Review: The Color of Time, by Millie Abecassis

 

Princess Cyrelle has always been faithful and true to her family, country, and Goddess. But now her brother, King Elias of Cicia, has asked for—no, commanded—her hand in marriage. Desperate to avoid this incestuous union, Cyrelle requests a series of increasingly impossible gifts and petitions the Goddess for a sign to sway her resolute brother’s proposal. As Elias persists undeterred, Cyrelle must risk everything to escape the only life she’s ever known.
Soon, she becomes Green Scales, hiding and struggling to survive on her own, far across the galaxy. But Phau isn’t the peaceful refuge Cyrelle had hoped for, and when the leader of its burgeoning rebel faction recognizes the runaway princess, she is forced to choose between safety and freedom. With the fate of two kingdoms on the line and nowhere left to run, Cyrelle must decide what it means to be true to herself, to her people, and to her heart.

​“I will never hide who I am again.”

Millie Abecassis' The Color of Time is a sapphic science-fantasy retelling of Perrault's Donkeyskin, although the incestous father from the french fairytale is turned into the protagonist's brother. This novella packs a lot into a pretty short format, and it could have worked, but instead it feels like a summary of the novel it could have been. Time goes by quickly, and we jump from a scene to the next without actually delving into the meat of the story and the people we meet.

This is felt especially with the epic relationship between princess Cyrelle and another woman, whom we don't really get to know, but we're supposed to feel profoundly about some story beats. And the bones are there, promising to be something spectacular, but it's difficult to really care.

On the other hand, the worldbuilding is quite unique, with gods whose scope encompasses the entire universe, and beautiful snakes, and rich cultures. The second-person narration is also very well done, with some snippets of first-person sprinkled in-between. 

The Color of Time is a nice retelling.

✨ 3.5 stars

 

Snippet: Lambent, by T.D. Cloud

 

Komiren, Fox God of the Forest Shrine, has been alone for centuries. Duty is no longer enough, but with eternity staring him down, his options for companionship are limited. Cerdei the Lantern Spirit hasn’t been wandering this nebulous world just long enough to know he wants nothing to do with the lazy Fox God who spends more time sleeping than answering prayers. He’s content to walk his path alone, even if it does mean walking straight towards oblivion.
In this world, Fate always has a plan; whether or not you want to fall in with it, though, is something much less certain.

"I've been tired for longer than I can remember."

T.D. Cloud's Lambent is an atmospheric achillean novella loosely inspired by Japanese folklore, about a forest god learning to live again. The lush prose and the simple setting work very well together, creating a cozy but mournful feel. The character work on the other hand lacks some depth, as the fragmented narration and the hazy memories of past interactions make for an unclear read, and the link between the fox god and the spirit seems to come from nowhere. It's still pretty sweet, though, and the Raven character is the real highlight, a sort of trickster figure who moves things along and undergoes his own journey.

✨ 3.5 stars

 

ARC Review: Locusta, by Emily Dexter

 

Born in the ancient region of Gaul, Locusta is the last of her kind—a Druid whose communion with the spirit world grants her the dangerous gift of identifying and wielding deadly substances. When Roman soldiers attack her home and slaughter her mother, Locusta is captured and enslaved, taken to the heart of the empire where political plots abound and death commands a high price. Guided by Arawn, the god of death, she must learn to survive within the brutal, glittering world of ancient Rome.
Her strange talents soon catch the attention of the Roman elite, and she becomes ensnared in a double life—poisoner by night for the cunning Antonia Augusta, and lady-in-waiting by day to Livia, the Emperor’s ambitious cousin. As Locusta plants the seeds of revenge against those who destroyed her home, her connection with Livia deepens into a passionate, forbidden romance that threatens them both. Surrounded by danger and deceit, Locusta’s poisons become their only protection against the increasingly unstable Emperor Caligula and the enemies lurking in every shadow.

​Thank you to Netgalley for this ARC in exchange for an honest review.

Emily Dexter's Locusta is a sapphic historical fantasy set in ancient Rome, inspired by the little that's known about the infamous titular character, a known poisoner. The book is very well researched, and it shows; the prose is also quite nice, with lovely turns of phrase. Locusta's journey from young woman to consummate poisoner is handled perhaps too quickly, with far less introspection one would expect from one who is dragged away from home and sold as slave after witnessing the murder of everyone she knows.

Instead, Locusta settles into her role with little doubt nor recollection, and quickly adapts to Rome and Rome's intrigue, especially when she falls in love with Livia. Their romance was sweet, and Livia's character ends up far more interesting than the protagonist, with her isolation and cunning. In general, all the female characters were very well done, especially Antonia Augusta.

The magical aspect mingles with history in an intriguing way, showing what a god's patronage and meddling might look like. 

Locusta has a strong premise, but it fails to stick the landing.

✨ 3.5 stars

 

Review: The Moon Blessed King, by Lindsey Byrd

 

Elician, a Giver with the power to raise the dead, is crowned King of Soleb, but it’s forbidden for Givers to rule. However, Elician is determined to end a generations-long war with the kingdom of Alelune – and will marry Alelune's rightful heir to do so. But Cat is a Reaper, able to kill with a touch, and is therefore feared by his own people. His claim to the throne is a gamble at best, until his tyrannical brother, Gillage, seizes power before Cat can lay his claim to it – and now the conflict Elician had hoped to avoid seems inevitable.
Just as the war between nations begins anew, the goddess of death releases a devastating plague across the continent. To stop it, Elician and Cat must confront Death herself, leaving Elician's rebellious sister, Fen, to do what she can to heal the sick in their absence. But when a coup threatens to upend her brother’s reign, Fen must decide exactly what she is willing to sacrifice to help her brother succeed. With the death toll rising and the struggle for the Alelunen throne in the balance, it’s a race against time to appease the wrath of a god with the monarchies of both countries at stake.

​“To die is to make life, and all life is sacred.”

Lyndsey Byrd's The Moon Blessed King is the lovely conclusion to the perfect duology that began with The Sun Blessed Prince (HERE you can read my review). This achillean tale of life and death and what it means to be human takes all its strong points from the first book, detailing the relationship of two kind and duty-bound princes as they strive to make peace between their nations despite the horros they went through in the first book. Kindness, honor, and mercy guide their hands, towards a moving finale that packs some truly emotional punches. This slowest of slow burns is not for the faint of heart, but it all pays off in the end.

Running parallel to this emotional journey is the tale of the young princess of the sun kingdom, as she struggles to help the war effort but, most importantly, to grow up. Her journey is a highlight of the book, and her chapters a great counterpoint to the bigger plot. She's young and abrasive and drenched in prejudice, but she's willing to learn, and therein lies her saving grace.

The worldbuilding keeps the excellent simplicity of the first book, expanding just the tiniest amount to incorporate a simple but profound philosophy and a beautiful exploration of godhood. At the same time, the magic system keeps the inspiration to science, making it a complex read.

The Moon Blessed King is a stunning conclusion.

✨ 4.5 stars

 

Review: Crueler Mercies, by Maren Chase

 

After nine years as the people’s beloved princess in the sun-soaked Kingdom of Carca, Vita witnesses the execution of her mother by her father’s hand. Forced into exile, Vita fades into obscurity with her only friends—the crows that visit her window.
Eleven years later, Vita is given a choice: marry an enemy general, granting him legitimacy to take the throne, or die as the forgotten princess. With time running out, Vita meets Soline, an intriguing lady-in-waiting who introduces her to the powerful-but-unstable magic of alchemy. If Vita and Soline can learn to control it—and the undeniable spark between them—they could burn the world of men to the ground.

​“Our legacy will be carved into the very core of this kingdom.”

Maren Chase's Crueler Mercies  is a sapphic tale of female rage, slowly meandering towards a strong ending. Vita's development is delayed when she gets thrown into a tower for years, making her a little slow on the uptake once she gets freed; in that sense she's a believable protagonist, although in the second half of the book she exhibits political acumen that would have been difficult to have with what we know of her life in the tower. Still, her naivete remains and gets put to the test often. Her relationship with the woman tasked as her lady-in-waiting develops organically enough, and Soline is a gorgeous foil, savvier and more knowledgeable.

The worldbuilding is pretty basic; magic as a strong importance in the second half of the book, but it's fainly developed and barely mentioned in the first half, making it feel like a deus-ex-machina. The two warring realms are pretty interchangeable, barring from some basic differencies. The main antagonists though are intriguing enough, and especially the general is menacing in his simple cruelty. The ending is impactful in its simplicity and suddenness.

Crueler Mercies is a nice standalone.

✨ 3.5 stars

 

Review: Honor and Heresy, by Max Francis

 

Roy Dawnseve cares more for philosophy than battle. But, in a society that shuns literature in favour of their ongoing war, Roy must face a difficult choice: brave the front lines or investigate the identity of their foes in the Orphic Basilica, an ancient, abandoned library. When Roy chooses to unravel the mystery, it soon becomes clear that the Orphic Basilica isn’t without its own horrors. Strange voices echo down the halls, ghosts roam the bookshelves, and those who stepped foot in the library have either emerged insane or were driven to their own demise.
Roy’s partner in the investigation is Percival Atherton, a manipulative, enigmatic and distractingly charming scholar who has no qualms about belittling Roy. As a fierce snowstorm isolates them from civilisation, Roy and Percival must grapple with their tormented pasts, an unexpected romance, and an age-old conspiracy whose secrets are certain to wipe Northgard from history.

​“​Better it be my nightmare than a whole country's.”

Max Francis' Honor and Heresy is an achillean dark academia novel set in a fantasy world where scholars are put to death. The intriguing premise doesn't live up to its promise, and we're put in a claustrophobic setting, an enormous library, where our two main characters have to do research about a nebulous threat. The novel is mostly about the research, and while the snippets we get of this world's body of work are tantalising, the focus narrows down to the narrator's trauma.

There wasn't a good balance between plot, worldbuilding, and the character's inner life, and what we get is a strange concoction whose abrupt and truncated ending makes no sense at all and falls absolutely flat. Which is a shame, because the bare bones of the novel are really good. 

Honor and Heresy is a missed opportunity.

✨ 3.5 stars

 

ARC Review: Our Crimson Cage, by Ladz

 

Laura Toperz’s husband will be only gone for a week. Despite hiring a new maid to pick up her duties, she expects the days to go by as they do when her husband is present: mundanely and without incident. She is not prepared to solve a murder. Elżbieta dreams of riches. Being hired as a maid for the wealthy Toperz household might just be her ticket to security. After one of her shifts, she sneaks into the manor’s forbidden basement in search of treasure, hoping for valuables or jewels. Instead, she discovers something starving and solitary, begging to be unleashed. Elżbieta can only give in.
Soon, sanguinary terrors descend upon the town. Unaware of her maid’s transgression, Laura remembers the bloodthirsty woman trapped below: Karmila, who comforted her in her youth. Karmila, whom her late father swore was just an imaginary friend. Karmila, who now paints the town and its maidens red. Having escaped under her watch, Laura must decide what she’s willing to sacrifice to bring back peace and quell the lustful frenzy entrancing everyone around her. Even if it means herself.

My thanks to the author for providing an ARC in exchange for an honest review.

Ladz's Our Crimson Cage is a gothic fever dream, taking place in Poland during the Nineteenth century and taking more than a little inspiration from Carmilla. This sharp sapphic novella stuns the reader with its decadent plot and explicit language, detailing the awakening of a monster and centuries of generational trauma bordering on the incestuous.

The book starts with a very informative list of trigger warnings that should be heeded. It is not for the faint of heart, and certainly not for anyone having misgivings about a little touch of blasphemy and broken taboos about menstrual blood. It is a vampire story, and it revels in all its gory and explicit elements, leaving absolutely nothing to the imagination and leaving the reader absolutely begging for more.

At its core, it's a tale of liberation from society's constraints; from religion and patriarchy and any social constructs. It is not an easy story, but it leaves you questioning.

Our Crimson Cage is a decadent dessert.

✨ 4 stars

 

ARC Review: The Sun King's Noon, by Briar Niran

 

King Richard of Ardenia knows fear well. The veil is his kingdom's only defence against Gloamvarn—a neighbouring realm of monsters—and it is crumbling.
In a bid to gather allies for the coming war, Richard throws open his court for a grand Summer Ball. As he navigates political wiles and new threats, it becomes hard to hold steady. Harder still, when bitter arguments erupt between him and his devoted knight.
Meanwhile, a long-buried secret threatens to shatter his family and court, and through it all, the Gloam King waits with a smile.

​Thank you to Netgalley for this ARC in exchange for an honest review.

Briar Niran's The Sun King's Noon is the excellent sequel to The Sun King's Dawn (HERE you can read my review). This second book in the quadrilogy doesn't hold back its punches, continuing the tale of asexual king Richard and his struggles both as monarch of a realm in peril and as a man who finds love for the first time and needs to navigate his feelings. As in the first book, his sex-repulsion features heavily and it's handled deftly, detailling the strong feelings of alienation and the first fluttering beats of a romance that he feels he can't have, duty-bound and unwilling to deny affection to his knight. This is done beautifully and delicately, and it's lovely to see such a nuanced exploration of achillean asexuality in a fantasy novel.

For his part, the knight Kaelen also has some maturing to do, and his journey is worth reading. This continues to be a series about strong relationships, both familial and friendship. Richard learns to open up a bit, to seek counsel more, to heed advice; but he's still strong-willed and used to load everything up on his shoulders, with mixed results. He's a flawed character, but they all are: flawed and incredibly human. The complex web of human relationships is further entangled by the introduction of many new characters as Richard reaches for allies against the threat to his kingdom.

The worldbuilding expands with new kingdoms and people, showing complex traditions and still drawing from our own folklore in a way that is fresh and interesting. The looming threat gives urgency to everything, but there are still some lulls of introspection, quiet moments that are very poignant. One particular moment in the second half of the book, a conversation between Richard and a thief, is especially beautiful and brought tears to my eyes.

The villain gets something of a backseat in this book, still appearing in all his menacing self, but not so overtly present as in the first book. This allows for a tighter focus, and for some really spectacular moments towards the end, a much-needed conversation, and a nail-biting finale.

The Sun King's Noon is a great sequel.

✨ 5 stars

 

List: Most Anticipated Books of 2026 - July to December

 

Here are my most anticipated books for the second half of the year, in order of publication.

 "The Lord of the Wood", by E.M. Anderson(pub July 21, 2026)

 

 

 

  "A Trade of Blood", by Robert Jackson Bennett (pub August 11, 2026)

 

 

 "Dangerous and Well-Read", by Rebecca Sky (pub August 18, 2026)

 

"The Salt King", by Natasha Pulley  (pub August 18, 2026)

 

 

"The Darkness Bites Back", by Laura R. Samotin & Ben Alderson  (pub September 29, 2026)

 

 

 

"Call Me Traitor", by Everina Maxwell  (pub October 27, 2026)

 

 

"Lavender & Hemlock", by Lily Wilkinson  (pub November 10, 2026)

 

 

Review: The Fox and the Devil, by Kiersten White

 

Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to studying vampires—up until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that plague Anneke every night. Spurred by her desire for vengeance and armed with the latest in forensic and investigatory techniques, Anneke puts together a team of detectives to catch her mysterious serial killer. Because her father isn’t the only inexplicably dead body. There’s a trail of victims across Europe and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps some crucial evidence to herself: infuriatingly coy letters, addressed only to Anneke, occasionally soaked in blood, and always signed Diavola. Devil. The obsession is mutual, and all the more dangerous for it. The closer Anneke gets to her devil, though, the less sense the world makes. Maybe her father wasn’t a madman, after all. Diavola might be something much worse than a serial killer . . . and much harder to destroy. Because as Anneke unearths more of Diavola’s tragic past, she suspects there’s still a heart somewhere in that undead body. A heart that beats for Anneke alone.

​“Every contact leaves a trace.”

Kiersten White's The Fox and the Devil is a horror mystery filled with sapphic yearning. Much like the author's previous novel Lucy Undying (HERE you can find my review), it takes inspiration from Dracula, although at a much smaller level, only pulling out the character of Van Helsing as a starting point. Here we follow his daughter Anneke as she contends with the fact that monster are indeed real, and we follow her investigation across Europe as she hunts a hunter, a horrific serial killer. Having Dracula in mind meant that I had my own preconceptions about what was happening behind the scenes, and it was delightful to be proven wrong.

White instead writes something that is only marginally about vampires, and more about yearning and obsession and finding something to live for again. Despite her inner turmoil, Anneke is a competent character, a sharp detective, and together with her coterie of friends she solves impossible murders. Diavola is a great foil, and once we get to know her better, a fascinating character. The progression of their relationship, from foes to something more, is slow and quiet, keeping in line with the times.

The writing is simpler than White's previous novel, where she experimented with different formats with stunning results, but this is a quieter story. The author did a lot of research about the society and historical figures of the Nineteenth Century, and it shows. 

The Fox and the Devil is an excellent book.

✨ 4 stars