Review: The Moon Blessed King, by Lindsey Byrd

 

Elician, a Giver with the power to raise the dead, is crowned King of Soleb, but it’s forbidden for Givers to rule. However, Elician is determined to end a generations-long war with the kingdom of Alelune – and will marry Alelune's rightful heir to do so. But Cat is a Reaper, able to kill with a touch, and is therefore feared by his own people. His claim to the throne is a gamble at best, until his tyrannical brother, Gillage, seizes power before Cat can lay his claim to it – and now the conflict Elician had hoped to avoid seems inevitable.
Just as the war between nations begins anew, the goddess of death releases a devastating plague across the continent. To stop it, Elician and Cat must confront Death herself, leaving Elician's rebellious sister, Fen, to do what she can to heal the sick in their absence. But when a coup threatens to upend her brother’s reign, Fen must decide exactly what she is willing to sacrifice to help her brother succeed. With the death toll rising and the struggle for the Alelunen throne in the balance, it’s a race against time to appease the wrath of a god with the monarchies of both countries at stake.

​“To die is to make life, and all life is sacred.”

Lyndsey Byrd's The Moon Blessed King is the lovely conclusion to the perfect duology that began with The Sun Blessed Prince (HERE you can read my review). This achillean tale of life and death and what it means to be human takes all its strong points from the first book, detailing the relationship of two kind and duty-bound princes as they strive to make peace between their nations despite the horros they went through in the first book. Kindness, honor, and mercy guide their hands, towards a moving finale that packs some truly emotional punches. This slowest of slow burns is not for the faint of heart, but it all pays off in the end.

Running parallel to this emotional journey is the tale of the young princess of the sun kingdom, as she struggles to help the war effort but, most importantly, to grow up. Her journey is a highlight of the book, and her chapters a great counterpoint to the bigger plot. She's young and abrasive and drenched in prejudice, but she's willing to learn, and therein lies her saving grace.

The worldbuilding keeps the excellent simplicity of the first book, expanding just the tiniest amount to incorporate a simple but profound philosophy and a beautiful exploration of godhood. At the same time, the magic system keeps the inspiration to science, making it a complex read.

The Moon Blessed King is a stunning conclusion.

✨ 4.5 stars

 

Review: Crueler Mercies, by Maren Chase

 

After nine years as the people’s beloved princess in the sun-soaked Kingdom of Carca, Vita witnesses the execution of her mother by her father’s hand. Forced into exile, Vita fades into obscurity with her only friends—the crows that visit her window.
Eleven years later, Vita is given a choice: marry an enemy general, granting him legitimacy to take the throne, or die as the forgotten princess. With time running out, Vita meets Soline, an intriguing lady-in-waiting who introduces her to the powerful-but-unstable magic of alchemy. If Vita and Soline can learn to control it—and the undeniable spark between them—they could burn the world of men to the ground.

​“Our legacy will be carved into the very core of this kingdom.”

Maren Chase's Crueler Mercies  is a sapphic tale of female rage, slowly meandering towards a strong ending. Vita's development is delayed when she gets thrown into a tower for years, making her a little slow on the uptake once she gets freed; in that sense she's a believable protagonist, although in the second half of the book she exhibits political acumen that would have been difficult to have with what we know of her life in the tower. Still, her naivete remains and gets put to the test often. Her relationship with the woman tasked as her lady-in-waiting develops organically enough, and Soline is a gorgeous foil, savvier and more knowledgeable.

The worldbuilding is pretty basic; magic as a strong importance in the second half of the book, but it's fainly developed and barely mentioned in the first half, making it feel like a deus-ex-machina. The two warring realms are pretty interchangeable, barring from some basic differencies. The main antagonists though are intriguing enough, and especially the general is menacing in his simple cruelty. The ending is impactful in its simplicity and suddenness.

Crueler Mercies is a nice standalone.

✨ 3.5 stars

 

ARC Review: The Sun King's Noon, by Briar Niran

 

King Richard of Ardenia knows fear well. The veil is his kingdom's only defence against Gloamvarn—a neighbouring realm of monsters—and it is crumbling.
In a bid to gather allies for the coming war, Richard throws open his court for a grand Summer Ball. As he navigates political wiles and new threats, it becomes hard to hold steady. Harder still, when bitter arguments erupt between him and his devoted knight.
Meanwhile, a long-buried secret threatens to shatter his family and court, and through it all, the Gloam King waits with a smile.

​Thank you to Netgalley for this ARC in exchange for an honest review.

Briar Niran's The Sun King's Noon is the excellent sequel to The Sun King's Dawn (HERE you can read my review). This second book in the quadrilogy doesn't hold back its punches, continuing the tale of asexual king Richard and his struggles both as monarch of a realm in peril and as a man who finds love for the first time and needs to navigate his feelings. As in the first book, his sex-repulsion features heavily and it's handled deftly, detailling the strong feelings of alienation and the first fluttering beats of a romance that he feels he can't have, duty-bound and unwilling to deny affection to his knight. This is done beautifully and delicately, and it's lovely to see such a nuanced exploration of achillean asexuality in a fantasy novel.

For his part, the knight Kaelen also has some maturing to do, and his journey is worth reading. This continues to be a series about strong relationships, both familial and friendship. Richard learns to open up a bit, to seek counsel more, to heed advice; but he's still strong-willed and used to load everything up on his shoulders, with mixed results. He's a flawed character, but they all are: flawed and incredibly human. The complex web of human relationships is further entangled by the introduction of many new characters as Richard reaches for allies against the threat to his kingdom.

The worldbuilding expands with new kingdoms and people, showing complex traditions and still drawing from our own folklore in a way that is fresh and interesting. The looming threat gives urgency to everything, but there are still some lulls of introspection, quiet moments that are very poignant. One particular moment in the second half of the book, a conversation between Richard and a thief, is especially beautiful and brought tears to my eyes.

The villain gets something of a backseat in this book, still appearing in all his menacing self, but not so overtly present as in the first book. This allows for a tighter focus, and for some really spectacular moments towards the end, a much-needed conversation, and a nail-biting finale.

The Sun King's Noon is a great sequel.

✨ 5 stars

 

Review: Metal from Heaven, by August Clarke

Ichorite is progress. More durable and malleable than steel, ichorite is the lifeblood of a dawning industrial revolution. Yann I. Chauncey owns the sole means of manufacturing this valuable metal, but his workers are on strike. They demand Chauncey research the hallucinatory illness befalling them. Marney Honeycutt, a lustertouched child worker, stands proud at the picket line with her best friend and family. That’s when Chauncey sends in the guns. Only Marney survives the massacre. She vows bloody vengeance.
A decade later, Marney is the nation’s most notorious highwayman, and Chauncey’s daughter seeks an opportune marriage. Marney’s rage and the ghosts of her past will drive her to masquerade as an aristocrat, outmaneuver powerful suitors, and win the heart of his daughter, so Marney can finally corner Chauncey and satisfy her need for revenge. But war ferments in the north, and deeper grudges are surfacing.

"Unalone toward dawn we go."

August Clarke's Metal from Heaven is a genre-bending sapphic epic that defies expectation with its bold use of second person narration, a prose that feels like wading through molasses, and a rich, tight worldbuilding. It deftly explores issues of class struggle and anti-capitalism and what price we are willing to pay to have a revolution.

This is absolutely not a love story but a tragedy, and yet it brims with hope and with a visceral sensuality and with longing devotion that borders on feverish obsession, as main character Marney makes a martyred beacon of her dead best friend. This is also absolutely a novel about butch culture, and the all-female cast is a glorious exploration of masculinity and femininity and all the flavors-in-between, and the intersection of class and queerness, with a very clever distinction between working-class and noble lesbians. Marney is unapologetic in her desires, and pursues many women, although only one has her bleeding heart.

The worldbuilding is rich and complex and almost incomprehensible at times, with a great number of places and cultures and complicated politics governing their alliances, and to complicate matters further, many religions. The crux of the matter, the conflict at the heart of the novel, is the usage and mining conditions of a magical metal that causes unnatural consequences on child laborers and creates a condition of chronic illness on many such children, Marney included; this allows the author to also make a vivid depiction of chronic illness, something that is rare enough in speculative fiction.

The prose is a glorious fever dream of ambitious narrative choices, featuring nonlinear storytelling and long paragraphs that lovingly describe women and hallucinations and sex, and a dizzying muddling of I and you and we. It's also hysterically funny at the most unexpected times.

Metal from Heaven is a modern masterpiece.

✨ 5 stars

 

 

ARC Review: The Sun King's Dawn, by Briar Niran

 

Burdened with an inability to desire others, King Richard of Ardenia still finds peace in his unruly siblings, his loyal circle, and even in his young knight, Sir Kaelen, whose yearning stares he has spent years ignoring. But when Richard rides to a borderland village to investigate eerie happenings, all peace shatters. The veil containing Gloamvarn, a neighbouring realm filled with fell beasts and unimaginable horrors, is cracking. Sooner or later, it will fall.
As Richard hunts for a way to safeguard his kingdom, Kaelen stays close, a constant, protective presence that stirs a strange tenderness Richard doesn’t dare name. For the monsters have a new ruler. And the tyrant hungers not only for Ardenia. But its king, too.

Thank you to the author for this ARC in exchange for an honest review.

Briar Niran's The Sun King's Dawn is a gorgeous achillean romantasy with the slowest of burns, first volume of a quartet, featuring an asexual king and his loyal knight. Told exclusively from the point of view of the king, the novel is a deft exploration of sex-repulsed asexuality and of how alienating it feels to live in a world where everyone expresses their love through carnality. At the same time, it's a novel about finding out one's own way to express love.

King Richard is a beautiful protagonist, complex in his grief and in his belief to be defective. He fiercely loves his siblings, and puts their well-being over his own more than a few times. His loyal knight shines bright with fealty and honor and with the kind of all-encompassing love that the bards sing about, but to the king it's anathema, and source of endless embarrassment and disgust, despite holding deep affection and trust for the knight. This creates a very interesting dynamic that promises to become much more intricate as the series goes on, without the need to somehow "fix" the King.

The worldbuilding and writing might be deemed simple, but they hold up very well, creating the perfect backdrop for the story. This is a secondary world with many creatures from our legends and a basic magical system, but the way it all blends is quite nicely done; the kingdom of the vampire-like creatures especially comes to mind, and there's some really horrifying moments linked to the overall threat of the book, a coming corruption of the flesh. In that regard, threat of sexual violence is also present, but handled expertly in a sensitive manner.

The main villain is perfectly villainous and quite disgusting in his pursuit, while his motivations may at first feel at least partly justified. We feel Richard's despair and horror as the book goes on and the villain's leery overtures become more and more explicit and terrifying. The rest of the cast holds up very well; Richard's three siblings are all well developed, and especially his kid sister is a delight.

The Sun King's Dawn is a perfect first installment.

✨ 5 stars

 

Review: Six Wild Crowns, by Holly Race

 

The king has been appointed by god to marry six queens. Those six queens are all that stand between the kingdom of Elben and ruin. Or so we have been told.
Each queen vies for attention. Clever, ambitious Boleyn is determined to be Henry's favourite. And if she must incite a war to win Henry over? So be it. Seymour acts as spy and assassin in a court teeming with dragons, backstabbing courtiers and strange magic. But when she and Boleyn become the unlikeliest of things - allies - the balance of power begins to shift. Together they will discover an ancient, rotting magic at Elben's heart. A magic that their king will do anything to protect.

"The smallest amount of hope is more precious than none at all." 

Holly Race's Six Wild Crowns is an extraordinary take on the story of Henry VIII and his six wives, filled with sapphic yearning. Drawing from history, the author creates a fantasy tale where an England-inspired island is led by a king who has to take six wives in order to keep up a magical shield that protects the realm. Things, of course, are not as they seem and we follow two women, Boleyn and Seymour, as they contend with secrets that might destroy everything and with the reality of being married to a mercurial king.

The two wives couldn't be more different: Boleyn is ambitious and truly loves the monster; Seymour just wants to survive. Over the course of the book, they change and grow organically. Readers who expect a happy ending should however be cautioned, as this novel is more akin to a Shakespearan tragedy than a modern romantasy. In fact, the sapphic yearning is mostly that, and mostly one-sided; and while the bisexual Boleyn is shown to reciprocate some of the affection, this is a larger tale about living in a men's world and standing up in sisterhood.

The blurb is a little misleading; there's little spycraft and court intrigue, and the dragons are not what we are used to. It's mostly a character-driven tale, although there's some twists and turns that move the plot into uncharted territory. The gorgeous prose makes up for a worldbuilding that is, maybe, not as innovative as it could have been, but that still works perfectly for the purposes of this book. The core cast is painted vividly: we meet the other wives, of course, each of them with her own goals, and Henry is a cumbersome character.

Six Wild Crowns is a fantastic first installment.

✨ 5 stars

 

ARC Review: Princeweaver, by Elian J. Morgan

Born with forbidden, nature-infused magic in an occupied land, anxious apothecary Meilyr survives by keeping his head down. Until he ends up engaged to invading prince Osian in order to save his brother’s life. Now, he is in a deadly game of cat-and-mouse to hide his true self.
When nobles in Osian's court are gruesomely murdered by the same magic that flows through his veins, Meilyr realises someone is seeking revenge for his homeland. As suspicion towards him grows, he and the prince work together to uncover the killer, or risk losing the crown - or their lives. Between court politics, unwieldy magic and a murderer on the loose, Meilyr must keep his wits about him. Especially as his feelings for Osian grow deeper with every passing day...

Thank you to Netgalley for this ARC in exchange for an honest review. 

Elian J. Morgan's Princeweaver is an achillean murder mystery inspired by Welsh folklore and filled with yearning, also offering a stern condemnation of colonialism and showing the toll it takes on the land and its people. It perfectly sets the pieces for what promises to be a gorgeous series, but readers should be warned that the ending is quite abrupt and heart-wrenching, leading to the ferocious need to immediately get to the next book.

The slow burn between Meilyr and Osian is exquisite and acutely slow, a perfect counter to the terrifying and quite horrific murder spree happening around them. Meilyr is a sympathetic protagonist, torn between his secret past and the loyalty to his wrecked land, and the love he starts to bear for the very representative of the kingdom that destroyed his home. For his part, Osian is keenly aware of the wrongs of his royal family, and it shows both in his politics and in the tender respect he gives Meilyr, every interaction between them laden with care and attention. It's rare, refreshing, and beautiful to see so much attention given to consent, even for the smallest gestures, and each moment truly is swoon-worthy. There seems to be demisexual representation, too, which is lovely to see.

The rich worldbuilding ensnares the reader, seamlessly weaving elements of folklore into the narrative. The countryside of the Welsh-inspired conquered nation is rarely explored, most of the action set in the keep, but the old magic and the incredible resilience of its people seep through, especially with the focus on the banned language and on the persecution of magical individuals. The focus on herbology is also very interesting, and the magical system derived from it is clearly described.

This being a mystery, it offers clues that a more savvy reader may catch quickly on; I was personally taken aback, having been working on a completely different theory, but the signs were there, ready to lead to a stunning showstopper of an ending.

Princeweaver is a gorgeous first installment.

✨ 5 stars

 

Review: Aurethia Rising, by Atlas Laika

 

Elio Henly has been preparing for marriage his entire life. As the Henly heir and future steward of Aurethia, he will inherit great power, including control of a lucrative trade route, and ownership of the most precious substance in the Greater Universe — Avara. The mysterious blue crystal native to Aurethia is the sole treatment for parsec sickness, an epidemic ravaging space travelers within the Greater Universe. But when he meets Cael Volkov, the charming heir of the outfitted military planet, Griea, everything he thought he knew about his homeworld, his family, and his heart is turned upside down.  Cael Volkov has been raised to conquer. Champion in the Tupinaire, commander of the Royal Reserve, and son to the mighty Legatus, Cael knows his mission is gain the Aurethian heir’s trust, learn everything he can about the forest moon, and prepare to take it by force. But the longer he spends with Elio Henly, the quiet, brilliant Aurethian prince, the more he questions everything he was taught, and begins to push back against the rhetoric seeded in him by a lust for vengeance.

"How does one undo a lifetime of inequity?" 

Atlas Laika's Aurethia Rising is a queer sci-fi romance that works perfectly as a standalone, but it's actually first in a series that promises to be explosive. Teeming with political maneuvers and betrayal, this stunning space opera takes more than a little inspiration from Dune to show a political marriage between rival Houses and the powerful love that can be born even in the direst circumstances, while reflecting on greed and capitalism.

Elio and Cael are exquisitely explored, and their courtship is a slow affair whose ending feels inevitable. They're a byproduct of their environment; Elio is painfully naive to the realities of commerce, his family the only one that can provide a substance coveted by the rest of the universe, and Cael was bred and trained for the sole purpose of taking back much needed resources, his whole people confined to a harsh homeland. Yet, they persevere, facing harsh betrayals and a seismic truth. The last PoV character is Cael's cousin, a harsh warrior and a tragic, hateful character. Of the rest of the cast, Elio's sister shines with her strength of will and her ferocious loyalty.

The powerful worldbuilding immerses the reader in a big universe, conquered by Earth's descendants, with a confederation made of many powerful Houses ruling planets and moons; but there's also a hint of otherness, the sense that humans aren't alone. The titular Aurethia is a stunning place, and the lush prose paints everything in vivid, colorful strokes, composing a beautiful symphony.

Aurethia Rising is a gorgeous journey.

✨ 4.5 stars

 

ARC Review: Dawn of the Raven, by T.L. Tyner

In the kingdom of Ríocht na Meon, magic is forbidden-and those who wield it are hunted. The First Order's armies scour the land for druids, elemental mages who once walked in harmony with nature. Sorcha, a seamstress raised in comfort within the outer districts, has always been content with her quiet life with her closest friend, Fiona. But when her world begins to unravel, Sorcha's peaceful existence shatters. Fiona, daughter of a farmer and servant in the royal keep's kitchens, works tirelessly to provide for her family. Bound by duty and loyalty, she never imagined her life would change-until she receives an unexpected offer of marriage that could upend everything. And Nemain-the Reaper-haunts the shadows. A feared druid cloaked in mystery, her name alone sends tremors through the kingdom. Few know her story. Less survive her shadows touch. As secrets twist through the royal court and rebellion brews in the kingdom, these women's paths collide in ways that will alter not only their own fates but the fate of the Ríocht na Meon.

Thank you to Netgalley for this ARC in exchange for an honest review. 

T.L. Tyner's Dawn of the Raven is a sapphic fantasy adventure inspired by Irish myths and folklore, set in a world where druids are persecuted. First in a series, it follows three women as they contend with their fate and with persecution.

Fiona and Sorcha are old friends and maybe more; when they get separated, they struggle to survive against societal constraints and people in power. They go through much over the course of the book, and change for better and worse. Nemain has a darker story, and a history of abuse that the author doesn't shy away from. It's seen especially in how quickly she latches to Fiona when they cross paths.

While the general plot, the characters, and the worldbuilding are intriguing, with mature themes like torture and abuse, the writing is somewhat simplistic, while also moving too fast when it ought to stop and let the story breathe.

Dawn of the Raven is a queer tale of resilience.

✨ 3.5 stars

Review: Bloodtide, by Sophie Burnham

 

Cracks are forming in the empire’s facade. In the wake of startling revelations and personal betrayals, Tair finds herself the Iveroa Stone's new custodian as she embarks on a battle for Luxana's streets. As the fallout of the fighting pit massacre leads to a rise in legionary crackdowns and vigilante justice, Tair is determined to find a better path forward for Sargassa’s future. Up in the Imperial Archives, meanwhile, Selah tries to make sense of her family’s tangled history within the Imperium's shadowed beginnings.
Elsewhere, in the far-flung reaches of Roma Sargassa's badlands, Arran and Theo undertake a covert mission for the Revenants, one that could tip the scales between victory and defeat in Griff's upcoming war. But long-laid plans and careful maneuvering are nothing compared to the forces of nature, and Sargassa's future might just be determined by the coming storm. 

"No one is nothing. No one exists alone." 

Sophie Burnham's Bloodtide doesn't suffer from second book syndrome as it continues the excellent series that started with Sargassa (HERE you can find my review). It may stumble a bit in the execution in the very first quarter, as it juggles many moving pieces and experiments with different formats to account for the seismic revelation from the first book, but once it finds its footing, it's an ambitious rollercoaster from start to finish, digging deeper into issues of slavery, class, and the circle of violence, but also into the resiliency of human nature. The twists keep coming, too, keeping the reader on the edge of their seat or laughing in delight. Predictably, it ends with a cliffhanger, but the stage is perfectly set for what promises to be an epic conclusion.

The worldbuilding expands to explore more of Sargassa, showing the ruins of a time long past. It's delightful to catch on to the references, or sheepishly realize what they were long after reading them. The city is further explored, too, with more focus on the struggles of the servae as the entire community reckons with a perfect storm that lasts days.

The character work is excellent. Everyone must reckon with terrible truths and with the shocking revelation from the first book, everyone grows and changes and matures. Selah is the definite highlight, on a journey to a paradigm shift and the realization that the system was rigged from the start. Even if she was already sympathetic, here she really takes charge and faces her preconceptions. Her relationship with Tair, so fraught after the first book, is given time to breathe, offering no quick solution, but taking most of the book to bring the both of them to the correct mindspace. The revolution's coming, after all, and they're all very busy.

The other PoV characters are given their time to shine, of course. Maybe Theo remains the more static, but they still get some very interesting moments dealing with their gender identity. Arran gets more to do, and the focus is of course on his dual status that puts him at the edge of society, never really fitting in. Darius was the most surprising; a character that was really hateful in the first book, here he gets some moments that really challenge his worldview, and I get the feeling his will be an interesting journey.

Bloodtide lives up to the hype and raises the bar.

✨ 4.5 stars

 

Review: The Sovereign, by C.L. Clark

 

Luca is the new queen of Balladaire. Her empire is already splintering in her hands. Her uncle wasn’t the only traitor in the court, and the Withering will decimate her people if she can’t unearth Balladaire’s magic. The only person who can help her wants the only thing Luca won’t give—the end of the monarchy.
Touraine is Luca’s general. She has everything she ever wanted. While Luca looks within Balladaire’s borders, Touraine looks outward—the alliance with Qazal is brittle and Balladaire’s neighbors are ready to pounce on its new weakness. When the army comes, led by none other than Touraine’s old lover, Touraine must face the truth about herself—and the empire she once called home. 

"Trust is a choice." 

C.L. Clark's The Sovereign is the excellent conclusion to the Magic of the Lost series (HERE's my review of the second book), a vividly painted tale of love and betrayal that reckons with issues of colonialism and imperialism in a lush world filled with lost magic. Touraine and Luca must reckon with their choices and with their respective duties - to their lands, to their families, to their loves. It's a strong novel, filled with impossible choices, heartbreaking and brutal, but love permeates every step of the way.

The character work is exquisite. The love between Touraine and Luca never wawers, but it's put to the test more than once. As their world comes crumbling down with magical desease, war, and revolution, they stay at the center, dealing with the crisis while trying to navigate their relationship and what it means for their lives and their goals. The tension works because they are often at odds with each other, and the complex duties and loyalties make this book shine. The book careens towards a quiet ending after a mad roller coaster of emotions, and it feels inevitable and perfect.

It's a book filled with loss and grief. With so many characters and a war looming, it doesn't feel like a spoiler to say that not everyone comes out unscathed. And every character has their moment to shine; from the deadly courtesan Sabine, to Touraine's previous lover, to the girl that will end up a symbol of the revolution, every character is lovingly rendered and perfectly understandable in their motivations. Others, old and new, are not mere faces, but each of them expertly written.

The worldbuilding expands, exploring another conquered land, its people and their magic; and Touraine's own people and magic, and Luca's Empire and its lost magic. The book manages to give answers and new questions and paint a well-contained secondary world, maybe not especially creative but expertly crafted.

The Sovereign is an incredible conclusion.

✨ 5 stars

 

Review: Fate's Bane, by C.L. Clark

 

The clans of the fens enjoy a tenuous peace, and it is all thanks to Agnir, ward and hostage. For as long as she can remember she has lived among the enemy, learning their ways, growing strong alongside their children. When a burgeoning love for the chieftain’s daughter lures them both to a hidden spring, a magic awakens in them that could bind the clans under one banner at last—or destroy any hope of peace. By working their intentions into leather, they can weave misfortune for their enemies… just like the Fate’s Bane that haunts the legends of the clans.
Ambitions grow in their fathers’ hearts, grudges threaten a return to violence, and greedy enemies wait outside the borders, seeking a foothold to claim the fens for themselves. And though their Makings may save their families, the legend that gave them this power always exacts its price.

"Symbol as I was, I was powerless." 

C.L. Clark's Fate's Bane  is a complex tragedy woven with a lyrical, stunning prose. This compact novella details the tragic love between a hostage and the daughter of her captor, as the years go by and their clans keep warring. With evocative turns of phrase, feeling like a folk tale, this heartbreaking sapphic tale explores the cycle of violence and the cycle of stories, exploring queer longing and the insanity of war.

Told entirely from the perspective of the hostage, this novella breezes through years and years of development, but nothing feels rushed; every word is precise and evocative, especially when it describes the eerie spring that might have doomed or blessed them. Their love starts slow, and burns bright, and it might be the only thing that can save them. But nothing is certain, and in that nebulous unclarity lies the real beauty of this story.

This short masterpiece is perhaps not for everyone, with its soft edges of a story narrated around a campfire, a clan story, a tragedy in the making; but its beauty compels and hurts. Its magic is not the loud magic of high fantasy, but a quieter, uncanny thing, like something straight out of Faerie.

Fate's Bane is a stunning novella.

✨ 5 stars

 

Review: The Sun Blessed Prince, by Lindsey Byrd

 

Prince Elician is a Giver – a closely-guarded secret. He can heal any wound and bring the dead back to life. He also can’t be killed, so is cursed to watch his country wage an endless war. Reapers can kill with a single touch. And when one attacks Prince Elician near a hotly contested battlefield, the Reaper expects a terrible punishment. Instead, Elician offers him a new life on enemy territory.
Cat, as Elician calls him, hadn’t realized he could ever find someone who would make life worth living. Yet Elician’s enemies plan to turn his kindness against him. As the pieces of a deadly plot come together, tensions escalate at court and on the battlefield. The fires of conflict burst into new flame – but can those who wield the powers of life and death find peace?

"To heal a wound, you need to start small."

Lindsey Byrd's The Sun Blessed Prince is an excellent epic fantasy with a slow-burn achillean romance subplot. First in a duology, this book sets the stage for what promises to be an explosive conclusion by introducing a varied cast of characters, two realms at constant war, and two very different sets of beliefs based on the gods of Life and Death. Blessed by their respective gods, Cat and Elician are going to do their best to change things for the people in their realms.

Their relationship develops slowly. It's not too much of a spoiler to say that they're separated for most of the book, but their brief time together made an impression on both, and when they reunite they pick up from where they've left, changed forever by what occurred in the meantime. The final chapter is a very moving piece of writing, and almost brought me to tears.

Romance is decidedly not the focus. This is a great political fantasy with lots of moving pieces, twists (I spoiled myself on a big one by looking for the second book while still reading, but there's still so much more going on), and social commentary on slavery especially. There's a great focus on science, unexpected but fairly contained, and it worked well within the narrative. It's a big book with big themes and a list of trigger warnings one may want to check out before reading.

The trio of POVs is completed by Elician's young sister, a girl who’s grappling with her powers and with her place in the world. Her narration might feel out of place, but it provides much context, and her journey is one to pay attention too. The rest of the cast has its moments to shine, starting from Elician's devoted best friend.

My only gripe with this book and the only reason why I'm not giving it five stars is that the passage of a time in a certain portion of the book was unclear, and the same portion would have benefitted from a few more chapters with Elician's POV.

The Sun Blessed Prince is an incredible debut.

✨ 4.5 stars

 

🤴🏻☀ So you want to read about duty-bound princes?

Here's my review of Laura R. Samotin's The Sins on their Bones 

 

Review: The Lure of Their Graves, by Laura R. Samotin

Dimitri Abramovich may have won back the throne of Novo-Svitsevo, but even after defeating his former husband, the usurper Alexey Balakin, he seems no closer to securing lasting peace for his people. Enemies are closing in on all sides, and pressure is mounting for Dimitri to play the one card he has left in a bid for stability—offering his hand in marriage for a second time.
But Dimitri is still healing from the tragedies of the war, his return to the throne, and Alexey's years of torment. Vasily Sokolov is the only person with whom he feels safe, and giving up the comfort of their budding relationship feels unfathomable, even if it's the only way to sever the alliances being formed among the countries surrounding Novo-Svitsevo. So as Dimitri and Vasily reckon with political treachery, the lasting consequences of Dimitri's resurrection, and the sinister legacy of Alexey’s use of the Holy Science, they must also work to understand what it means to love each other even as they prepare to let each other go—which might prove the most difficult of all.

"Nothing of me is left in you. You have no claim to me."

Laura R. Samotin's The Lure of Their Graves is the epic conclusion to a poignant duology about surviving abuse (HERE you can find my review of the first installment in the series). After the first book's gut-wrenching finale, here is a tale about healing, something that takes a lot of time and a lot of false starts, especially when one is also faced with threats against the kingdom. This book is especially angsty, a feat after the already bleak first installment, and many chapters are tinged with despair, especially when it comes to the political marriage aspect.

Dimitri lives for his kingdom, and the agony of having to choose a spouse for the good of his kingdom, instead of following his heart and choosing Vasily, almost tears him apart. This is amplified by the fact that he can't envision a sexual relationship for its sake and the sake of the kingdom: he's described as asexual, possibly demisexual, and the marital bed would be a violation almost worse than what he survived during his first marriage. Vasily's chapters are just as painful, because he sees the choice in fronts of Dimitri and knows that he has to do what's best, but it kills him. Their encounters are mired with so much pain, and so much love, that one has to pace the reading or else be overwhelmed with emotion. And yet, it's such a hopeful book, and gentle, and kind. It's also very explicit in its descriptions of the sex scenes between Dimitri and Vasily.

The supporting cast is a delight, expanding on the core characters of the first book, Dimitri's found family, and adding Dimitri's suitors from other realms, and others. The suitors are vibrant characters, very different from each other, each of them with their own goals and needs, and we can't hate them, even though their mere presence is agony. On the other hand, we're once again subjected to Alexei's hateful POV, and he's just as skeevy and completely oblivious to the damage he caused as in the first book. His threat is one that has to be confronted too, but there will be help from an unlikely source, bringing to a close and to a satisfying ending another heartbreaking subplot from the first book.

The world-building, inspired by Jewish and Eastern European folklore, continues to be fascinating. It's not expanded upon, but what we already knew is enough to frame the story without weighing too much on the mental journey of the characters.

The Lure of Their Graves is a powerful conclusion.

✨ 4 stars

Review: The Tainted Cup, by Robert Jackson Bennet

In Daretana’s most opulent mansion, a high Imperial officer lies dead — killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible. Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.
At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home. Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

"Civilization is often a task that is only barely managed."

Robert Jackson Bennet's The Tainted Cup is an excellent murder mystery wrapped in the beautiful package of an immaculate worldbuilding, featuring an autistic investigator and her dyslexic assistant, who is our only narrator. This Watsonian figure is thus often as clueless as we are to the investigator's sharp deductions, and it's a delight to be there for the ride, desperately trying to keep up.

This really feels like much more of a mystery novel than a fantasy story, but I have an inkling that there will be a larger plot to unravel about the world. In this first book, the world is more in the background, but we are immersed in it with deft, precise, and small strokes. This is a world where people are artificially augmented in order to cover various tasks, where an empire built walls in order to protect the population from giant creatures called leviathans whose arrival by sea is heralded by earthquakes. This vividly painted world is teeming with contagions that scare the population, while the government is in a power struggle with powerful families. The books thus touches upon themes of classism and social injustice, and it's certain to delve more on them in the rest of the trilogy.

The interactions between Din and Ana are naturally an highlight of the book, with Din's inexperience playing well against Ana's greatness. He's not one to be intimidated, though, and he ends up being of great help thanks to his general stubborness. The rest of the cast is very vibrant, with many support characters who all feel very distinct and have their own development, following the big revelations coming from the investigation. There's even time for the sweet first steps of an achillean relationship between Din and another character, but it's not a focus.

The Tainted Cup is a great first installment.

✨ 4.5 stars

Review: Sargassa, by Sophie Burnham

Selah Kleios is twenty-two years old and suddenly one of the most important women in the empires. The role of Imperial Historian is her birthright, something she’s been preparing for since birth—but she was supposed to have more time to learn the role from her father, the previous Historian. In the wake of her father’s sudden and shocking assassination, Selah finds herself custodian of more than just the Imperial Archives, the towering central library that safeguards all collective knowledge of the Roman Imperium and its client empires. There’s also the question of the two puzzling classified items her father left in her care—an ancient atlas filled with landscapes that don’t exist, and a carved piece of stone that seems to do nothing at all.
Soon, though, it becomes clear that the Iveroa Stone is more than just a slab of rock. With the reappearance of an old lost love who’s been blackmailed into stealing it for an unknown entity, Selah finds herself in a race to uncover the mysteries the Stone holds. But she isn’t the only one with an interest in it—she’ll have to contend with the deputy chief of police, an undercover spy, and her own beloved half brother along the way. What begins as an act of atonement and devotion ultimately pulls her into the crosshairs of deep state conspiracy, the stirrings of an underground independence movement, and questions that threaten to shake the foundational legitimacy of Roma Sargassa’s past, present, and future.

"She will always choose change."

Sophie Burnham's Sargassa is an incredible alt-history novel, set in a world where the Roman Empire never fell and injustice runs rampant. When Selah's father dies, she has to fill his shoes pretty quickly and take his place as Historian, a hereditary job that's meant to be like a custodian of ancient knowledge. But the world she has to move in, a world where indentured servitude was never stopped, forces her to come to terms with some very harsh truths.

This is a multi-POV epic that also follows her slave-adjacent half-brother, a nonbinary rebel, a righteous cop, and an idealistic thief. Their characters meet and play off of each other beautifully, even the racist misogynist of a cop who's tragically in the wrong place at the wrong time. The luring corruption of the city functions as a backdrop to this delightful mystery as a millennia-old lie unfurls into the light and battle-lines are drawn.

The setting is perfect, with fantastic pieces of worldbuilding, little things you can really trace to the actual Roman Empire. At the end of the book is a helpful compendium explaining how this colony came to be, and the revelations only enrich the experience. You get the sense, early on, that not everything is as it seems, and it's fun to follow the clues clearly left for the reader.

Between the themes of systemic violence and slavery, there wouldn't seem to be much time for love stories, but two delicate queer romances unfold organically, following the course of the novel to its incredible conclusion. In particular, the sapphic love story featuring Selah has the strongest foundation, and a strong development.

Sargassa is the fantastic first book of a series that promises to be explosive.

✨ 4.5 stars

Review: Swordcrossed, by Freya Marske

Mattinesh Jay, dutiful heir to his struggling family business, needs to hire an experienced swordsman to serve as best man for his arranged marriage. Sword-challenge at the ceremony could destroy all hope of restoring his family's wealth, something that Matti has been trying—and failing—to do for the past ten years. What he can afford, unfortunately, is part-time con artist and full-time charming menace Luca Piere.
Luca, for his part, is trying to reinvent himself in a new city. All he wants to do is make some easy money and try to forget the crime he committed in his hometown. He didn't plan on being blackmailed into giving sword lessons to a chronically responsible—and inconveniently handsome—wool merchant like Matti. However, neither Matti's business troubles nor Luca himself are quite what they seem.

"You broke me out of the box."

Freya Marske's Swordcrossed is a low-stakes romantasy with very little fantasy elements and a focus on fencing and wool. Set in a queernormative world, it follows workaholic Matti as he struggles to juggle his merchant family duties and faces a wedding he doesn't really want. His chance meeting with swordsman Luca will help him find a better balance in his life and allies he wasn't sure he had.

This is a cozy story with great things to say about managing familial expectations and finding one's own way, even when one's family is supportive. It's also a fun adventure featuring interesting customs such as the one about using duelists during formal events such as a wedding, which makes for nice shenanigans.

The progression of the attraction between the two main characters was handled beautifully and led to many steamy scenes, but there was some well-placed angst as well. The plot truly is minimal, and the twists are pretty obvious, but sometimes that's all you need. I will say that the fact this was written before the remarkable Last Binding trilogy is made clear by the simplicity of the story, but it's not inherently a bad thing.

Swordcrossed is a fun romp that will make you learn many things about the wool industry.

✨ 4 stars

Review: The Weavers of Alamaxa, by Hadeer Elsbai

The Daughters of Izdihar—a group of women fighting for the vote and against the patriarchal rule of Parliament—have finally made strides in having their voices heard...only to find them drowned out by the cannons of the fundamentalist Ziranis. As long as Alamaxa continues to allow for the elemental magic of the weavers—and insist on allowing an academy to teach such things—the Zirani will stop at nothing to end what they perceive is a threat to not only their way of life, but the entire world.
Two such weavers, Nehal and Giorgina, had come together despite their differences to grow both their political and weaving power. But after the attack, Nehal wakes up in a Zirani prison, and Giorgina is on the run in her besieged city. If they can reunite again, they can rally Alamaxa to fight off the encroaching Zirani threat. Yet with so much in their way—including a contingent of Zirani insurgents with their own ideas about rebellion—this will be no easy task. And the last time a weaver fought back, the whole world was shattered.

"Safe in the knowledge that she was powerful."

Hadeer Helsbai's The Weavers of Alamaxa is the hectic conclusion to the duology started with The Daughters of Izdihar. The novel picks up where the first book ended, and from there doesn't stop a moment, careening towards an ending that ties up all the loose threads but feels unearned because we didn't have time to really delve into the changing situations. Events take place at a fast pace, and the new characters and setting suffer from it. The first conflict of the novel gets resolved in the blink of an eye, in order to put all pieces on the board and proceed with a war that becomes too rushed as well.

A trilogy would have allowed this series to breathe; we could have spent the whole of the second novel at the Zirani court and in Zirani, to learn more about their people and have time to get interested in those characters. Instead, the rushed resolution means we care little for them when disaster strikes. The core characters from the first volume are of course exempt from this, and a tragic event is treated with the grace and attention it deserves. But the focus on the war means that all the things that made the first book so memorable - the political struggle and the battle for bodily and political authonomy - take the backseat.

The two POVs' journey, on the other hand, is well-executed: Nehal softens her edges as she learns the struggles of the poor, and she has a few memorable scenes; Giorgina undegoes a metamorphosis, going from a meek character to one who fights for what's right. Malak of course continues to stun with her political acumen and her strength, the remaining Daughters of Izdihar make their appearance, and Nico handles himself well; the Zirani monarchs, while underdeveloped, make for interesting villains. The worldbuilding suffers from the fast pace, but new information about the world gives a new perspective.

The Weavers of Alamaxa is a book that could have been more.

✨ 3.5 stars

Snippet: Empire of the Feast, by Bendi Barrett

We awaken with Riverson, 32nd ruler of the Stag Empire, as he attempts to govern without the memories of his previous lives. To survive the ever-sharpening gears of war, he will need to mend the political schisms threatening to tear his empire apart while maintaining the erotic rituals holding off the eldritch horror known only as the Rapacious.

“We will eat the stars and drench the darkness in ecstasy.”

Bendi Berrett's Empire of the Feast is a sci-fi novella with a touch of magic, compact and luxurious. In less than a hundred pages, the author paints the delicate balance of an intergalactic empire held together against an eldritch foe only thanks to the power surges created by a never-ending orgy. Despite the particular subject, the book isn't too explicit, and follows the efforts of the newly resurrected Emperor attempting to regain his footing and stop a coup, having been brought back memoryless and with a different gender. This delightfully queer page-turner of a novella packs a complex journey that resolves in less than a day; it only stumbles in the Epilogue, where it tries to tie too neat a bow to the detriment of a perfect roller-coaster.

✨ 4 stars

Review: The Sins on Their Bones, by Laura R. Samotin

Dimitri Alexeyev used to be the Tzar of Novo-Svitsevo. Now, he is merely a broken man, languishing in exile after losing a devastating civil war instigated by his estranged husband, Alexey Balakin. In hiding with what remains of his court, Dimitri and his spymaster, Vasily Sokolov, engineer a dangerous ruse. Vasily will sneak into Alexey’s court under a false identity to gather information, paving the way for the usurper’s downfall, while Dimitri finds a way to kill him for good.
But stopping Alexey is not so easy as plotting to kill an ordinary man. Through a perversion of the Ludayzim religion that he terms the Holy Science, Alexey has died and resurrected himself in an immortal, indestructible body—and now claims he is guided by the voice of God Himself. Able to summon forth creatures from the realm of demons, he seeks to build an army, turning Novo-Svitsevo into the greatest empire that history has ever seen. Dimitri is determined not to let Alexey corrupt his country, but saving Novo-Svitsevo and its people will mean forfeiting the soul of the husband he can’t bring himself to forsake—or the spymaster he’s come to love.

"If I die first, I'll tell you the secrets of heaven."

Laura R. Samotin's The Sins on Their Bones is an extraordinary tale of healing from trauma and finding your inner strength again after enduring an abusive relationship, a well-written dark fantasy story with Jewish accents and folklore and a Russian-inspired court, a tale of the supernatural that doesn't shy away from its horrors, even when it's creatures of good that are doing the violations. It's a quiet story, following the three POVs of the grief-stricken former Tzar, his loyal spymaster, and the man who abused the Tzar's heart, body, and empire.

The abuser's POV is truly unsettling; he's so enamored of his narrative, so disgustingly lacking in self-awareness, that it proves to be a challenging read. He's a perfect villain, not moustache-twirling but one who believes he's the hero of his own story when in truth, we see the depths of his depravity in stark vividness. The book is prefaced by trigger warnings, and one would do best to take heed of them; the upsetting material isn't just in his chapters, but is reminisced and witnessed in the other POVs as well. The spymaster, too, has a painful past, that he'll try to overcome while he helps the former tzar do the same. The tzar's POV is heartbreaking, for his love for his abuser, even though he's aware of the things he did, is still ever-present and drenched in agony, and he can't bring himself to find comfort as his kingdom is taken apart by a madman.

The supporting cast truly shines. Dimitri has friends, his inner court, well-rounded characters with inner lives, who love him and try to bring him back from the abyss (they enrich the queerness of the book, as one of them is nonbinary and another is aroace). The story starts after the war that broke the realm, and pieces of information are given here and there, to slowly paint the picture of what happened. Not everything is clear - how exactly Alexey turned to the Holy Science, for instance - but the atmosphere makes up for it. Another truly tragic character is Dimitri's half-brother, who bears the brunt of Alexey's twisted affections in the absence of the brother whom he resembles so much; his story was heartbreaking.

The magic system was intriguing, as were the glimpses of the supernatural and the way they were linked to Jewish folklore; we have demons and angels and the name of God. There are horror elements, in a sense, but the deepest horror is human depravity.

The book, despite no indication of this, seems to be part of a series given the epilogue, but I was expecting a standalone.

The Sins on Their Bones is a powerful tale.

✨ 4 stars