ARC Review: Our Caged Fates, by Robin A. Costantin

 

In a frozen, hostile world, Elinros is on the run. After spending far too long in her beloved’s clutches—unaware of his true nature—she has now escaped into the arms of the unknown. But beyond Kastìel’s palace lies nothing but an endless forest, shaken by storms, buried in eternal snow, and teeming with monsters.
In that desolate land, Elinros wanders without memories, one step away from freezing to death and hunted by the man she thought she knew. That is, until an unexpected savior arrives, bringing truth, light, and warmth. Nattsòl is just like her: a survivor who escaped their beloved’s trap—and now she’s willing to do anything to get her revenge. But she needs Elinros’ help to stop him. Accompanied by Sliver, Nattsòl’s monster-dog, the two embark on a dangerous journey into the depths of the forest, where almost no light reaches and sinister things hide in the dark.

My thanks to the author for providing an ARC in exchange for an honest review.

Robin A. Costantin's Our Caged Fates is an atmospheric sapphic novella about escaping an abusive relationship and finding oneself again. This is reached through the age-old amnesia trope, and it's done in a way that feels fresh and effective. It's teeming with horrific imagery and near-eldritch beings, with female rage and some upsetting body-horror; but it's also a story about second chances and love.

The main character Elinros slowly relearns things about herself, slowly changing over the course of the book; her relationship to fellow survivor Nattsòl develops quickly, since this is a short novella, but it feels believable. Maybe a few more pages would have helped sell the romance more, but it's still a nice touch, and Nattsòl is very well-developed despite the lack of point of view narration.

The final third of the book is where the action and the most vivid worldbuilding really take place, making this novella pop out. The prose is also quite lyrical, something that's to be appreciated even more since English isn't the author's first language.

Our Caged Fates is a quiet gem.

✨ 4 stars

 

Review: Umbra - Tales of a Shadow, by Freddie A. Clark

 

Fulvio Donati, cyborg assassin and thief, adopted a double identity. When night falls, Fulvio becomes Umbra: a masked vigilante, a charming and lethal shadow. Soleluna Giordani, philosopher and alchemist, searched for immortality and found it with terrible consequences. Their consciousness has been trapped within a mask for almost 800 years.
In a beautiful, yet corrupt land where crime lords, vicious celebrities, and ruthless politicians compete for the highest power, a deadly conspiracy is unfolding. While alchemists and courtesans fight to survive, and a prince searches for the one to save his life, Fulvio finds himself involved in intrigues and machinations. Together, Fulvio and Soleluna will find the answer; Soleluna with their wit and wisdom, Fulvio with his charm, skills, and access to the future Soleluna has never seen. Together, they shall save Florydia from its downfall.

​“​The city of masks is as corrupted as it is beautiful.”

Freddie A. Clark's Umbra - Tales of a Shadow s a gorgeous sci-fi novel set in a city-state inspired by Venice. A whirlwind of subplots and many characters, it follows young assassin Fulvio as he uncovers conspiracies and finds himself being more than just a shadow and an instrument for others. Along the way, he may also find love.

This was a stunning exploration of polyamory; Fulvio is a free spirit, and the relationships he creates with others are all important. The prince he saves, the woman he works alongside with; he loves all, and he loves freely. That said, the most important relationship of the book is the strange bond he forms with the spirit of a long-dead alchemist living in a mask, and the way this relationship changes him is a strong focus.

The city itself is a character, teeming with corruption and conspiracies. The worldbuilding is exquisite, and one struggles to follow along as we're pulled deeper and deeper into the city and meet many of its citizens. It was vibrant and colorful and filled with Italian names and terms, creating a truly immersive experience.

The only problem is the prose, veering between very simple, with odd turns of phrase, and long chunky paragraphs that describe what any character looks like or is wearing at any given time. This gets annoying fast.

Umbra - Tales of a Shadow is a unique novel.

✨ 4 stars

 

 

ARC Review: The Sun King's Dawn, by Briar Niran

 

Burdened with an inability to desire others, King Richard of Ardenia still finds peace in his unruly siblings, his loyal circle, and even in his young knight, Sir Kaelen, whose yearning stares he has spent years ignoring. But when Richard rides to a borderland village to investigate eerie happenings, all peace shatters. The veil containing Gloamvarn, a neighbouring realm filled with fell beasts and unimaginable horrors, is cracking. Sooner or later, it will fall.
As Richard hunts for a way to safeguard his kingdom, Kaelen stays close, a constant, protective presence that stirs a strange tenderness Richard doesn’t dare name. For the monsters have a new ruler. And the tyrant hungers not only for Ardenia. But its king, too.

Thank you to the author for this ARC in exchange for an honest review.

Briar Niran's The Sun King's Dawn is a gorgeous achillean romantasy with the slowest of burns, first volume of a quartet, featuring an asexual king and his loyal knight. Told exclusively from the point of view of the king, the novel is a deft exploration of sex-repulsed asexuality and of how alienating it feels to live in a world where everyone expresses their love through carnality. At the same time, it's a novel about finding out one's own way to express love.

King Richard is a beautiful protagonist, complex in his grief and in his belief to be defective. He fiercely loves his siblings, and puts their well-being over his own more than a few times. His loyal knight shines bright with fealty and honor and with the kind of all-encompassing love that the bards sing about, but to the king it's anathema, and source of endless embarrassment and disgust, despite holding deep affection and trust for the knight. This creates a very interesting dynamic that promises to become much more intricate as the series goes on, without the need to somehow "fix" the King.

The worldbuilding and writing might be deemed simple, but they hold up very well, creating the perfect backdrop for the story. This is a secondary world with many creatures from our legends and a basic magical system, but the way it all blends is quite nicely done; the kingdom of the vampire-like creatures especially comes to mind, and there's some really horrifying moments linked to the overall threat of the book, a coming corruption of the flesh. In that regard, threat of sexual violence is also present, but handled expertly in a sensitive manner.

The main villain is perfectly villainous and quite disgusting in his pursuit, while his motivations may at first feel at least partly justified. We feel Richard's despair and horror as the book goes on and the villain's leery overtures become more and more explicit and terrifying. The rest of the cast holds up very well; Richard's three siblings are all well developed, and especially his kid sister is a delight.

The Sun King's Dawn is a perfect first installment.

✨ 5 stars

 

Review: Six Wild Crowns, by Holly Race

 

The king has been appointed by god to marry six queens. Those six queens are all that stand between the kingdom of Elben and ruin. Or so we have been told.
Each queen vies for attention. Clever, ambitious Boleyn is determined to be Henry's favourite. And if she must incite a war to win Henry over? So be it. Seymour acts as spy and assassin in a court teeming with dragons, backstabbing courtiers and strange magic. But when she and Boleyn become the unlikeliest of things - allies - the balance of power begins to shift. Together they will discover an ancient, rotting magic at Elben's heart. A magic that their king will do anything to protect.

"The smallest amount of hope is more precious than none at all." 

Holly Race's Six Wild Crowns is an extraordinary take on the story of Henry VIII and his six wives, filled with sapphic yearning. Drawing from history, the author creates a fantasy tale where an England-inspired island is led by a king who has to take six wives in order to keep up a magical shield that protects the realm. Things, of course, are not as they seem and we follow two women, Boleyn and Seymour, as they contend with secrets that might destroy everything and with the reality of being married to a mercurial king.

The two wives couldn't be more different: Boleyn is ambitious and truly loves the monster; Seymour just wants to survive. Over the course of the book, they change and grow organically. Readers who expect a happy ending should however be cautioned, as this novel is more akin to a Shakespearan tragedy than a modern romantasy. In fact, the sapphic yearning is mostly that, and mostly one-sided; and while the bisexual Boleyn is shown to reciprocate some of the affection, this is a larger tale about living in a men's world and standing up in sisterhood.

The blurb is a little misleading; there's little spycraft and court intrigue, and the dragons are not what we are used to. It's mostly a character-driven tale, although there's some twists and turns that move the plot into uncharted territory. The gorgeous prose makes up for a worldbuilding that is, maybe, not as innovative as it could have been, but that still works perfectly for the purposes of this book. The core cast is painted vividly: we meet the other wives, of course, each of them with her own goals, and Henry is a cumbersome character.

Six Wild Crowns is a fantastic first installment.

✨ 5 stars

 

Snippet: A Drop of Corruption, by Robert Jackson Bennett

In the canton of Yarrowdale, at the very edge of the Empire’s reach, an impossible crime has occurred. A Treasury officer has disappeared into thin air—abducted from his quarters while the door and windows remained locked from the inside, in a building whose entrances and exits are all under constant guard. To solve the case, the Empire calls on its most brilliant and mercurial investigator, the great Ana Dolabra. At her side, as always, is her bemused assistant Dinios Kol.
Before long, Ana’s discovered that they’re not investigating a disappearance, but a murder—and that the killing was just the first chess move by an adversary who seems to be able to pass through warded doors like a ghost, and who can predict every one of Ana’s moves as though they can see the future. Din has seen Ana solve impossible cases before. But this time, with the stakes higher than ever and Ana seemingly a step behind their adversary at every turn, he fears that his superior has finally met an enemy she can’t defeat.

"Duty is thankless, invisible, Forgettable—but oh, so very necessary."

Robert Jackson Bennett's A Drop of Corruption is the highly entertaining sequel to the excellent Tainted Cup (you can read HERE my review), a glorious murder mystery following bisexual disaster Din as he assists the investigations of a brilliant and eerie Imperial detective; but it's also a deft criticism of autocracy. The worldbuilding is, as always with this author, a definite highlight, imaginative and strange, all described tersely and perfectly, with some imagery that's not for the queasy. This gorgeous mystery keeps the reader on their toes, struggling to catch up as revelations abound. One could spend hours lost in this series, in the company of these perfect Sherlock- and Watson-types; let's hope it's not going to be a trilogy, but feature more books.

✨ 4.5 stars

 

ARC Review: Dawn of the Raven, by T.L. Tyner

In the kingdom of Ríocht na Meon, magic is forbidden-and those who wield it are hunted. The First Order's armies scour the land for druids, elemental mages who once walked in harmony with nature. Sorcha, a seamstress raised in comfort within the outer districts, has always been content with her quiet life with her closest friend, Fiona. But when her world begins to unravel, Sorcha's peaceful existence shatters. Fiona, daughter of a farmer and servant in the royal keep's kitchens, works tirelessly to provide for her family. Bound by duty and loyalty, she never imagined her life would change-until she receives an unexpected offer of marriage that could upend everything. And Nemain-the Reaper-haunts the shadows. A feared druid cloaked in mystery, her name alone sends tremors through the kingdom. Few know her story. Less survive her shadows touch. As secrets twist through the royal court and rebellion brews in the kingdom, these women's paths collide in ways that will alter not only their own fates but the fate of the Ríocht na Meon.

Thank you to Netgalley for this ARC in exchange for an honest review. 

T.L. Tyner's Dawn of the Raven is a sapphic fantasy adventure inspired by Irish myths and folklore, set in a world where druids are persecuted. First in a series, it follows three women as they contend with their fate and with persecution.

Fiona and Sorcha are old friends and maybe more; when they get separated, they struggle to survive against societal constraints and people in power. They go through much over the course of the book, and change for better and worse. Nemain has a darker story, and a history of abuse that the author doesn't shy away from. It's seen especially in how quickly she latches to Fiona when they cross paths.

While the general plot, the characters, and the worldbuilding are intriguing, with mature themes like torture and abuse, the writing is somewhat simplistic, while also moving too fast when it ought to stop and let the story breathe.

Dawn of the Raven is a queer tale of resilience.

✨ 3.5 stars

Review: Cinder House, by Freya Marske

 

Ella is a haunting. Murdered at sixteen, her ghost is furiously trapped in her father's house, invisible to everyone except her stepmother and stepsisters. Even when she discovers how to untether herself from her prison, there are limits. She cannot be seen or heard by the living people who surround her. Her family must never learn she is able to leave. And at the stroke of every midnight, she finds herself back on the staircase where she died.
Until she forges a wary friendship with a fairy charm-seller, and makes a bargain for three nights of almost-living freedom. Freedom that means she can finally be seen. Danced with. Touched. You think you know Ella's story: the ball, the magical shoes, the handsome prince. You're halfway right, and all-the-way wrong. 

"Some angers, you can never get rid of." 

Freya Marske's Cinder House is a lush Cinderella retelling with a twist. We follow the ghost of Ella as she becomes one with the house she lived and died in, tests the boundaries of her haunting, and reckons with the abuse bestowed upon her by her stepmother and stepsisters. The short format makes for a compact novella, where every word has weight. The unusual premise allows the author to write some very interesting turns of phrase, penning the language of Ella's awakening queer desire with references to her being not only a person, but a house too. Every part of the house can manifest her feelings, and it reads oddly at first, but then it works perfectly. 

Ella is angry, but she hungers too. It really is a perfect methaphor, and Marske explores it deftly. As Ella manages to marginally escape the constraints of the house, so begins her exploration of the city and herself. She looks at men and women both, and finds academic satisfaction in a pen friend who answers all her questions about ghosts. At the same time, she sates her hunger by watching ballet after ballet and enjoying both the performances and the attendants. Things come to a head, and all her worlds crash, when the Prince calls for a ball.

Marske combines what we know of the story with a new take and the exploration of the beginnings of an unconventional polyamorous relationship, working under the constraints of terrible magic. It is a queer tale, but not pretty or easy; it pushes boundaries, and it isn't interested in holding anyone's hand.

Cinder House is a profoundly creative novella.

✨ 4 stars

Review: The Incandescent, by Emily Tesh

 

Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions.
Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.

"What matters is how you meet failure, and how you face up to it."

Emily Tesh's The Incandescent is a scintillating standalone novel following a competent professor in her thirties as she faces the greatest battle of all: grading. This book really delves into the minutiae of working as a teacher, with a focus on the dynamics of a classrom, the relationships with colleagues, and the administrative part, with the added twist of it being a magical academy of course. It's fresh and interesting and it really breathes to life in a captivating way. At the same time, it handles the challenges of acadamia from an intersectional point of view while also showing that adults don't have everything perfectly together and it's a challenge of its own. It's very hopeful in its discussion of depression, trauma, and bad coping mechanisms. 

The magical plot slowly unveils itself as powerful demons living in the shadow of the school make themselves known and it falls to Saffy to face them. The book can be roughly divided in two parts, with two different threats to face, while Saffy, a true disaster bisexual, is also torn between the hot magical guard in charge of school security, a competent butch with a sword, and the new security advisor, an asshole who feels very sure of himself. The resolution of this particular plot point is worth the wait and frustration.

The star of the book, though, is the phoenix, a powerful demon who learns to navigate the human world and human concepts while being so utterly alien. Their PoV gave me chills and moved me to tears.

The Incandescent is an intriguing concept done perfectly right.

✨ 4.5 stars

 

📖🦚 So you want to read about queer magical professors?

Here's my reviews of Madeleine Nakamura's duology  

ARC Review: A Body Not Her Own, by Eileen Farren

The women of Nora are dying. Hunted, for over two hundred years, by an immortal man seeking to kill the Goddess Eos and her reincarnations. As the current reincarnation, Enid's death was predicted. Being brought back to life wasn't. Caught between the weight of her past lives and her second chance, Enid finds herself tasked with the impossible: kill the Immortal Man and end his violent hundred-year streak before countless more women are slain.
To ensure her survival, she is assigned a bodyguard—the flirty and infuriating Elven woman named Locke—to guard her on her journey and see her assignment through to the end. An ancient rage is simmering under the surface of her skin, demanding blood. Death. Vengeance. Enid only has to stay alive long enough to satiate it.

Thank you to Netgalley for this ARC in exchange for an honest review.

Eileen Farren's A Body Not Her Own is is a sweet and simple romantasy set in a modern-ish world with magic, where gods are real and they can be killed and reincarnated. The focus is of course on the romance between the main character Enid and her bodyguard Locke, but there's some attempts at a bigger worldbuilding. The world feels like a generic fantasy world, not very developed, but the premise of the book is intriguing enough.

The relationship between Enid and Locke grows organically, from a heated one-night-stand to a love that defies all. The two of them have an easy banter that's fun to witness, but there's also drama and more serious moments. I love the bodyguard trope, and the book does not disappoint in that regard, with many istances where Enid has to be protected. But she's not a helpless damsel in distress, on the contrary she can defend herself. Locke on the other hand is the typical grizzled warrior who thinks she cannot have what she wants, and it's fun to see her lower her walls.

The supporting cast is big and varied, and from a specific moment forward we also have a few new povs, which was unexpected and a welcome change. A good number of characters are necromancers, which brings some novelty to the narration.

A Body Not Her Own is a nice debut.

✨ 3 stars

Review: No Gods for Drowning, by Hailey Piper

The old gods have fled, and the monsters they had kept at bay for centuries now threaten to drown the city of Valentine, hunting mankind as in ancient times. In the midst of the chaos, a serial killer has begun ritually sacrificing victims, their bodies strewn throughout the city. Lilac Antonis wants to stop the impending destruction of her city by summoning her mother, a blood god—even if she has to slit a few throats to do it. But evading her lover Arcadia and her friends means sneaking, lying, and even spilling the blood of people she loves. Alex and Cecil of Ace Investigations have been tasked with hunting down the killer, but as they close in—not knowing they're hunting their close friend Lilac—the detectives realize the gods may not have left willingly.
As flooding drags this city of cars and neon screaming into the jaws of sea demons and Arcadia struggles to save the people as captain of the evacuation team, Lilac’s ritual killings at last bear fruit, only to reveal her as a small piece in a larger plan. The gods’ protection costs far more than anyone has ever known, and Alex and Cecil are running out of time to discover the true culprit behind the gods’ disappearance before an ancient divine murder plot destroys them all.

"Sometimes, love's not enough, and good intentions die in the street."

Hailey Piper's No Gods for Drowning is a perfectly contained standalone set in a holy land abandoned by its gods. Now scattered cities are haunted by the threat of mythical sea figures who kill and vanish people, and by the sea moving inland to reclaim what was once an archipelago. In this oppressive climate, Lilac's decision to try and summon a god makes perfect sense, even though the necessary rituals amount to plain murder. This book plays a lot with the idea of morality and the dichotomy of right and wrong, showing there's no easy answer when faced with certain death.

The book contains multiple POVs. We follow Lilac, her lover who's an ex-soldier who couldn't follow terrible orders, and a duo of investigators from out of town. Lilac's relationship with Arcadia is already established, thus providing a good source of angst when the plot is revealed, but it's the friction with the detectives, one of them a friend to Lilac and the other to Arcadia, that makes for the bulk of the conflict, especially in the second half. Duty - with a dash of PTSD - and motherhood are also central themes.

The worldbuilding isn't especially original, but it's clear and well-developed, and it shines when the gods finally make an appearance. Twists and turns keep the readers on the edge of their seat, while the book turns from noir to an exploration of existential dread and what it means to be human and to be in a community, wrapping up with a finale that's devastating in its simplicity. Empathy, in the end, is what can save us.

No Gods for Drowning is a remarkable novel.

✨ 4 stars

Review: The Tainted Cup, by Robert Jackson Bennet

In Daretana’s most opulent mansion, a high Imperial officer lies dead — killed, to all appearances, when a tree spontaneously erupted from his body. Even in this canton at the borders of the Empire, where contagions abound and the blood of the Leviathans works strange magical changes, it’s a death at once terrifying and impossible. Called in to investigate this mystery is Ana Dolabra, an investigator whose reputation for brilliance is matched only by her eccentricities.
At her side is her new assistant, Dinios Kol. Din is an engraver, magically altered to possess a perfect memory. His job is to observe and report, and act as his superior’s eyes and ears--quite literally, in this case, as among Ana’s quirks are her insistence on wearing a blindfold at all times, and her refusal to step outside the walls of her home. Din is most perplexed by Ana’s ravenous appetite for information and her mind’s frenzied leaps—not to mention her cheerful disregard for propriety and the apparent joy she takes in scandalizing her young counterpart. Yet as the case unfolds and Ana makes one startling deduction after the next, he finds it hard to deny that she is, indeed, the Empire’s greatest detective.

"Civilization is often a task that is only barely managed."

Robert Jackson Bennet's The Tainted Cup is an excellent murder mystery wrapped in the beautiful package of an immaculate worldbuilding, featuring an autistic investigator and her dyslexic assistant, who is our only narrator. This Watsonian figure is thus often as clueless as we are to the investigator's sharp deductions, and it's a delight to be there for the ride, desperately trying to keep up.

This really feels like much more of a mystery novel than a fantasy story, but I have an inkling that there will be a larger plot to unravel about the world. In this first book, the world is more in the background, but we are immersed in it with deft, precise, and small strokes. This is a world where people are artificially augmented in order to cover various tasks, where an empire built walls in order to protect the population from giant creatures called leviathans whose arrival by sea is heralded by earthquakes. This vividly painted world is teeming with contagions that scare the population, while the government is in a power struggle with powerful families. The books thus touches upon themes of classism and social injustice, and it's certain to delve more on them in the rest of the trilogy.

The interactions between Din and Ana are naturally an highlight of the book, with Din's inexperience playing well against Ana's greatness. He's not one to be intimidated, though, and he ends up being of great help thanks to his general stubborness. The rest of the cast is very vibrant, with many support characters who all feel very distinct and have their own development, following the big revelations coming from the investigation. There's even time for the sweet first steps of an achillean relationship between Din and another character, but it's not a focus.

The Tainted Cup is a great first installment.

✨ 4.5 stars

Review: But Not Too Bold, by Hache Pueyo

The old keeper of the keys is dead, and the creature who ate her is the volatile Lady of the Capricious House⁠―Anatema, an enormous humanoid spider with a taste for laudanum and human brides. Dália, the old keeper’s protégée, must take up her duties, locking and unlocking the little drawers in which Anatema keeps her memories. And if she can unravel the crime that led to her predecessor's death, Dália might just be able to survive long enough to grow into her new role.
But there’s a gaping hole in Dália’s plan that she refuses to see: Anatema cannot resist a beautiful woman, and she eventually devours every single bride that crosses her path.

"I hate being seen."

Hache Pueyo's But Not Too Bold is a Mexican novella leaning heavily on the weird side, with an ephemeral mystery plot that's more there to push the story along. The narrative follows Keeper of the Keys Dália as she investigates a theft under orders of her employer Anatema, a spider eldritch being who lives as a recluse on the third story of an isolated mansion filled with devoted servants. Anatema is appropriately terrifying, the detailed descriptions of her appearance a nightmare not only for arachnophobes.

This is a short story about learning to be seen. It's not just the eldritch being who needs to learn that and to trust her servants and her wives with her appearance, but also Dália, with her reluctance to be anything other than a servant with no aspirations and desires. Slowly, she finds herself willing to take risks and accept and embrace her desires - in short, being bold. The sweet ending perfectly encapsulates the titular motto.

But Not Too Bold is a short delight.

✨ 3.5 stars

Review: Time's Agent, by Brenda Peynado

Since humanity discovered the existence of pocket worlds, academics have embarked on exploratory missions as agents for the Institute for the Scientific and Humanistic Study of Portal Worlds to study this new technology and harness the potential of a seemingly limitless horizon. Archeologist Raquel and her biologist wife Marlena once dreamed the pocket worlds held the key to solving the universe’s mysteries.
Now, forty years in the future, Raquel is a disgraced ex-agent, pocket worlds are controlled by corporations squeezing every penny out of all colonizable space and time, and Marlena now lives in a pocket universe Raquel wears around her neck in which time passes faster than on Earth, and no longer speaks to her. Standing in the ruins of her dream and her calling, Raquel seizes one last chance to redeem herself, to her wife and her own failed ideals and confront what it means to save something―or someone―from time.

"Without time, everything is beautiful."

Brenda Peynado's Time's Agent is a sci-fi novella about time and grief, an alt-history take on the disappearence of the Taino people in what today is the Dominican Republic. Set in a world teeming with hidden entrances to pocket worlds, it deals with capitalism and colonialism and it's vibrant with fascinating concepts and a lush prose that really sells the imagery.

At its heart, it's a quiet story about how to deal with loss, especially the death of a child, and how it can tear a marriage apart. The main character, a sapphic woman in her thirties, has to deal with this loss alone for a portion of the book, as her wife needs time and space and solitude. The two plots end up mixing well into a delicate but heart-wrenching epilogue.

Time's Agent is a small gem.

✨ 4 stars

Review: The Lost Story, by Meg Shaffer

As boys, best friends Jeremy Cox and Rafe Howell went missing in a vast West Virginia state forest, only to mysteriously reappear six months later with no explanation for where they’d gone or how they’d survived. Fifteen years after their miraculous homecoming, Rafe is a reclusive artist who still bears scars inside and out but has no memory of what happened during those months. Meanwhile, Jeremy has become a famed missing persons’ investigator. With his uncanny abilities, he is the one person who can help vet tech Emilie Wendell find her sister, who vanished in the very same forest as Rafe and Jeremy.
Jeremy alone knows the fantastical truth about the disappearances, for while the rest of the world was searching for them, the two missing boys were in a magical realm filled with impossible beauty and terrible danger. He believes it is there that they will find Emilie’s sister. However, Jeremy has kept Rafe in the dark since their return for his own inscrutable reasons. But the time for burying secrets comes to an end as the quest for Emilie’s sister begins. The former lost boys must confront their shared past, no matter how traumatic the memories.

"You kill an artist, you kill all their unmade art too. Why don't people think about that before they hurt each other?"

Meg Shaffer's The Lost Story is a delightfully quirky and profound fairy tale about loss, found family, and forgiveness. This portal fantasy pulls no punches, crafting a story that doesn't shy away from harsher realities but instead, it builds on them. This isn't the first book to reflect on the conventions of the subgenre, nonetheless it does it well, and is in fact very moving in parts. The story follows equally the three main characters in a third person PoV that allows to delve into their stories as they search for Emilie's missing sister and for the truth about their own old disappearance; meanwhile, old feelings arise between Rafe and Jeremy, unveiling the delicate story of a friendship that can move mountains.

Their relationship is fascinating, complex, and very moving, showing how much love can survive anything. Now in their thirties, they're estranged, but fall back together with the easy simplicity of souls that know one another very well. The first third of the book deals with the mundanity of our world and Jeremy trying to get back Rafe's trust, just enough that he can join him and Emilie in their journey to find her sister. It's a necessary introduction, as we begin to see the depth of Jeremy's love and glimpse flashes of Rafe's trauma too. In the backdrop of the whimsical realm they're brought to, we see them grow closer together and reignite their friendship as the book careens towards a gruesome confrontation with the ghost of Rafe's past.

Emilie doesn't get much focus, but what we see is enough to make her a lovable addition. Queen Skya is another great character, a queen in her own right and a woman with a secret past, allowing the book to explore more the themes of escapism and abuse. This is really a lovely story about finding joy and peace and overcoming one's fears.

The prose is a bit of a hit and miss, its lyrical moments and profound musings interwoven with bits of dialogue that aim to be fresh and funny and filled with pop culture references. The narrator also takes the reins every once in a few chapters to directly address the reader, which might not be everyone's cup of tea.

The Lost Story is a wondrous tale.

✨ 4 stars

Review: The Last Hour Between Worlds, by Melissa Caruso

Kembral Thorne is spending a few hours away from her newborn, and she's determined to enjoy the party no matter what. But when the guests start dropping dead, Kem has no choice but to get to work. She's a member of the Guild of Hounds, after all, and she can't help picking up the scent of trouble. She's not the only one. Her professional and personal nemesis, notorious burglar Rika Nonesuch, is on the prowl.
They quickly identify what's causing the mayhem: a mysterious grandfather clock that sends them down an Echo every time it chimes. In each strange new layer of reality, time resets and a sinister figure appears to perform a blood-soaked ritual. As Kem and Rika fall into increasingly macabre versions of their city, they'll need to rely on their wits - and each other - to unravel the secret of the clock and save their city.

"Your life was always worth something, you insufferable fool."

Melissa Caruso's The Last Hour Between Worlds is an excellent magical mystery with a Groundhog Day twist, immaculate world-building, and a compelling relationship developing in a matter of hours. This first volume in a trilogy that promises to be explosive sets the scene for a story with clear stakes and memorable characters.

The main character and sole PoV, Kembral, is a great protagonist. On leave after giving birth to her daughter, she's quick to action and set on doing the right thing, even if it might mean not seeing her infant child again. She's a competent protagonist without being overpowered, even if she does have a special skill that sets her aside from the rest of her colleagues, but it's a learned skill, and she's not the only one to have it. Her dynamics with rival Guild member Rika are a delight, their shared past the real meat of the story, and Rika's an equally compelling character with secrets of her own. Their verbal sparring is fun and the way they set to work together a marvel.

This isn't a romantasy, the central mystery means they're on a clock, and the book balances that out pretty well. The supporting cast does a lot of heavy lifting, a number of colorful and interesting characters, each with their own voice and their own complex relationships. I especially loved the fiery swordswoman and her sibling, and I can't wait to see them explored more.

The worldbuilding is precise while not being overwhelming. It doesn't hand-feed the reader, but rather it allows to glean everything from context in a clear and concise manner. The Echoes, parallel universes of sorts, were especially interesting with their slighter differences the deeper one goes, and the Empyreans - functionally demigods - were appropriately eerie. The inner workings were clear if one is familiar with Faerie and fairy deals, spinning a familiar environment for the reader while doing something new with it. The Prime world had a lot of interesting dynamics and politics, too, which I can't wait to read more about.

The Last Hour Between Worlds is a delightful introduction to a new world.

✨ 4.5 stars

Review: The Fireborne Blade, by Charlotte Bond

Maddileh is a knight. There aren’t many women in her line of work, and it often feels like the sneering and contempt from her peers is harder to stomach than the actual dragon slaying. But she’s a knight, and made of sterner stuff.
A minor infraction forces her to redeem her honor in the most dramatic way possible, she must retrieve the fabled Fireborne Blade from its keeper, legendary dragon the White Lady, or die trying. If history tells us anything, it's that “die trying” is where to wager your coin.

"What will be written about us by those who come after?"

Charlotte Bond's The Fireborne Blade is a fantasy novella about a bisexual knight who's dealing with mysoginy in her line of work, and pursuing a dragon. The narration in this sense is very straightforward, with a classic story about dragon-hunting. This novella excels in creating interesting lore for dragons while maintaning a haunting atmosphere, but the tension is broken by the chapters set in the past and by chapters detailing dragon-hunting and other knights' dealings.

The novella builds up a plot twist organically, but stumbles when it comes to the actual delivery, and the final part feels rushed. The ending is invigorating, though, and the interest for the second and final novella in the series gets certainly piqued. Meanwhile, the queer aspect is more of an undercurrent, although one certainly picks up a certain tension between the knight and the sorceress-in-training fighting against mysoginy in her own field.

The Fireborne Blade is a packed adventure.

✨ 3.5 stars

Snippet: Under the Dragon Moon, by Mawce Hanlin

Mael Nguyen doesn’t believe in fate, but he does believe in magic. His entire life revolves around the study of the arcane—spells and rituals, potions and illusions. As far as Mael is concerned, all he needs is a book in one hand and magic in the other. Anything outside of his bookshop, hidden away in the streets of New Orleans, isn’t worth his attention. But when a strange human stumbles into his life and hires him for a job, bringing along his blinding smile and curious magic, Mael finds that Fate is just as dangerous as Magic.
Leo Greyson refuses to believe in fate, but he desperately wishes to believe in magic. As a small time rockstar, full time radio host, Leo has never been one to shy away from experience and adventure. He’s always lived his life on the edge—always moving, never standing still. But when his twin sister is murdered, and he gains custody of her strangely magical daughter, that constant motion comes to a screeching halt. Instead, he is launched into an entirely new world hidden right beneath his nose, and Leo finds himself wondering if Fate really does exist, and if she’s led him right where he needs to be.

“He kissed like a hurricane.”

Mawce Hanlin's Under the Dragon Moon is a sweet romantasy with great character work and a mysterious background plot that promises to take center stage in the next installments of the series. In this first book the focus is on a magical mystery and on the establishment of the main characters’ relationship, motivations, past, and their relationship with friends and family, other than laying the foundation of a pretty complex worldbuilding, with sidhe, Courts, pacts, dragons, and a magic that builds on magical patrons. The politics and lore of this scintillating debut of an urban fantasy are pretty layered, and the prose is fantastic: lyrical at times, at times funny, always very respectful of the many triggering aspects, and littered with references to pop culture. There are quite a few explicit sex scenes.

✨ 4 stars

Snippet: Empire of the Feast, by Bendi Barrett

We awaken with Riverson, 32nd ruler of the Stag Empire, as he attempts to govern without the memories of his previous lives. To survive the ever-sharpening gears of war, he will need to mend the political schisms threatening to tear his empire apart while maintaining the erotic rituals holding off the eldritch horror known only as the Rapacious.

“We will eat the stars and drench the darkness in ecstasy.”

Bendi Berrett's Empire of the Feast is a sci-fi novella with a touch of magic, compact and luxurious. In less than a hundred pages, the author paints the delicate balance of an intergalactic empire held together against an eldritch foe only thanks to the power surges created by a never-ending orgy. Despite the particular subject, the book isn't too explicit, and follows the efforts of the newly resurrected Emperor attempting to regain his footing and stop a coup, having been brought back memoryless and with a different gender. This delightfully queer page-turner of a novella packs a complex journey that resolves in less than a day; it only stumbles in the Epilogue, where it tries to tie too neat a bow to the detriment of a perfect roller-coaster.

✨ 4 stars

Review: Unholy with Eyes like Wolves, by Morgan Dante

Noémie, a dishonored and widowed noblewoman in early 17th century Hungary, finds herself in an unenviable position: after grievous trauma and loss, her last chance to regain her honor comes when she must serve as Lady Erzsébet Báthory’s handmaiden. Báthory is stoic and imperious, and as Noémie struggles to acclimate and accept her present and future, she begins to have dreams about a mysterious woman. Worse, there are stories of disappearance and deaths in the castle, and Noémie might be next.

"Sometimes, we need monsters to protect us."

Morgan Dante's Unholy with Eyes like Wolves is a gory sapphic exploration of the horrors of life as a woman, set in Hungary and drawing on the myth of Erzsébet Báthory and the story of Carmilla, throwing in the mix a sympathetic protagonist that isn't afraid to get her hands dirty. Noémie holds her own as a character in her own right, surrounded by the figures of legends, and her journey is both touching and invigorating.

The book delves deep into themes of grief, mortality, morality, and self-actualization, weaving a tragedy steeped in languid eroticism that climaxes in sex scenes that are gory and bloody and deeply sensual. The prose is excellent, a slow and rich journey, but it's plagued by a number of typos that destroy the magic a little.

The 17th-century Hungary setting is clearly researched, even with phrases sprinkled throughout the text, and the exploration of the politics of the time is certainly intriguing.

The almost-female cast is the real gem of this book, with the relationships that are woven not only between the three women at the center, but also with the serving women at the castle and with others, and especially the strong bonds of sisterhood explored when the three wise women help Noémie with an abortion. The book, as one might imagine, tackles triggering topics, but does it expertly.

Unholy with Eyes like Wolves is a decadent delight.

✨ 4.5 stars

Review: The Lost Future of Pepperharrow, by Natasha Pulley

1888. Five years after they met in The Watchmaker of Filigree Street, Thaniel Steepleton, an unassuming translator, and Keita Mori, the watchmaker who remembers the future, are traveling to Japan. Thaniel has received an unexpected posting to the British legation in Tokyo, and Mori has business that is taking him to Yokohama. Thaniel's brief is odd: the legation staff have been seeing ghosts, and Thaniel's first task is to find out what's really going on. But while staying with Mori, he starts to experience ghostly happenings himself. For reasons Mori won't--or can't--share, he is frightened. Then he vanishes.
Meanwhile, something strange is happening in a frozen labor camp in Northern Japan. Takiko Pepperharrow, an old friend of Mori's, must investigate. As the weather turns bizarrely electrical and ghosts haunt the country from Tokyo to Aokigahara forest, Thaniel grows convinced that it all has something to do with Mori's disappearance--and that Mori may be in serious danger.

"Grace is not a thing you performed, but a weight you carried".

Natasha Pulley's The Lost Future of Pepperharrow is the stunning conclusion to the duology that began with The Watchmaker of Filigree Street. The journey of Thaniel and Mori, together with their adoptive daughter, reaches new highs and lows as we learn more about Mori, his morality and the lengths he's willing to go to to protect who he loves.

Mori is such an intriguing character because in another book, he could easily be a villain (in fact, some characters think he is). But we see him through Thaniel's loving eyes, we see his vulnerabilities and strengths, and we can't help but be completely enamored with him, with his quiet strength and his resolve. His are the lines that make us dissolve into a sobbing mess, his the trials and tribulations, in the pursuit of something he eventually can't even remember.

Thaniel gets a much needed depth too, and it's fascinating to see how he navigates his relationship with Mori, with the orphan Six, and with the new character Pepperharrow, a tragic and compelling figure. All the new characters felt alive and believable, with complex motivations of their own, and I was delighted to even find some old faces from the first book.

This sequel was so much better, both in composition and pacing. The prose was of course lovely already in the first book, but the author has such graceful writing, like a warm hug even in the direst circumstances. I loved that we got some more information about how Mori's clairvoyance works, and the ether, and glimpses of this alternate history. I especially loved the change in setting, with the author taking us to Japan and demonstrating a deft hand in painting the country through the eyes of a stranger. I enjoyed her choices in terms of dialogue and her note about it at the end.

The Lost Future of Pepperharrow is a masterful conclusion to a lovely duology.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Kingdoms, by Natasha Pulley

for: memory, time