Review: The Sun Blessed Prince, by Lindsey Byrd

 

Prince Elician is a Giver – a closely-guarded secret. He can heal any wound and bring the dead back to life. He also can’t be killed, so is cursed to watch his country wage an endless war. Reapers can kill with a single touch. And when one attacks Prince Elician near a hotly contested battlefield, the Reaper expects a terrible punishment. Instead, Elician offers him a new life on enemy territory.
Cat, as Elician calls him, hadn’t realized he could ever find someone who would make life worth living. Yet Elician’s enemies plan to turn his kindness against him. As the pieces of a deadly plot come together, tensions escalate at court and on the battlefield. The fires of conflict burst into new flame – but can those who wield the powers of life and death find peace?

"To heal a wound, you need to start small."

Lindsey Byrd's The Sun Blessed Prince is an excellent epic fantasy with a slow-burn achillean romance subplot. First in a duology, this book sets the stage for what promises to be an explosive conclusion by introducing a varied cast of characters, two realms at constant war, and two very different sets of beliefs based on the gods of Life and Death. Blessed by their respective gods, Cat and Elician are going to do their best to change things for the people in their realms.

Their relationship develops slowly. It's not too much of a spoiler to say that they're separated for most of the book, but their brief time together made an impression on both, and when they reunite they pick up from where they've left, changed forever by what occurred in the meantime. The final chapter is a very moving piece of writing, and almost brought me to tears.

Romance is decidedly not the focus. This is a great political fantasy with lots of moving pieces, twists (I spoiled myself on a big one by looking for the second book while still reading, but there's still so much more going on), and social commentary on slavery especially. There's a great focus on science, unexpected but fairly contained, and it worked well within the narrative. It's a big book with big themes and a list of trigger warnings one may want to check out before reading.

The trio of POVs is completed by Elician's young sister, a girl who’s grappling with her powers and with her place in the world. Her narration might feel out of place, but it provides much context, and her journey is one to pay attention too. The rest of the cast has its moments to shine, starting from Elician's devoted best friend.

My only gripe with this book and the only reason why I'm not giving it five stars is that the passage of a time in a certain portion of the book was unclear, and the same portion would have benefitted from a few more chapters with Elician's POV.

The Sun Blessed Prince is an incredible debut.

✨ 4.5 stars

 

🤴🏻☀ So you want to read about duty-bound princes?

Here's my review of Laura R. Samotin's The Sins on their Bones 

 

Review: The Hymn to Dionysus, by Natasha Pulley

Raised in a Greek legion, Phaidros has been taught to fight for the homeland he’s never seen and to follow his commander’s orders at all costs. But when he rescues a baby from a fire at Thebes’s palace, his commander’s orders cease to make sense: Phaidros is forced to abandon the blue-eyed boy at a temple, and to keep the baby’s existence a secret. Years later, after a strange encounter that led to the death of his battalion, Phaidros has become a training master for young soldiers. He struggles with panic attacks and flashbacks, and he is not the only one: all around him, his fellow veterans are losing their minds.
Phaidros’s risk of madness is not his only problem: his life has become entangled with Thebes’s young crown prince, who wishes to escape the marriage his mother, the Queen, has chosen for him. When the prince vanishes, Phaidros is drawn into the search for him—a search that leads him to a blue-eyed witch named Dionysus, whose guidance is as wise as the events that surround him are strange. In Dionysus’s company, Phaidros witnesses sudden outbursts of riots and unrest, and everywhere Dionysus goes, rumors follow about a new god, one sired by Zeus but lost in a fire.

"We don’t last long, but our stories do."

Natasha Pulley's The Hymn to Dionysus is, in perfect Pulley fashion, a pointed novel about grief, memory, and identity, a reflection on PTSD and love, and a labirintine narration that draws you in, confuses you, enchants you, and leaves you begging for more. Pulley's distinctive voice is a soothing caress, mesmerising and hypnothising, as she tackles Greek Mythology with a deft hand and creates a new story that feels like the myth. Her Dionysus is a feral and uncanny creature, an ancient and curious god, kind and terrible.

The sole narrator, Phaidros, finds himself earning Dionysus' attention from a very young age. A vicious soldier and a polyglot, widowed of his guardian and commander, he is suicidal and compelled by duty and honor. He's the quintessential Pulley protagonist, and yes, she definitely has a niche, but what she does with her niche works everytime, like beautiful clockwork. This book has an intricate plot, with twists and turns that weren't predictable even by knowing the actual myths, and it meanders gently, pulling you by your hand, slowly unraveling madness and knowledge and freedom.

The relationship between Phaidros and the strange witch he suspects from the start of being a god develops beautifully, with moments of terrible tenderness and others that are heartbreaking. Phaidros' internal monologue paints him as a desperate, grieving man who can't find in himself to believe he's worthy of anything anymore, dealing with staggering loss and with the sudden duties he takes on because he has to. Slowly he'll learn to find value in himself, all while battling with a draught that threatens to kill all and with a supernatural madness taking on soldiers, as well as with a dynastic crisis.

The author did her research into history and myth, and it shows with her usage of greek words and historical references and with her deft threading of her own special Pulley-ness into the mythological tapestry. Her usage of language and etymology is as always superb, as is her particular kind of magical realism. This book has mask magic and bronze marvels that might or might not be inhabited by gods, and her inclusion of the blind prophet Thiresias in a new and fresh way is handled with grace. The major female character is handled with the usual depth and narrative cruelty. It should feel trite, but despite this, her women are always vibrant and never dulled down, and that is the saving grace.

The Hymn to Dionysus is a marvelous piece of art.

✨ 5 stars

Snippet: The Raven Tower, by Ann Leckie

For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods.
It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

“Perhaps, long or short, it mattered how one spent that time.”

Ann Leckie's The Raven Tower is an excellent standalone Hamlet-inspired novel with a twist about manipulative and manipulated gods. It features fascinating mythology and magic system, and a beautiful usage of the second person narration. The narrator is a delight, going on with patience about the past and the present and the power of language and stories, and about finally caring for someone. The novel explores themes of imperialism, power, and personal identity, the latter especially through the eyes of the ostensible main character, a transgender man named Eolo, whose gender is not what the story is about, but rather his gender is an important part of his identity that informs his decision-making and emotions and his relationships with several other characters. This books is a gem that I, for one, certainly intend to reread, as I read it upon publication.

✨ 5 stars

ARC Review: Angel Eye, by Madeleine Nakamura

When a healer begins murdering hospital patients, Professor Adrien Desfourneaux discovers that the threat is far closer to him than he could have imagined.
Still recovering from a recent institutionalization and unable to trust his own mind or magic, Adrien is drawn into the witch hunt as suspicion falls upon those closest to him. The city’s inquisitors and witchfinders are losing control, the magicians are growing more and more resentful, and the scars from Adrien’s last brush with disaster refuse to fade. To put an end to the innocent deaths, to keep his dearest friends, and to prove himself worthy of a potential new romance, Adrien is forced to confront his own blind spots before he’s fatally ensnared by the angel of death’s machinations.

Thank you to Netgalley for this ARC in exchange for an honest review.

Madeleine Nakamura's Angel Eye is the gut-wrenching sequel to the excellent 2023 debut Cursebreakers (HERE you can read my review). It's a fast paced, tightly woven thriller, and the first half is absolutely anxiety-inducing and heart-breaking. The themes from the first novel are further explored, giving a nuanced read on addiction, mental illness, and hypersexuality, while also teeming with overwhelming kindness and understanding for battered protagonist Adrien, who just can't seem to catch a break. In this book, his support system grows exponentially, and it's a joy to read amidst the tears.

All the characters from the first novel get their moments to shine, their relationship to Adrien front and center, but it's the new characters that really sell this book and make this a perfect sequel, building on the already strong foundations and creating a perfect gem. Adrien's new keeper is an incredibly intense figure, sharp and terrifying and bigger than life; and his new love interest is just what he needs, sweet and loyal and utterly unafraid, their relationship growing organically and beautifully. There are othere addictions to the cast, all absolutely delightful.

The worldbuilding was really the only thing that I thought had some small problems in the first novel, and here the issues are corrected thanks to a more narrowed focus on the city and its politics. We also lose a bit of the focused academic setting, but it works because it allows for a more thorough exploration.

This book adds on the mental anguish from the first one by adding physical and mental torture, gaslighting, and attempted rape; as such, one might want to proceed with caution, but it's a rewarding read.

Angel Eye is an excellent sequel.

✨ 5 stars

List: Best books of 2024

2025 is coming! In no particular order, here are my favorite books of this year, with links to my reviews.

✨ 5 stars

READ MY REVIEW HERE. This one was a feast, an incredible vampire story with an epistolary twist.

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READ MY REVIEW HERE. The incredible conclusion to a heartfelt duology.

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READ MY REVIEW HERE. An excellent exploration of a toxic immortal love.

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READ MY REVIEW HERE. The trilogy sticks the landing with this powerful tale of love and sacrifice.

✨ 4 stars

READ MY REVIEW HERE. Another great conclusion to a trilogy, leaving no storyline unaccounted for.

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READ MY REVIEW HERE. An utter surprise, a delightful banger with great things to say.

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READ MY REVIEW HERE. A poignant exploration of grief.

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READ MY REVIEW HERE. A delicious vampire tale.

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READ MY REVIEW HERE. A stunning and lovely debut about love.

READ MY REVIEW HERE. A powerful tale about healing after an abusive relationship.

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READ MY REVIEW HERE. An incredible retelling of the Iliad.

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READ MY REVIEW HERE. An excellent alt-history tale with great characters.

Review: The Lotus Empire, by Tasha Suri

Malini has claimed her rightful throne as the empress of Parijatdvipa, just as the nameless gods prophesied. Now, in order to gain the support of the priesthood who remain loyal to the fallen emperor, she must consider a terrible Claim her throne and burn in order to seal her legacy—or find another willing to take her place on the pyre. Priya has survived the deathless waters and now their magic runs in her veins. But a mysterious yaksa with flowering eyes and a mouth of thorns lies beneath the waters. The yaksa promises protection for Ahiranya. But in exchange, she needs a sacrifice. And she's chosen Priya as the one to offer it.
Two women once entwined by fate now stand against each other. But when an ancient enemy rises to threaten their world, Priya and Malini will find themselves fighting together once more – to prevent their kingdoms, and their futures, from burning to ash.

"To swim through rage and grief and rise, alive, on the other side."

Tasha Suri's The Lotus Empire is the heart-wrenching conclusion to the spectacular Burning Kingdoms trilogy, expertly weaving a tale of loss, solitude, revenge, and grief. No thread is left unacknowledged, everything accounted for, in this tragedy about love and duty and sacrifice, a masterful story with a bittersweet ending.

We begin as the last book ended, with our lovers separated by war and a bitter betrayal, but still aching for one another, on the edge between love and hate. Malini has to navigate her Court while waging a war against the supernatural threat of the Yaksa and attempting to survive the fanatical clergy calling for her burning; Priya has to contend with the monsters wearing loved ones’ faces, and with the great empire bent on destroying and assimilating her people. Still in dreams they return to each other, their bond too strong and, perhaps, the key to the end of the war.

Amidst the odd POV characters, the POVs of Bhumika and Rao shine with their journeys, to self-love and peace respectively, as they face the circumstances that left them reeling in the previous book. Both of their storylines reach satisfying conclusions.

The worldbuilding expands to new neighboring kingdoms, new people, and an exploration of the Yaksa and of the goddesses of Malini's people. Not every question is answered, and there's a sense of unfinished business, but the powerful moments leading to the end more than make up for it.

The Lotus Empire is the stunning conclusion to a great trilogy.

✨ 5 stars

Review: The Emperor and the Endless Palace, by Justinian Huang

In the year 4 BCE, an ambitious courtier is called upon to seduce the young emperor—but quickly discovers they are both ruled by blood, sex and intrigue. In 1740, a lonely innkeeper agrees to help a mysterious visitor procure a rare medicine, only to unleash an otherworldly terror instead. And in present-day Los Angeles, a college student meets a beautiful stranger and cannot shake the feeling they’ve met before.
Across these seemingly unrelated timelines woven together only by the twists and turns of fate, two men are reborn, lifetime after lifetime. Within the treacherous walls of an ancient palace and the boundless forests of the Asian wilderness to the heart-pounding cement floors of underground rave scenes, our lovers are inexplicably drawn to each other, constantly tested by the worlds around them. As their many lives intertwine, they begin to realize the power of their undying love—a power that transcends time itself…but one that might consume them both.

"Just because something is true, doesn't mean it is good."

Justinian Huang's The Emperor and the Endless Palace is inexplicably marketed as a romantasy, but it's more than that and it's not that at all. It is romantic, in the truest sense of the word, but it's not a romance: it's a story about love and lust, obsession and revenge. We follow three apparently unrelated storylines, ranging from the distant past in Imperial China to the present, but realize very quickly how these storylines are related. One could say that it's obvious, since it's right there on the blurb, but the way the story is told makes the beauty of it, and it surprises with a few well-placed twists that stun and confound and yet, seem inevitable.

Everything moves like clockwork, every lingering question is answered. The author paints with deft strokes the life at Court of an ambitious clerk, the life of a restless innkeeper in the woods, the life of a present-day gay man coming to terms with his orientation; and the characters breathe to life, with all their contradictions. The reveal of the tangled web of lust and love, of the way the circle of reincarnation drives the characters' lives, is done beautifully.

The prose really is incredible. The narration is vivid, and quite explicit, with unforgettable imagery. There are quite a few sex scenes, and each is described with metaphors suited to the time, which I found very clever. There's quite a few quotes from ancient poetry, and the author seamlessly works in folk tales and real history to make a grand tale of unbridled passions and toxic behavior.

The story presents some triggering scenes of sexual assault.

The Emperor and the Endless Palace is a gorgeous cautionary tale.

✨ 5 stars

Review: The Lost Future of Pepperharrow, by Natasha Pulley

1888. Five years after they met in The Watchmaker of Filigree Street, Thaniel Steepleton, an unassuming translator, and Keita Mori, the watchmaker who remembers the future, are traveling to Japan. Thaniel has received an unexpected posting to the British legation in Tokyo, and Mori has business that is taking him to Yokohama. Thaniel's brief is odd: the legation staff have been seeing ghosts, and Thaniel's first task is to find out what's really going on. But while staying with Mori, he starts to experience ghostly happenings himself. For reasons Mori won't--or can't--share, he is frightened. Then he vanishes.
Meanwhile, something strange is happening in a frozen labor camp in Northern Japan. Takiko Pepperharrow, an old friend of Mori's, must investigate. As the weather turns bizarrely electrical and ghosts haunt the country from Tokyo to Aokigahara forest, Thaniel grows convinced that it all has something to do with Mori's disappearance--and that Mori may be in serious danger.

"Grace is not a thing you performed, but a weight you carried".

Natasha Pulley's The Lost Future of Pepperharrow is the stunning conclusion to the duology that began with The Watchmaker of Filigree Street. The journey of Thaniel and Mori, together with their adoptive daughter, reaches new highs and lows as we learn more about Mori, his morality and the lengths he's willing to go to to protect who he loves.

Mori is such an intriguing character because in another book, he could easily be a villain (in fact, some characters think he is). But we see him through Thaniel's loving eyes, we see his vulnerabilities and strengths, and we can't help but be completely enamored with him, with his quiet strength and his resolve. His are the lines that make us dissolve into a sobbing mess, his the trials and tribulations, in the pursuit of something he eventually can't even remember.

Thaniel gets a much needed depth too, and it's fascinating to see how he navigates his relationship with Mori, with the orphan Six, and with the new character Pepperharrow, a tragic and compelling figure. All the new characters felt alive and believable, with complex motivations of their own, and I was delighted to even find some old faces from the first book.

This sequel was so much better, both in composition and pacing. The prose was of course lovely already in the first book, but the author has such graceful writing, like a warm hug even in the direst circumstances. I loved that we got some more information about how Mori's clairvoyance works, and the ether, and glimpses of this alternate history. I especially loved the change in setting, with the author taking us to Japan and demonstrating a deft hand in painting the country through the eyes of a stranger. I enjoyed her choices in terms of dialogue and her note about it at the end.

The Lost Future of Pepperharrow is a masterful conclusion to a lovely duology.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Kingdoms, by Natasha Pulley

for: memory, time

Review: In the Roses of Pieria, by Anna Burke

When Clara Eden is offered a job as an archivist working for eccentric estate owner Agatha Montague, she thinks her prayers have been answered. Soon, she finds herself sucked into her research world, captivated by a romantic correspondence thousands of years old. But as her feelings for her employer's assistant, Fiadh, deepen, so does her suspicion that something about Agatha Montague isn't right. Unfortunately for Clara, it is far too late to run by the time her suspicions are confirmed.

"I'll paint your face into the histories". Anna Burke's In the Roses of Pieria is a sapphic horror novel with a complex worldbuilding and academic overtones that really enrich the experience. The story is interspersed with a millennia-old correspondence that tugs at the heartstrings with its lyrical passages and references to Sappho's fragments, while slowly unease creeps into Clara and the readers alike as the main character realizes the truth behind the letters.

The fictional Nektopolis, created by the author as a backdrop to such an ancient love story, is so vividly described that makes one wonder whether it's real; the novel begins with an academic discussion that goes on for pages and sets the atmosphere well. The genre-savvy reader will understand immediately what takes Clara a little more time to wrap her head around, but the novel is still full of surprises with an exciting (and mildly horrific) take on the fae.

As the story unfolds, so does the love story between Clara and Fiadh, speeding through the unraveling horror making itself known. Fiadh is a compelling love interest, mysterious and intricate in her loyalties, but fierce in her passions. The adventurous second part of the novel allows to explore her more as a character, and revelations abound. The story, while pretty self-contained, ends with an abrupt cliffhanger that leaves you wanting the second installment in the duology immediately.

In the Roses of Pieria is a gloriously weird sapphic vampire story.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Long Time Dead, Samara Breger

for: sapphic vampires, love through the ages

Review: The Kingdoms, by Natasha Pulley

Joe Tournier has a bad case of amnesia. His first memory is of stepping off a train in the nineteenth-century French colony of England. The only clue Joe has about his identity is a century-old postcard of a Scottish lighthouse that arrives in London the same month he does. Written in illegal English—instead of French—the postcard is signed only with the letter “M,” but Joe is certain whoever wrote it knows him far better than he currently knows himself, and he's determined to find the writer. The search for M, though, will drive Joe from French-ruled London to rebel-owned Scotland and finally onto the battle ships of a lost empire's Royal Navy. In the process, Joe will remake history, and himself.

"Come home, if you remember". Natasha Pulley's The Kingdoms pulls you in with an intricate, layered alt!history/time-travel epic that's brimming with heart and quiet moments. In an alternate world where Napoleon won, France rules England with an iron fist and englishmen are enslaved. Joe spends the whole novel running after half-memories that don't quite make sense, chasing the truth; when he finds it, it's too late. He'll have to grapple with a complicated choice that isn't a choice at all, but this is a kinder book than what it could have been, and I love it for that.

This is my first book by Natasha Pulley, and it certainly won't be the last: it has the perfect mix of angst and time-travel shenanigans to make it a must-read, an instant classic. Its clever use of the butterfly wings effect makes for a really tense read, especially in certain moments. The alternate history that gets created with the first change is grotesque and horrifying, and we experience first-hand the confusion of our main character as he doesn't understand what seems so wrong and jarring about his life. The twist can be seen from early on, but it doesn't make it any less excruciating and it's perfectly executed.

Scenes where we see exactly what characters are forgetting are usually hit-and-miss, but Pulley executes them masterfully. I'm usually a silent reader even when earth-shattering things happen, but this book made me exclaim out-loud more than once. It made me go back and re-read certain scenes during the first read, and it was thrilling. The mystery slowly unfurls itself, and it's agonizing when that happens.

At its core, this is a love story that has very clever things to say about loss and longing, about loving someone no matter what version of them you got. The characters are all so vibrant, and well-built, they are a joy to read; the focus is on Joe and his journey, but the others get their moments to shine.

The Kingdoms is a magical, profound experience.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Time Was, by Ian McDonald

for: time-travel, narration about memory

Review: He Who Drowned the World, by Shelley Parker-Chan

Zhu Yuanzhang, the Radiant King, is riding high after her victory that tore southern China from its Mongol masters. Now she burns with a new desire: to seize the throne and crown herself emperor. But Zhu isn’t the only one with imperial ambitions. Her neighbor in the south, the courtesan Madam Zhang, wants the throne for her husband—and she’s strong enough to wipe Zhu off the map. To stay in the game, Zhu will have to gamble everything on a risky alliance with an old enemy: the talented but unstable eunuch general Ouyang, who has already sacrificed everything for a chance at revenge on his father’s killer, the Great Khan.
Unbeknownst to the southerners, a new contender is even closer to the throne. The scorned scholar Wang Baoxiang has maneuvered his way into the capital, and his lethal court games threaten to bring the empire to its knees. For Baoxiang also desires revenge: to become the most degenerate Great Khan in history—and in so doing, make a mockery of every value his Mongol warrior family loved more than him.

"Porcelain wasn't a person, and it neither felt nor grieved". Shelley Parker-Chan's He Who Drowned the World is the gut-wrenching conclusion to the duology that started with She Who Became the Sun. It's filled to the brim with immoral characters doing their worst to achieve their goals, and you can't help cheering for Zhu, who's only slightly better than the rest of them. This book is a tragedy, and it's a damn good one.

The brutal narration doesn't shy away from the realities of war and from the terrible life of courtesans at court, with numerous scenes of violence, some of which are of a sexual nature. But the descriptions aren't horribly graphic. This book also features characters submitting to sex in order to achieve their goals, and a sort of BDSM nonsexual relationship forming between two characters in order to help the submissive character keep their focus.

The characters are incredibly compelling; the one that could be argued to be the main villain of the narrative is so complex and mired with guilt, set on a path of self-actualization that doesn't stop at anything, even at hurting people they might feel some genuine affection for. It's a novel filled with betrayals and painful realizations. It's a reflection on femininity and masculinity and self-hatred, and it makes its points with harsh precision. And yet there's also a sliver of hope, a beautiful moment of compassion.

The magic takes more focus than in the first book, with the Mandate of Heaven and its uses being at the center of many a plot point. The relationship between Zhu and Ma transitions to the background, until it takes center stage again at the end of the book with some chilling moments. Then there's a tragic relationship between two men, where it's not clear whether one of them is even attracted to men.

He Who Drowned the World is an extraordinary feat of a novel.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Lady Hotspur, by Tessa Gratton

for: complicated characters, complex politics

Review: Locklands, by Robert Jackson Bennett

Sancia, Clef, and Berenice have gone up against plenty of long odds in the past. But the war they’re fighting now is one even they can’t win. This time, they’re not facing robber-baron elites, or even an immortal hierophant, but an entity whose intelligence is spread over half the globe—a ghost in the machine that uses the magic of scriving to possess and control not just objects, but human minds.
To fight it, they’ve used scriving technology to transform themselves and their allies into an army—a society—that’s like nothing humanity has seen before. With its strength at their backs, they’ve freed a handful of their enemy’s hosts from servitude, even brought down some of its fearsome, reality-altering dreadnaughts. Yet despite their efforts, their enemy marches on—implacable. Unstoppable. Now, as their opponent closes in on its true prize—an ancient doorway, long buried, that leads to the chambers at the center of creation itself—Sancia and her friends glimpse a chance at reaching it first, and with it, a last desperate opportunity to stop this unbeatable foe. But to do so, they’ll have to unlock the centuries-old mystery of scriving’s origins, embark on a desperate mission into the heart of their enemy’s power, and pull off the most daring heist they’ve ever attempted.

"There is no dancing through a monsoon". Robert Jackson Bennett's Locklands aims higher than ever and crafts a tale of gigantic scope, a novel about transhumanism, choices, and sacrifices. Set eight years after Shorefall's devastating conclusion, it follows the original cast as they make a new society, something so vastly different from everything that came before, a new way of being. They fight for a chance to survive, battling against the ancient being that they awakened in the past, and finding unexpected allies. It's all-out war, vast and desperate, the very surface of the earth altered.

And yet at its heart, it's also a quiet story of loss and despair, about what a single man can accomplish in the face of a personal tragedy. It's terrible to imagine that much of the pain and catastrophies suffered by humanity were done in the course of attempting to right a wrong. Against the backdrop of the war mysteries are revealed, and the tragedy at the center of it all pulls at heartstrings in its simplicity.

Sancia and Berenice suffer through a trial of their own, as they're forced to face the consequences of what happened in the first book. They're an older couple now, they've been together for years, and they're comfortable in their skin and their love and in the ties that bind them; they know each other, inside and out, but darkness looms ahead, and choices that must be made.

The epilogue is masterful, tying all the final threads together to form a heartbreaking conclusion that nonetheless is filled with hope.

Locklands is the perfect finale to an imaginative trilogy.

✨ 5 stars

Snippet: Babel, by R.F. Kuang

 

1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel. The tower and its students are the world's center for translation and, more importantly, magic. Silver-working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as the arcane craft serves the Empire's quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide: can powerful institutions be changed from within, or does revolution always require violence?

"There are no kind masters". R.F. Kuang's Babel, or the Necessity of Violence: an Arcane History of the Oxford Translators' Revolution is a bleak and tragic tale about racism and colonialism. It's a hard read, it doesn't mince words, and it's a tragedy in the truest sense of the word. It's also a beautiful exploration of languages and philology, and a love letter to the act of translation, which powers magic in this world. It's an alternate history that draws on very real and terrible things, like the opium trade. It deserves to be on this blog because of the unspoken and unresolved attraction between the two male main characters, but I wouldn't recommend reading it merely because of the evanescent queer content. It is a phenomenal tale, though, and one I think everyone should read.

✨ 5 stars

Review: When Women Were Dragons, by Kelly Barnhill

 

Alex Green is a young girl in a world much like ours, except for its most seminal event: the Mass Dragoning of 1955, when hundreds of thousands of ordinary wives and mothers sprouted wings, scales, and talons; left a trail of fiery destruction in their path; and took to the skies. Was it their choice? What will become of those left behind? Why did Alex’s beloved aunt Marla transform but her mother did not? Alex doesn’t know. It’s taboo to speak of.
Forced into silence, Alex nevertheless must face the consequences of this astonishing event: a mother more protective than ever; an absentee father; the upsetting insistence that her aunt never even existed; and watching her beloved cousin Bea become dangerously obsessed with the forbidden.

“What is grief, but love that’s lost its object?”. Kelly Barnhill's When Women Were Dragons is a powerful exploration of sisterhood, grief, motherhood, and mysogyny, a timeless feminist tale. In this alternate world, all throughout history women have been becoming dragons, and each time their so-called "dragoning" was erased from history. Dragoning is seen as inherently female and wrong and almost impure, not a subject for polite company. The protagonist, Alex, struggles at first with this obligation to silence, uncomprehending of the reasons behind such a prohibition.

There is a long string of injustices in this novel that make one want to dragon oneself. As a young girl in the Fifties, Alex faces the discrimination of her gender and, too, of her orientation, when she's separated from her childhood friend who's obviously becoming so much more. She cultivates with her little cousin a relationship that becomes stronger as time passes and, too, almost obsessive, marred by fear of additional loss. Bea is a firecracker, a vivacious kid that dreams of the sky and doesn't seem to understand the dangers of showing it.

But there's not only injustice. Alex has allies, people in her life that see her struggle and try to help. There's the librarian, Mrs. Gyzinska, set on truth and liberation - and this book is also a powerful story about the importance of libraries; there's the ever elusive Dr. Gantz, popping up at first in pamphlets and in sparse chapters recounting the long history of dragoning in the world. There's dragons, so many dragons freeing themselves from the shackles of their lives. And there's joy, at the end, joy and understanding but also loss.

The relationships between mothers and sisters and daughters and nieces is so beautifully explored, it made me want to cry. We don't really know our parents, we think we know everything, but we don't know their inner lives. When Alex consumes herself with grief over what-ifs, she is all of us. When she rages at seemingly becoming her own mother, she is all of us. When she reflects over loss, over making your peace with things, she is all of us.

When Women Were Dragons is a stunning story about overcoming oppression.

✨ 5 stars

Review: The Spear Cuts Through Water, by Simon Jimenez

 

The people suffer under the centuries-long rule of the Moon Throne. The royal family—the despotic emperor and his monstrous sons, the Three Terrors—hold the countryside in their choking grip. They bleed the land and oppress the citizens with the frightful powers they inherited from the god locked under their palace.
With the aid of Jun, a guard broken by his guilt-stricken past, and Keema, an outcast fighting for his future, the god escapes from her royal captivity and flees from her own children, the triplet Terrors who would drag her back to her unholy prison. And so it is that she embarks with her young companions on a five-day pilgrimage in search of freedom—and a way to end the Moon Throne forever. The journey ahead will be more dangerous than any of them could have imagined.

“This is a love story to its blade-dented bone.” Simon Jimenez's The Spear Cuts Through Water defies the boundaries between genres. Is it a sweeping narration of the bonds between people? Is it an oral story? A stunning theater performance? An analysis of the monsters of our own creation? Is it going to make you cry about turtles? Is it a beautiful love story? Is it a tragedy? Is it full of hope? Yes. A sound, earth-shattering Yes to all of the above. This book changes you. I'm trying to find a way to talk about this, but the truth is that this book left me speechless.

The basics, then. The plot, as seen above, is pretty straightforward while also being filled with twists and turns and moments so powerful and touching in their simplicity. At its core, it's also a love story about two violent people, showing them slowly getting closer and finding comfort in each other. But this isn't the story. This is the performance, as shown to the protagonist: you. Is it a real story? Did it happen, in the past of the protagonist's world? Absolutely. Does it blend perfectly with the performance, until you lose yourself in the narration? You bet it does.

If you don't like the second person narration, it's likely you won't like this novel. It's very diffucult to get it right, after all. But this novel gets it exactly right. It doesn't take you out of the book, but rather draws you further in, leading you to the Inverted Theater and its wonders. There are also small segments in the first person, like a chorus in a Greek Tragedy, punctuating the more poignant moments, and it works. Everything works perfectly, like clockwork, creating a stunning tapestry of a novel.

Every character is important. Every small interation counts. Love is the most important thing there is, especially loving yourself. The world is rich, lived in, with astonishing bits of worldbuilding (did I say you'd be crying about turtles?); even the glimpses we get about the present, though less developed, are intriguing. The prose is truly phenomenal, lyrical and evocative. There are terrible depths of depravity and gut-wrenching moments of hope.

The Spear Cuts Through Water is my favorite book of the year. Perhaps it will become yours too?

✨ 5 stars

Snippet: My Real Children, by Jo Walton

 

It's 2015, and Patricia Cowan is very old. "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.
Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?
Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

Think Sliding Doors, but queer and more poignant. Jo Walton's My Real Children is a stunning exploration of the difference that the tiniest choices can make. It's a character-driven piece that only turns more distinctly sci-fi at the very end, leaving the ending open to interpretation; Walton, ever the the practiced writer, deftly paints the two alternate versions of history.

✨ 5 stars

Snippet: This is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone

 

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.
Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

This novella is a love letter. This is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone, needs no introduction; it was vastly acclaimed and it's still an instant classic. The prose is lyrical, intense, grandiose; the plot a mosaic slowly coming together. This book is an experience.

✨ 5 stars

Snippet: The Priory of the Orange Tree, by Samantha Shannon

 

The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction—but assassins are getting closer to her door. Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic. Across the dark sea, Tané has trained all her life to be a dragonrider, but is forced to make a choice that could see her life unravel.
Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

Lesbians and dragons; what more could you ask? Samantha Shannon's The Priory of the Orange Tree is a high fantasy stand-alone set in a world divided. For some, dragons are holy creatures; for others, they're monsters. The truth is, as ever, complex. The climax resolves perhaps a tiny bit quickly, but the journey is incredible; and the courtly love between two of the protagonists is swoon-worthy. This is a great read if you want something that takes its time to really delve into its world.

✨ 4.5 stars

Review: A Taste of Gold and Iron, by Alexandra Rowland

 

Kadou, the shy prince of Arasht, finds himself at odds with one of the most powerful ambassadors at court—the body-father of the queen's new child—in an altercation which results in his humiliation.
To prove his loyalty to the queen, his sister, Kadou takes responsibility for the investigation of a break-in at one of their guilds, with the help of his newly appointed bodyguard, the coldly handsome Evemer, who seems to tolerate him at best. In Arasht, where princes can touch-taste precious metals with their fingers and myth runs side by side with history, counterfeiting is heresy, and the conspiracy they discover could cripple the kingdom’s financial standing and bring about its ruin.

It's all about the yearning. Alexandra Rowland's A Taste of Gold and Iron was easily my most anticipated book of the year and oh, it did deliver! This delicious fantasy romance had it all: two well-rounded protagonists, the slowest burn, a good tight-knit plot, and a thorough exploration of consent and power differentials. I truly enjoyed the many discussions of the concept of fealty and the incredible care shown by every character around the protagonists.

It's also always nice to find a queer-normative world where the conflict doesn't come from the queer romance. The counterfeiting plot is resolved quickly and efficiently, as the book focuses more on the romance; it's there where it takes its time, truly exploring the characters' fears and history. Kadou will stay in my heart as an incredibly relatable character suffering from anxiety and not being fixed by the narrative. Evemer is the perfect contrast and I also read him as demisexual; regardless of that being true, I appreciated that his lack of experience seems to be a non-problem. This book also excels with the interpersonal relationships outside of the romance, and I especially liked how the relationship developed with Kadou's old paramour. Evemer's relationship with his mother is incredibly sweet.

The world is well-developed, an intriguing Ottoman-inspired setting that isn't well-understood by the people coming from other countries. I especially enjoyed the figures of the kahyalar, more than mere guards, and the intricate descriptions of their work. I'm a bit sad that the touch-taste isn't fully explored, but the existence of this power also gives way to a truly tender moment towards the end of the book.

In fact, let me get back to this: this novel is incredibly romantic and sensual. There's a million little scenes that show that touch is truly the most important sense in this world; there's hair-brushing and hair-washing and comforting embraces. It's delightful.

A Taste of Gold and Iron is the perfect comfort read for fealty enthusiasts.

✨ 5 stars

Review: The Oleander Sword, by Tasha Suri

 

The prophecy of the nameless god—the words that declared Malini the rightful empress of Parijatdvipa—has proven a blessing and curse. She is determined to claim the throne that fate offered her. But even with the strength of the rage in her heart and the army of loyal men by her side, deposing her brother is going to be a brutal and bloody fight.
The power of the deathless waters flows through Priya’s blood. Thrice born priestess, Elder of Ahiranya, Priya’s dream is to see her country rid of the rot that plagues it: both Parijatdvipa's poisonous rule, and the blooming sickness that is slowly spreading through all living things. But she doesn’t yet understand the truth of the magic she carries.
Their chosen paths once pulled them apart. But Malini and Priya's souls remain as entwined as their destinies. And they soon realize that coming together is the only way to save their kingdom from those who would rather see it burn—even if it will cost them.

This is such an incredible book. Tasha Suri's The Oleander Sword, second volume of The Burning Kingdoms, doesn't suffer at all from second book syndrome. The narrative only gets richer and grows in complexity and scope; the beautiful prose is truly vivid and immersive. The book moves inesorably towards a reckoning of love and sacrifice that left me speechless with its brutality. Suri makes bold choices, but they work perfectly in the context of the world and the story she's telling, a story of misoginy and religion and the choices we make in a war. The divided loyalties of Malini and Priya are the driving force of the book; their two subplots weave in a heartbreaking way towards a catastrophic ending that redefines battle lines.

The love between Priya and Malini is beautiful because it comes despite all odds and neither of them works under the assumption that they can escape their own duties. They're both incredibly multi-faceted protagonists; but it's the whole cast that makes this book, aided by the skillful use of chapters with different point of views, showing us the thoughts and motives of other characters. While a beautiful love story, indeed, this book is first of all a book about war and its costs; about colonialism and the price of religious war. It's an incredibly complex book that hits all its marks perfectly.

The yaksa are the perfect antagonists, utterly alien and terrifying; the descriptions of the unnatural changes they bring about are especially vivid and horrifying. They aren't beholden by mortal laws; they're other, incarnating themselves from outside, and the sparse backstory that is offered is tantalizing and strange. They're cruel, but because of an impersonal disinterest, not out of real malice. On the other side of the spectrum there's Malini's tyrant brother, revealing himself to be a weak man easily manipulated. In the end Suri manages to make you feel for him while also utterly despising him.

The conflict between love and duty is also explored in the ties between Priya and Bhumika, Bhumika and Jeevan, Malini and Aditya, Aditya and Rao; the tapestry of conflicting loyalties is complex and sometimes ruthless.

The Oleander Sword is an excellent sequel that efficiently tears your heart out and stomps on it.

✨ 5 stars