Review: The Lost Future of Pepperharrow, by Natasha Pulley

1888. Five years after they met in The Watchmaker of Filigree Street, Thaniel Steepleton, an unassuming translator, and Keita Mori, the watchmaker who remembers the future, are traveling to Japan. Thaniel has received an unexpected posting to the British legation in Tokyo, and Mori has business that is taking him to Yokohama. Thaniel's brief is odd: the legation staff have been seeing ghosts, and Thaniel's first task is to find out what's really going on. But while staying with Mori, he starts to experience ghostly happenings himself. For reasons Mori won't--or can't--share, he is frightened. Then he vanishes.
Meanwhile, something strange is happening in a frozen labor camp in Northern Japan. Takiko Pepperharrow, an old friend of Mori's, must investigate. As the weather turns bizarrely electrical and ghosts haunt the country from Tokyo to Aokigahara forest, Thaniel grows convinced that it all has something to do with Mori's disappearance--and that Mori may be in serious danger.

"Grace is not a thing you performed, but a weight you carried".

Natasha Pulley's The Lost Future of Pepperharrow is the stunning conclusion to the duology that began with The Watchmaker of Filigree Street. The journey of Thaniel and Mori, together with their adoptive daughter, reaches new highs and lows as we learn more about Mori, his morality and the lengths he's willing to go to to protect who he loves.

Mori is such an intriguing character because in another book, he could easily be a villain (in fact, some characters think he is). But we see him through Thaniel's loving eyes, we see his vulnerabilities and strengths, and we can't help but be completely enamored with him, with his quiet strength and his resolve. His are the lines that make us dissolve into a sobbing mess, his the trials and tribulations, in the pursuit of something he eventually can't even remember.

Thaniel gets a much needed depth too, and it's fascinating to see how he navigates his relationship with Mori, with the orphan Six, and with the new character Pepperharrow, a tragic and compelling figure. All the new characters felt alive and believable, with complex motivations of their own, and I was delighted to even find some old faces from the first book.

This sequel was so much better, both in composition and pacing. The prose was of course lovely already in the first book, but the author has such graceful writing, like a warm hug even in the direst circumstances. I loved that we got some more information about how Mori's clairvoyance works, and the ether, and glimpses of this alternate history. I especially loved the change in setting, with the author taking us to Japan and demonstrating a deft hand in painting the country through the eyes of a stranger. I enjoyed her choices in terms of dialogue and her note about it at the end.

The Lost Future of Pepperharrow is a masterful conclusion to a lovely duology.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Kingdoms, by Natasha Pulley

for: memory, time

Review: An Education in Malice, by S.T. Gibson

Deep in the forgotten hills of Massachusetts stands Saint Perpetua's College. Isolated and ancient, it is not a place for timid girls. Here, secrets are currency, ambition is lifeblood, and strange ceremonies welcome students into the fold. On her first day of class, Laura Sheridan is thrust into an intense academic rivalry with the beautiful and enigmatic Carmilla. Together, they are drawn into the confidence of their demanding poetry professor, De Lafontaine, who holds her own dark obsession with Carmilla.
But as their rivalry blossoms into something far more delicious, Laura must confront her own strange hungers. Tangled in a sinister game of politics, bloodthirsty professors and dark magic, Laura and Carmilla must decide how much they are willing to sacrifice in their ruthless pursuit of knowledge.

"Face death bravely, and greet her as a lover."

S.T. Gibson's An Education in Malice is a sapphic dark academia with vampires, loosely connected to the author's A Dowry Of Blood and inspired by the classic Carmilla, although the inspiration ends at the names. The titular character enters a heated academic rivalry with the seemingly innocent Laura, while the two work under the tutelage of their poetry professor, a mysterious figure with her own agenda.

Their two POVs entwine as they navigate their attraction and their battle for their teacher's attention; Laura struggles with her own desires, which she can only safely explore with the help of erotic fiction, while Carmilla is trapped in an inappropriate relationship with her mentor. Gradually, the two will come together and overcome their hurdles, while also coming into their own.

The prose is exquisite, with lovely turns of phrase, and the obsessive nature of their fascination is mirrored by the lush descriptions and the carnality of the world they come into. The attraction between Carmilla and Laura culminates when they are invited to a vampiric bacchanalia, with voyeuristic plays and public sex. We also meet a few older vampires, expanding the world and giving it depth.

The book seems to be a standalone, but I would love something else with the same characters. Perhaps I would have preferred a singular POV, to add to the intrigue, but this worked as well.

An Education in Malice is a deliciously debauched retelling.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* In the Roses of Pieria, by Anna Burke

for: academia, deeper history

Review: A Market of Dreams and Destiny, by Trip Galey

Below Covent Garden lies the Untermarkt, where anything and everything has a price: a lover’s first blush, a month of honesty, a wisp of fortune. As a child, Deri was sold to one of the Market’s most powerful merchants. Now, after years of watchful servitude, Deri finally spots a chance to buy not only his freedom but also his place amongst the Market’s elite when he stumbles into the path of a runaway princess desperate to sell her royal destiny.
But news of the missing princess and her wayward destiny spreads. Royal enforcers and Master Merchants alike are after it. Outmanoeuvring them all would all be hard enough had Deri not just also met the love of his life, a young man called Owain, whose employers are using the Market for their own nefarious schemes. Deri soon finds that the price of selling the royal destiny, making a name for himself, and saving the man he loves is dear. The cost of it all might just change the destiny of London forever.

"True Love? That’s worth far more".

Trip Galey's A Market of Dreams and Destiny is a fun adventure set in an alternative England where Henry VIII turned to druidry to achieve his divorce, and Elizabeth I made a pact with Titania; where magic permeates every dealing, and the goblin market is the place where one can find anything, ruled by its own fay rules, but also a place where great injustice abounds.

The setting is intriguing, and yet the execution feels a little lacking; much more could have been explored. We follow the lives of two indentured servants as they navigate the market and face new threats, attempt to buy back their contracts, fight against the system, and fall in insta-love. Their relationship isn't fully explored, and this takes away from the shock that the big resolution should provoke.

Deri is a great protagonist, mischievous and very smart, able to male do with less than nothing and find new ways out of trouble. A thorough planner, it's a joy to watch him outmaneuver almost everyone in his quest to find the best solution with the least loss, even though his more altruistic plans are almost an afterthought. His ability to hear words when the London bells ring makes for an interesting power that could have been explored further.

The prose is phenomenal, lyrical and vivid and filled with great imagery, clever turns of phrase, and memorable characters populating the goblin market, from Deri's master who can speak with gold, to the cat that decides to take an interest in Deri's affairs, and many others. The goblin and fae, being genderless, are referred to exclusively with a neutral pronoun of the author's design.

A Market of Dreams and Destiny is a book that's filled with wonder.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Lava Red Feather Blue, by Molly Ringle

for: faerie, mischief

Review: Bitterthorn, by Kat Dunn

Blumwald is a town overshadowed by an ancient curse: in a sinister castle in the depths of the wild wood lives a monstrous Witch. Once a generation, she comes to claim a companion to return with her – never to be seen again. Now that time is drawing near once more.
Mina, daughter of the duke, is grieving and lonely. She has lost all hope of any future for herself in Blumwald. So when the Witch demands her next companion, Mina offers herself up – though she has no idea what fate awaits her. Stranded with her darkly alluring captor, the mystery of what happened to the previous companions draws Mina into the heart of a terrifying secret that could save her life, or end it.

"Loneliness isn't a fixed state".

Kat Dunn's Bitterthorn is a sapphic gothic tale set in the Nineteenth Century, its atmosphere reminiscent of The Beauty and the Beast while not being a complete retelling. Told in the first person, it narrates a tale of profound loneliness and duty, of cruelty born of isolation, of love and infinite kindness. The story gravitates around Mina and her relationship with the Witch, the monster haunting the region with her curse.

The Witch is seen through Mina's eyes; through Mina we are first scared, then fascinated, as the inquisitive narrator does her best to understand her captor and what is to be asked of her. Her ignorance of her fate makes for a compelling read as the reader puts the pieces together and divines what the climax of the novel may be, only to be surprised by the outcome. I don't deny I would have loved a more tragic ending - it seemed to be inevitable - but this book is softer than what one might glimpse at first.

The historical backdrop, with its use of Bismark's unification, serves the novel well, giving it an edge; the ignorance of the more modern Germans, who treat the Witch's existence as mere superstition, contrasts with the terrified knowledge of the country folk, who have to live with the seeping inevitability of the coming reaping. The few named characters are well-rounded, especially the schloss' all-present servant and Mina's father, but others seem to be paper-thin, like Mina's stepmother; of her step-sisters, only one seems to be a character.

This book would have maybe benefitted from more pages to truly appreciate the slow development of the relationship between Mina and her Witch, and to better explore the slow horror of the schloss, haunted with strange happenings and trapped in time. The writing was exquisite, lyrical and evocative and perfect in creating a haunting atmosphere.

Bitterthorn is a beautiful tale of love and duty.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Thorn, by Anna Burke

for: Beauty and the Beast, gothic

Review: The Watchmaker of Filigree Street, by Natasha Pulley

1883. Thaniel Steepleton returns home to his tiny London apartment to find a gold pocket watch on his pillow. Six months later, the mysterious timepiece saves his life, drawing him away from a blast that destroys Scotland Yard. At last, he goes in search of its maker, Keita Mori, a kind, lonely immigrant from Japan. Although Mori seems harmless, a chain of unexplainable events soon suggests he must be hiding something. When Grace Carrow, an Oxford physicist, unwittingly interferes, Thaniel is torn between opposing loyalties.

"Being solitary isn't a disease that needs a cure".

Natasha Pulley's The Watchmaker of Filigree Street is a delightful debut. I'm slowly but surely reading every book by this author and bemoaning the fact that she slipped under my radar for so long. This book is a breath of fresh air, a whimsical historical novel with touches of magical realism and a fantastic cast. The author isn't afraid to write complex characters, people of dubious morality, even unlikable.

The main narrator, Thaniel, is thrown into a mystery; in the course of trying to solve it, he finds the elusive watchmaker who could be more sinister than one sees at first glance. Thaniel is fascinated, and strikes up a deep friendship that might evolve into something more, with striking moments of tenderness and references to the homophobic laws of the time. Thaniel is fiercely loyal, and his synesthesia makes for a lovely excuse to really delve into some gorgeous prose, while also being a plot point that helps him.

The watchmaker Mori, as we get to know him, especially thanks to a few flashbacks to his past (never through his eyes, always through someone else's POV) is an intriguing figure that slowly reveals itself, and still at the end of the novel we're left with so many questions about him.His gift is terrifying, not only for those around him (and I had to understand the female character's fears, Grace with her scientific mind, trapped in the role the times force her to take if she wants to still follow her studies), but also for himself, as it makes him remember and forget to a frightening degree.

The glimpses of history, the focus on Japan, and the mechanical wonders created by Mori, made for a gorgeous story. The resolution was a bit rushed, especially a chapter that explained things going on behind the scenes, and the aether seems more of a gimmick than a plot point, but the mystery was solved like clockwork.

The Watchmaker of Filigree Street is a quiet marvel.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Marvellous Light, by Freya Marske

for: visions, magical England

Review: The Knowing, by Emma Hinds

Whilst working as a living canvas for an abusive tattoo artist, Flora meets Minnie, an enigmatic circus performer who offers her love and refuge in an opulent townhouse, home to the menacing Mr Chester Merton. Flora earns her keep reading tarot cards for his guests whilst struggling to harness her gift, the Knowing - an ability to summon the dead. Caught in a dark love triangle between Minnie and Chester, Flora begins to unravel the secrets inside their house. Then at her first public séance, Flora hears the spirit of a murdered boy prostitute and exposes his killer, setting off a train of events which put her life at risk.

"We are all ghosts".

Emma Hinds' The Knowing is a dark atmospheric piece about abuse and recovery, with a number of chilling scenes. The true horror, as in the best books, comes not from the supernatural elements (Flora has the ability to see and be possessed by ghosts) but from the abuse and harsh threatment of women during the Nineteenth Century.

This book doesn't hold its punches, tackling dark themes like incest, rape, forced abortion, and pedophilia. Flora was taken in by an abusive man when she was very young, and so was Minnie, a past circus performer with dwarfism. The two of them are quickly drawn to each other, but their own relationship isn't devoid of red flags. The so-called "love triangle" in the blurb is less that and more of an "abuse triangle", with Flora and Minnie seeking comfort in each other. The complex tangled web of their intersecting lives makes for a poignant reflection on abuse and the lies we tell ourselves in order to survive.

The supernatural part is handled well and it's appropriately harrowing, with ghosts that are victims of violent crimes and bent on revenge. I appreciated the focus on the card reading, another facet of Flora's Knowing, one she can teach others as well; her healing seems to settle in one such scene.

With this kind of setting I wasn't certainly expecting an HEA ending, but while a sudden tragedy strikes in the second half of the book, things end up looking up, in a way.

The Knowing is a gritty debut.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Wild and Wicked Things, by Francesca May

for: flawed characters, abuse

Review: The Unbalancing, by R.B. Lemberg

Beneath the waters by the islands of Gelle-Geu, a star sleeps restlessly. The celebrated new starkeeper Ranra Kekeri, who is preoccupied by the increasing tremors, confronts the problems left behind by her predecessor. Meanwhile, the poet Erígra Lilún, who merely wants to be left alone, is repeatedly asked by their ancestor Semberí to take over the starkeeping helm. Semberí insists upon telling Lilún mysterious tales of the deliverance of the stars by the goddess Bird.
When Ranra and Lilún meet, sparks begin to fly. An unforeseen configuration of their magical deepnames illuminates the trouble under the tides. For Ranra and Lilún, their story is just beginning; for the people of Gelle-Geu, it may well be too late to save their home.

"To heal, you must first become trusted".

R.B. Lemberg's The Unbalancing is a quiet story of salvation, an Atlantis-like story set in a world governed by a Bird goddess, where stars are kept by starkeepers and people do magic with their names. The main characters, a nonbinary demisexual poet and a loud starkeeper with much hurt in her past, come together to save their island from destruction, and they find love with each other.

The poet is a quiet character, unwilling to take on the role that others are sure should be hers; the contrast with the starkeeper, who took what she could to emancipate herself, makes for an interesting dynamic. The starkeeper is an extrovert, taking on many lovers, but behind the exuberant veneer is someone who is deeply hurt. The poet is still questioning, attempting to find their place and the precise iteration of their nonbinary identity, for this is a world where nonbinary people can be of five different types, and they signal it through hair tokens and complex hairstyles. This is a story of acceptance, too, and finding one's worth, and overcoming one's past.

The worldbuilding is immaculate, painting with deft strokes a world that is complex and different and deeply accepting, where consent matters to acts of magic and the stars come from afar. It is a slow unraveling, when the mystery of the stars' origin is revealed, and it is deeply touching. The ending feels just right in its inexorability, with pages of exquisite prose.

The Unbalancing is a quiet treasure of a novel.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Keeper of the Dawn, by Dianna Gunn

for: community, consent

Review: The Stagsblood Brother, by Gideon E. Wood

The goddesses and gods have restored King Tel’s magic. His power over dirt, wind, fire, and rain is keener than ever. Still, his people are in danger. The sorcery of the antlered ones has also returned to his exiled brother, Lag. Hungry for power and revenge, Lag will cross any moral boundary to defeat his older brother—and make him suffer in the process. He’ll exploit Tel’s faith, decency, and generous heart to win the advantage in a war that will spill blood over the heart of Feigh. He’ll terrorize unarmed innocents. He’ll use sinful magic to transform the man Tel loves into a weapon.
To end the bloodshed and secure the kingdom, Tel must ready himself to meet his brother and lover on the battlefield and eliminate the threat to peace and justice, whatever the cost. To do that, he’ll need to realize the final confrontation is really with the darkness, tragedy, and grief of his own past. The last war must be won inside himself.

"Fortune has surrounded me with good people".

Gideon E. Wood's The Stagsblood Brother sticks the landing with this incredible conclusion to the Stagsblood Trilogy, where all the loose threads are tied up and the final confrontation between Tel and his sadistic brother takes center place, pushing Tel beyond his limit. He will have to battle with himself and with his own, and make hard decisions that might haunt him; but he might find healing in the end.

This book deals with loss, grief, memory, and healing in such a poignant way. Tel, a recovering alcoholic, must do his best to avoid the lure of the drink when all things seem to go wrong; he has help, from his friends and loved ones, as he battles both himself and the dangers that threaten to tear not only his kingdom apart, but the known world, the cluster of six kingdoms inhabited by different races of humanity who hail from the gods and goddesses. The gods of the Stagsblood Trilogy are very real and passionate and meddle in the human affairs, appearing to Tel ever since the first book; the prophecy that was at the center of the second book takes here new meaning, for an extraordinary and quiet ending where wounds begin to heal and peace might be found.

The world-building keeps being effective and rich, painting the history of the nations, the struggles of the smallfolk, and the powers that control the world in all their irrationality. Lag is a perfect antagonist because he's truly unhinged, stopping at nothing in his quest for blood purity. He maimes and corrupts and revels with childlike delight in the destruction of his own kingdom, showing no remorse and a chilling amorality. The mental torture he subjects his own brother to is painful and difficult to read.

The author course-corrects all the things that prevented the previous books from being truly excellent (especially the second book, that was a step down from the quality of the first while still narrating a beautiful journey of healing), adjusting the way he recounts events and the pace of the book. The heart of his writing, the emotional passages that tear at the reader, he keeps and strengthens, creating a novel that doesn't shy away from the ugly in order to make it beautiful, that uses language at times very crude but always precise. This is a journey in three books, and he doesn't forget what started Tel's emotional journey towards healing, but always keeps it at the forefront of the reader's mind. The decision to tear Tel apart so cruelly in the first novel, followed by the way he begins to give Tel peace in the second, might make some readers decide to pull away, but I admire his decision to show that life doesn't end after a terrible tragedy.

Unfortunately this book is still saddled with numerous typos and small mistakes that take aback and stop the flow of reading, although it's less than in the first two books. But the strength of the narration is so intense that I'm inclined to forgive the lack of proper editing. The author also has a list of trigger warnings on his website, that I urge to check before embarking on this fulfilling but dark journey.

The Stagsblood Brother is a beautiful exploration of grief and healing.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* All the Hidden Paths, by Foz Meadows

for: trauma, healing

Snippet: The Stagsblood Prince, by Gideon E. Wood

Tel, crown prince of Feigh, has negotiated an end to the war between his country and the strange queendom of Omela. He looks forward to an easy reign of wild parties and wilder men. When his father dies suddenly, Tel is outmaneuvered by his brother, losing the throne. Tel’s faith prohibits him from raising his sword and spilling blood, so he accepts the humiliation, working to temper his brother’s baser impulses. But the new king’s reign takes a dark turn, and his collaborators begin to round up undesirables, including those with a magic called the stagsblood.
Tel must decide: Flee or fight? Running means abandoning his people to his brother’s evil whims. Standing his ground means the sin of total war. He has no army and only a few allies—and his magical secret. Caip, his closest friend and protector, brings military experience and blunt advice. Her right hand, Dar, is the picture of loyalty. Tough, battle-scarred Bin doesn’t suffer fools gladly. And Vared, a mysterious singer-turned-diplomat from Omela, speaks the truth to Tel in ways no one else can.

"How do I make war when all I want is to be tender?".

Gideon E. Wood's The Stagsblood Prince is a poignant exploration of duty, addiction, and grief, a beautiful tale of finding one's purpose after a terrible loss, of persevering against all odds. It's a tragic tale of love and loss. The narration is a little weak in pieces, strongly relying on the later recounting of events when it might be better to show them as they happen; but the sheer intensity of the events described, especially in the second half, more than make up for it. The book features a few very descriptive and explicit sex scenes, and a tragic twist that will leave you sobbing uncontrollably.

✨ 4 stars

Review: Every Exquisite Thing, by Laura Steven

Penny Paxton is the daughter of an icon. Her supermodel mother has legions of adoring fans around the world, and Penny is ready to begin her journey to international adoration, starting with joining the elite Dorian Drama School. When Penny’s new mentor offers her an opportunity she cannot refuse, to have a portrait painted by a mysterious artist who can grant immortal beauty to all his subjects, Penny happily follows in the footsteps of Dorian’s most glittering alumni, knowing that stardom is sure to soon be hers. But when her trusted mentor is found murdered, Penny realises she’s made a terrible mistake – a sinister someone is using the uncanny portraits to kill off the subjects one by one. As more perfectly beautiful students start to fall, Penny knows her time is running out . . . A seductive and searing exploration of beauty, identity, and what the pursuit of perfection can truly cost.

"Girls don't want beauty. Girls want power. And sometimes beauty is the closest substitute".

Laura Steven's Every Exquisite Thing is a YA feminist and sapphic retelling of The Portrait of Dorian Gray, with elements from the classic being woven in an interesting way. Without getting too much into spoiler territory, the link isn't as tenuous as one may think at first. The book comes with a much appreciated note at the beginning, detailing the book's trigger warnings.

The narration in first person serves the novel well, highlighting the main character's growing unease with the very real threat to her life and with the supernatural happenings around her. We get to feel her helplessness and see her struggle with anorexia in a way that is disconcerting and unnerving.

The book delves deep into the themes of beauty, control, and identity, aided by a prose that is stunning in its simplicity. The execution is lacking in some parts, especially in the second half, but the book makes up for it with its heart; perhaps the revelations towards the end might have been foreshadowed better.

Queer longing permeates the pages, with the tension between the two leads coming to an end in a frenzied scene that works all the better because the ending softens the edges and makes this novel a very real journey of self-discovery that can only end with healing. But while the main trio, and the relationship they shared, is well-developed, the other two recurring characters in Penny's set of friends end up being criminally underdeveloped. The adults, on the other hand, are written better, especially the tragic figure of Penny's mother.

Every Exquisite Thing is a book that helps young women.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* I Feed Her to the Beast and the Beast Is Me, by Jamison Shea

for: deals, sacrifice

ARC Review: Running Close to the Wind, by Alexandra Rowland

Avra Helvaçi, former field agent of the Arasti Ministry of Intelligence, has accidentally stolen the single most expensive secret in the world―and the only place to flee with a secret that big is the open sea. To find a buyer with deep enough pockets, Avra must ask for help from his on-again, off-again ex, the pirate Captain Teveri az-Haffar. They are far from happy to see him, but together, they hatch a plan: take the information to the isolated pirate republic of the Isles of Lost Souls, fence it, profit.
The only things in their way? A calculating new Arasti ambassador to the Isles of Lost Souls who's got his eyes on Avra's every move; Brother Julian, a beautiful, mysterious new member of the crew with secrets of his own and a frankly inconvenient vow of celibacy; the fact that they're sailing straight into sea serpent breeding season and almost certain doom. But if they can find a way to survive and sell the secret on the black market, they’ll all be as wealthy as kings―and, more importantly, they'll be legends.

My thanks to the author for providing an ARC copy.

Alexandra Rowland's Running Close to the Wind is a cozy low-stakes pirate adventure set in the same world of the excellent A Taste of Gold and Iron, loosely connected to it by a plot point. The two books couldn’t be more different, as Running Close to the Wind is funny. Hysterically, being-in-stitches, laughing-on-the-floor funny. It’s so funny that it’s too funny sometimes, but it’s a joy to read a book that doesn’t take itself so seriously while simultaneously delivering some very profound reflections in the more serious segments.

The trio of main characters is a delight, their banter on point as the dynamic between Avra and Teveri expands with the arrival of the mysterious Julian and his wiles. The characters are unapologetically horny, but the book is surprisingly chaste in that regard, while also being incredibly tender in parts. I especially enjoyed the few conversations about having and defending one’s boundaries. The rest of the cast, from the colorful crew to the pirates on the island, were all painted in deft strokes, resulting in vivid characters with so much to say. It really was reminiscent of Our Flag Means Death, as it was pitched, and it was an absolute romp.

The world gets expanded in a really clever subversion of what we know from A Taste of Gold and Iron, showing what the outside world thinks exactly of the choice to keep for themselves the only way to sail safely during a certain time of the year. There’s sea serpents and giant turtles and ghosts that need a complex reference guide to be handled, and it’s all so delightful. This choice to have loosely interconnected stories where the world is explored more and more is an intriguing one, and I can’t wait to see what’s next.

Running Close to the Wind is a fun adventure with hidden depths.

✨ 4 stars

ARC Review: The Fealty of Monsters, by Ladz

Winter 1917. After years on the run from a dangerous cult, twenty-three-year-old Sasza and his father have established themselves among the Odonic Empire’s ruling class. But there’s a problem: Sasza is a vampire, and vampires aren’t supposed to get involved in human governance. What the aristocracy doesn’t know, after all, cannot hurt them. Unfortunately, Sasza is far more involved than a stealth vampire should be. Not only does he work to quell the rumors of the vampires’ responsibility for an unsolved massacre, his lover is also the pro-proletariat Ilya, the Empire’s Finance Minister, who tries to recruit Sasza into the same cult hunting him.
Then—the Emperor declares war against the Vampire States. Diplomacy has failed. Sasza quickly learns that he will do anything to preserve peace–including giving in to the monstrosity he spent so many years concealing from even himself.

My thanks to the author for providing an ARC copy.

Ladz's The Fealty of Monsters is a gory retelling of the Russian Revolution, with monstrous vampires and even more monstrous politicians. We follow three POV characters as tensions amongst the Empire and independent vampire states are ramped up by an incident that seems tailored to ignite a war. The main character, Sasza, battles with his own depravity and the ambitions of others, while coming to terms with his relationship with a much older member of the government.

This is a highly political book, with characters who have complex motivations, from the ambitious princess to Sasza's addicted father, from the traitorous Minister to the soldiers who have very different ideas about their role as protectors; not to mention the intriguing vampire doctor. Characters share a past that is carefully unveiled in some cases, giving tantalizing glimpses. The court is full of intrigue, and war seems inevitable; the conflict between the poverty of the people and the excesses of the aristocracy was also done well, leading to an explosive finale that leaves the reader on the edge of their seat and begging for the next book in the series.

The book is very crude, with an evocative prose that leaves nothing to the imagination, be it sexual acts or murder. It comes with a very helpful list of trigger warnings, which the reader should pay every attention to. The vampires in this book are not refined creatures, as there are some types which are truly monstrous, insectoid creatures who engorge themselves on blood and gore. This was a very refreshing take on the usual vampire trope, more reminiscent of the classics.

The book comes with illustrations from the artist Soren Häxan, but the ARC copy didn't contain them.

The Fealty of Monsters is a solid horror story with political overtones.

✨ 4 stars

Review: Cursebreakers, by Madeleine Nakamura

Adrien Desfourneaux, professor of magic and disgraced ex-physician, has discovered a conspiracy. Someone is inflicting magical comas on the inhabitants of the massive city of Astrum, and no one knows how or why. Caught between a faction of scheming magical academics and an explosive schism in the ranks of Astrum’s power-hungry military, Adrien is swallowed by the growing chaos. Alongside Gennady, an unruly, damaged young soldier, and Malise, a brilliant healer and Adrien’s best friend, Adrien searches for a way to stop the spreading curse before the city implodes. He must survive his own bipolar disorder, his self-destructive tendencies, and his entanglement with the man who doesn’t love him back.

"In my greater and lesser moments, I fear that I must be fated for sainthood". Madeleine Nakamura's Cursebreakers is a quiet standalone debut about overcoming conspiracies and living with mental illness. Adrien is an extraordinary protagonist, sharp and hurting, haunted by wrong choices and by his bipolar disorder, which is here called akrasia. A skilled magician and a former healer, with a caustic personality, he finds himself drawn right into the thick of action while being a non-combatant in his forties who nonetheless strives to do the right thing. The exploration of his bipolar disorder, and later, of his addiction, is heartbreaking and poignant: we see the pain and desperation and the anguish of not being believed due to his condition; we suffer with him.

The supporting cast is equally good, painted in vivid strokes that make them jump out of the pages. Adrien's reluctant ally, a member of the dangerous militia that oversees the city's security, is such a complicated character, perennially angry and impulsive, but ultimately he endears himself with his desire to do and be better; the dynamic that grows between them is a joy to read. Adrien's best friend, a sapphic healer who helps him combat the worse effects of his bipolar disorder, is another exquisitely rendered character; her love for him is tangible, and so is her despair for his well-being. Then there's the man Adrien is in painfully unrequited love with, a fellow scholar who has agreed to be Adrien's keeper when the worst hits. Their dynamic is painful and vivid, Adrien's ache for him a constant throughout the book, and the resolution of their strange and frustating relationship is such a refreshing, well-executed take.

The resolution of the main conflict is also executed masterfully, with a final showdown that keeps you on the edge of your seat. However, there were whispers of deus-ex-machina and the world isn't as well-developed as I would have liked, while still being painted well enough for the purposes of a standalone novel. The relationship between the soldiers and their bonded raches, especially, could have warranted some more focus, but it was fascinating in what we could see. The setting of a magical school from the point of view of one of its professors, and the approach to the study of magic, was especially refreshing.

The prose is gorgeous, concise and at times archaic; I devoured this book in a matter of hours.

Cursebreakers is an extraordinary debut that deals with issues often going unseen in fantasy novels.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Councillor, by E.J. Beaton

for: addiction, academia

Snippet: Merciless Waters, by Rae Knowles

Aboard the ship Scylla, there is no future or past. Jaq, her fickle lover Lily, and their all-female crew exist in an endless present. It’s better this way. At least it keeps Lily by Jaq’s side, where she belongs. But the meddling gods care little for Jaq’s longing, and despite her protective rituals, their punishment arrives all the same: a man, adrift on the open ocean. Delivered to snatch Lily from Jaq’s arms forever.
Jaq knows what to do. She’s lost Lily before. Her lover will return—when this interloper, this distraction, is snuffed out. But Jaq’s murderous schemes may not be enough. The intruder’s presence infects her crew with a plague her spells cannot cure: memory. And as the women recall how they came to Scylla, their minds bend one by one towards revenge.

"We crave violence, so we swallow violent men". Rae Knowles' Merciless Waters is a sapphic novella with horror undertones that are inspired by the figure of the rusalka. The narrator lulls the reader with her story, and the slow return of her memories, while thoughts of vengeance tint the narration with blood and gore. The lyrical prose and the oneiric images make for a little gem of a story, where violence against women is punished with relish. The sea krait was a delightful addition.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Providence Girls, by Morgan Dante

for: sea horrors, existential dread

Review: Reborn, by Seth Haddon

When the Rezwyn Empire mysteriously cuts diplomatic ties with the Kingdom of Usleth, merchant lord Oren Radek is sent to investigate. But when he discovers a coup brewing against the emperor, Radek's life and his country's safety is suddenly under threat. Izra Dziove, visionary advisor to the Rezwyn Emperor, is trying to hold the turbulent Rezwyn court together while being plagued by dreams of his fated man. But when Izra’s adversaries launch an attack on the diplomatic party from Usleth, he is forced to take action to protect them and prevent a war.
Forced to trust one another, both men must put aside their differences to save the future of both their nations, while also contending with the growing attraction between them— all while trying to understand their mysterious connection and the forces guiding their shared destiny. Can their fated love change the destiny of nations?

"To survive something as final as death". Seth Haddon's Reborn is a companion novel to the author's debut Reforged, set in the same world, but with a different set of characters. The world-building grows in depth and scope, with the introducion of new ways of thinking, new gods, new lore. The main characters are fated to be, and the fact that only one of them is aware of it creates an interest contrast; they are also opposites, in a way, and that makes for a good dynamic.

The plot structure was better than in the previous book, but the editing could use some work; the mistakes were jarring at times, and took me right out of the flow of reading. The supporting cast was less fleshed out too, which is a shame because that was a definite plus of the first book. It's like in fleshing out more the main characters' relationship, the author had to resort to making the other characters utterly monodimensional.

Reborn is a step down from its predecessor.

✨ 3.5 stars

Review: In the Roses of Pieria, by Anna Burke

When Clara Eden is offered a job as an archivist working for eccentric estate owner Agatha Montague, she thinks her prayers have been answered. Soon, she finds herself sucked into her research world, captivated by a romantic correspondence thousands of years old. But as her feelings for her employer's assistant, Fiadh, deepen, so does her suspicion that something about Agatha Montague isn't right. Unfortunately for Clara, it is far too late to run by the time her suspicions are confirmed.

"I'll paint your face into the histories". Anna Burke's In the Roses of Pieria is a sapphic horror novel with a complex worldbuilding and academic overtones that really enrich the experience. The story is interspersed with a millennia-old correspondence that tugs at the heartstrings with its lyrical passages and references to Sappho's fragments, while slowly unease creeps into Clara and the readers alike as the main character realizes the truth behind the letters.

The fictional Nektopolis, created by the author as a backdrop to such an ancient love story, is so vividly described that makes one wonder whether it's real; the novel begins with an academic discussion that goes on for pages and sets the atmosphere well. The genre-savvy reader will understand immediately what takes Clara a little more time to wrap her head around, but the novel is still full of surprises with an exciting (and mildly horrific) take on the fae.

As the story unfolds, so does the love story between Clara and Fiadh, speeding through the unraveling horror making itself known. Fiadh is a compelling love interest, mysterious and intricate in her loyalties, but fierce in her passions. The adventurous second part of the novel allows to explore her more as a character, and revelations abound. The story, while pretty self-contained, ends with an abrupt cliffhanger that leaves you wanting the second installment in the duology immediately.

In the Roses of Pieria is a gloriously weird sapphic vampire story.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Long Time Dead, Samara Breger

for: sapphic vampires, love through the ages

Review: Legacy of the Vermillion Blade, by Jay Tallsquall

Talon Cour-Vermane is not only the sole inheritor of his House’s lands, titles, and political power, but also of the pact his family has forged with darkness through countless generations. From birth, Talon’s father tethered his son’s life to the family’s bloodline and his own ambitions of power, but everything changes when a new blacksmith and his young apprentice, Richen, join the staff at the Cour-Vermane estate. With their fateful meeting, Talon’s life changes course forever, derailing the meticulously laid out existence planned for him. From his family’s estates and the countryside of Eleryon to the extents of the Xallian Empire and the dwarven kingdom of Lymehold, Talon discovers the different aspects of love, true family, and himself as he battles his cursed blood and the shackles to darkness his father bound him with.

"Sometimes all you had in life was blind faith". Jay Tallsquall's Legacy of the Vermillion Blade trudges on as we follow the life of the main character, a lord's son who was possessed by powers bigger than him and attempts to free himself from them, while looking for his lost love and making connections along the way.

It's a lovely exploration of asexuality (especially towards the middle of the novel, as an older Talon explores his boundaries) but it's not a good fantasy novel. The narration jumps from one year to another to decades later with no real effort to make a cohesive story, only painting vignettes and telling us to trust that things are advancing. When it takes its time to breathe and explore the characters and situations, it's good, but that happens rarely.

The worldbuilding is confusing, not really clear, and the main character's father is almost cartoonish in the depiction of his villainy. This could have been a great novel, with some editing; it's rare we get a homoromantic asexual protagonist, so I was very excited for it, but it didn't deliver on the speculative fiction side.

Legacy of the Vermillion Blade is a book with a good premise and some great representation.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Perfect Assassin, by K.A. Doore

for: sword fights, asexual protagonist

Snippet: The Water Outlaws, by S.L. Huang

Lin Chong is an expert arms instructor, training the Emperor's soldiers in sword and truncheon, battle axe and spear, lance and crossbow. Unlike bolder friends who flirt with challenging the unequal hierarchies and values of Imperial society, she believes in keeping her head down and doing her job. Until a powerful man with a vendetta rips that carefully-built life away.
Disgraced, tattooed as a criminal, and on the run from an Imperial Marshall who will stop at nothing to see her dead, Lin Chong is recruited by the Bandits of Liangshan. Mountain outlaws on the margins of society, the Liangshan Bandits proclaim a belief in justice—for women, for the downtrodden, for progressive thinkers a corrupt Empire would imprison or destroy. They’re also murderers, thieves, smugglers, and cutthroats. Apart, they love like demons and fight like tigers. Together, they could bring down an empire.

"We shall be the storm of silk and steel that shelters all those in need". S.L. Huang's The Water Outlaws is a standalone anti-hero journey that genderbends a classic Chinese novel, Water Margin, mixing things up with interesting magic. It's a violent tale about rebelling against a broken system - one that allows rape and abuse of power, where dissidents are thrown into prison - and making the most of what one has, about finding community even amongst violent people. The cast is huge, but the two main characters, once friends and now possibly on opposite sides, undergo major character development that feels organic and earned. The tale slows down towards the middle only to pick up towards an explosive finale that accounts for all the loose threads.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Order of the Pure Moon Reflected in Water, by Zen Cho

for: banditry, queer wuxia

Review: A Power Unbound, by Freya Marske

Jack Alston, Lord Hawthorn, would love a nice, safe, comfortable life. After the death of his twin sister, he thought he was done with magic for good. But with the threat of a dangerous ritual hanging over every magician in Britain, he’s drawn reluctantly back into that world. Now Jack is living in a bizarre puzzle-box of a magical London townhouse, helping an unlikely group of friends track down the final piece of the Last Contract before their enemies can do the same. And to make matters worse, they need the help of writer and thief Alan Ross.
Cagey and argumentative, Alan is only in this for the money. The aristocratic Lord Hawthorn, with all his unearned power, is everything that Alan hates. And unfortunately, Alan happens to be everything that Jack wants in one gorgeous, infuriating package. When a plot to seize unimaginable power comes to a head at Cheetham Hall―Jack’s ancestral family estate, a land so old and bound in oaths that it’s grown a personality as prickly as its owner―Jack, Alan and their allies will become entangled in a night of champagne, secrets, and bloody sacrifice . . . and the foundations of magic in Britain will be torn up by the roots before the end.

"Broken items wanted to be whole". Freya Marske's A Power Unbound sticks the landing with this exhilarating conclusion to the Last Binding trilogy. A new set of main characters takes center stage, but this time the protagonists of the two previous volumes are more entangled with the plot and even undergo more development as this big, queer found family races against time to unveil a plot that could destroy everything.

After the enclosed setting of the second book, we find ourselves once again in England, between estates and magical parliament; we also see poorer parts of the city as Alan, who was introduced in the previous book, is an immigrant with a big family he works hard to support. This allows the book to introduce themes of class and power dynamics that work very well in the general context of the series and give it more depth. The journalist who's secretly a writer of queer erotica finds his perfect partner in bisexual Lord Hawthorn, as the two of them slowly dismantle their walls over the course of the book and a couple of intense sex scenes.

Every loose thread from the first two books is accounted for in this finale that asks questions about family, power, and abuse. The magic is made bigger and more interesting as the roots of power are explained and explored; every character has a moment to shine, from the medium that facilitates a heart-wrenching heart-to-heart with a ghost, to the nobleman who once thought he wasn't as powerful as his peers, from the seer to the powerful actress to the one who got violently torn from his own magic. And then there's Alan, who isn't magical but who can disrupt magic, and the surrounding cast of magicians, friends and foes, enstranged family and abusive brothers, and mothers who'll tear the world apart for their children.

The book weaves a rich tapestry that's much more deeper for its focus on land and contracts, the places where we live that protect us, and the free contracts between two people. It's a honest exploration of unconventional desires, woven together by the books written by Alan and mentioned in the first two installments: a thread that slowly reveals itself and makes the whole series almost a metanarrative.

A Power Unbound is a powerful exploration of love and the ties that bind.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Magpie Lord, by K.J. Charles

for: Edwardian England, power dynamics

List: Most Anticipated Books of 2024 - January to June

To usher in the new year, here are my most anticipated books for the first half of the year, in order of publication.

Publication Date: January 18th 2024  

HERE you can find the Goodreads page. 

 

_

Publication Date: January 16th 2024  

HERE you can find the Goodreads page. 

 

_

Publication Date: January 18th 2024 

HERE you can find the Goodreads page.

 

_

Publication Date: February 15th 2024 

HERE you can find the Goodreads page. 

 

 _

Publication Date: March 5th 2024 

HERE you can find the Goodreads page. 

 

_

Publication Date: March 26th 2024 

HERE you can find the Goodreads page. 

 

 _

Publication Date: April 23rd 2024 

HERE you can find the Goodreads page. 

 

_

Publication Date: May 28th 2024  

HERE you can find the Goodreads page. 

 

 _

Publication Date: June 11st 2024  

HERE you can find the Goodreads page.