against all odds. It's a tragic tale of love and loss. The narration is a little weak in pieces, strongly relying on the later recounting of events when it might be better to show them as they happen; but the sheer intensity of the events described, especially in the second half, more than make up for it. The book features a few very descriptive and explicit sex scenes, and a tragic twist that will leave you sobbing uncontrollably.

✨ 4 stars

Review: Every Exquisite Thing, by Laura Steven

Penny Paxton is the daughter of an icon. Her supermodel mother has legions of adoring fans around the world, and Penny is ready to begin her journey to international adoration, starting with joining the elite Dorian Drama School. When Penny’s new mentor offers her an opportunity she cannot refuse, to have a portrait painted by a mysterious artist who can grant immortal beauty to all his subjects, Penny happily follows in the footsteps of Dorian’s most glittering alumni, knowing that stardom is sure to soon be hers. But when her trusted mentor is found murdered, Penny realises she’s made a terrible mistake – a sinister someone is using the uncanny portraits to kill off the subjects one by one. As more perfectly beautiful students start to fall, Penny knows her time is running out . . . A seductive and searing exploration of beauty, identity, and what the pursuit of perfection can truly cost.

"Girls don't want beauty. Girls want power. And sometimes beauty is the closest substitute".

Laura Steven's Every Exquisite Thing is a YA feminist and sapphic retelling of The Portrait of Dorian Gray, with elements from the classic being woven in an interesting way. Without getting too much into spoiler territory, the link isn't as tenuous as one may think at first. The book comes with a much appreciated note at the beginning, detailing the book's trigger warnings.

The narration in first person serves the novel well, highlighting the main character's growing unease with the very real threat to her life and with the supernatural happenings around her. We get to feel her helplessness and see her struggle with anorexia in a way that is disconcerting and unnerving.

The book delves deep into the themes of beauty, control, and identity, aided by a prose that is stunning in its simplicity. The execution is lacking in some parts, especially in the second half, but the book makes up for it with its heart; perhaps the revelations towards the end might have been foreshadowed better.

Queer longing permeates the pages, with the tension between the two leads coming to an end in a frenzied scene that works all the better because the ending softens the edges and makes this novel a very real journey of self-discovery that can only end with healing. But while the main trio, and the relationship they shared, is well-developed, the other two recurring characters in Penny's set of friends end up being criminally underdeveloped. The adults, on the other hand, are written better, especially the tragic figure of Penny's mother.

Every Exquisite Thing is a book that helps young women.

✨ 4 stars

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* I Feed Her to the Beast and the Beast Is Me, by Jamison Shea

for: deals, sacrifice

ARC Review: Running Close to the Wind, by Alexandra Rowland

Avra Helvaçi, former field agent of the Arasti Ministry of Intelligence, has accidentally stolen the single most expensive secret in the world―and the only place to flee with a secret that big is the open sea. To find a buyer with deep enough pockets, Avra must ask for help from his on-again, off-again ex, the pirate Captain Teveri az-Haffar. They are far from happy to see him, but together, they hatch a plan: take the information to the isolated pirate republic of the Isles of Lost Souls, fence it, profit.
The only things in their way? A calculating new Arasti ambassador to the Isles of Lost Souls who's got his eyes on Avra's every move; Brother Julian, a beautiful, mysterious new member of the crew with secrets of his own and a frankly inconvenient vow of celibacy; the fact that they're sailing straight into sea serpent breeding season and almost certain doom. But if they can find a way to survive and sell the secret on the black market, they’ll all be as wealthy as kings―and, more importantly, they'll be legends.

My thanks to the author for providing an ARC copy.

Alexandra Rowland's Running Close to the Wind is a cozy low-stakes pirate adventure set in the same world of the excellent A Taste of Gold and Iron, loosely connected to it by a plot point. The two books couldn’t be more different, as Running Close to the Wind is funny. Hysterically, being-in-stitches, laughing-on-the-floor funny. It’s so funny that it’s too funny sometimes, but it’s a joy to read a book that doesn’t take itself so seriously while simultaneously delivering some very profound reflections in the more serious segments.

The trio of main characters is a delight, their banter on point as the dynamic between Avra and Teveri expands with the arrival of the mysterious Julian and his wiles. The characters are unapologetically horny, but the book is surprisingly chaste in that regard, while also being incredibly tender in parts. I especially enjoyed the few conversations about having and defending one’s boundaries. The rest of the cast, from the colorful crew to the pirates on the island, were all painted in deft strokes, resulting in vivid characters with so much to say. It really was reminiscent of Our Flag Means Death, as it was pitched, and it was an absolute romp.

The world gets expanded in a really clever subversion of what we know from A Taste of Gold and Iron, showing what the outside world thinks exactly of the choice to keep for themselves the only way to sail safely during a certain time of the year. There’s sea serpents and giant turtles and ghosts that need a complex reference guide to be handled, and it’s all so delightful. This choice to have loosely interconnected stories where the world is explored more and more is an intriguing one, and I can’t wait to see what’s next.

Running Close to the Wind is a fun adventure with hidden depths.

✨ 4 stars