Review: The Councillor, by E.J. Beaton

 

When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen’s closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic.
Resourceful, analytical, and quiet, Lysande appears to embody the motto she was raised with: everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power. She becomes locked in a game of strategy with the city-rulers – especially the erudite prince Luca Fontaine, who seems to shift between ally and rival.

This Machiavellian debut keeps you on the edge of your seat. E.J. Beaton's The Councillor is full of scheming and politics, with an elegant prose that enriches the experience. The protagonist and sole point of view, Lysande, is an incredibly complex character, a highly competent scholar with a drug addiction, a woman with a few secrets of her own. Over the course of the novel she will also learn the finer points of the art of politics. The tension is built perfectly towards the incredible climax of the novel, where secrets are laid bare and new foundations laid out for what I believe to be the second and last novel of the series.

Magic is feared, and magic users are killed and despised. The world-building is excquisite, with different cultures that are part of the empire expertly and vividly described. There's a true sense of depth, especially when Lysande recalls histories and treatises and also uses them to find hidden thruths.

The characters are all complex and multi-dimensional, with relationships just as complex. The city-rulers shine, but it's also the smaller characters who are depicted perfectly with a few deft strokes. The Iron Queen, dead at the beginning of the novel, had a major part in Lysande's upbringing and is often mentioned, permeating the narrative with her presence. Lysande also has to battle with what the Queen meant for her, and what she did for her country, giving a perfect conflict to the story. I also loved her growing relationship with her new maid, made of fondess, duty, and respect.

This is a queernormative world, so the conflict doesn't come from the romance; in truth, the romance isn't a main focus of the story, though Lysande spends much time thinking about her lovers, past and present, and a mlm romance between two side characters is at the center of a subplot. Lysande is bisexual, and while her past lover is a woman and isn't discarded by the narrative, she's now more focused on pursuing a male lover, or two, each of them with their own agendas.

The Councillor is an excellent first installation, perfect for anyone who wants a cerebral read.

✨ 4 stars

Snippet: This is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone

 

Among the ashes of a dying world, an agent of the Commandant finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, grows into something more. Something epic. Something romantic. Something that could change the past and the future.
Except the discovery of their bond would mean death for each of them. There's still a war going on, after all. And someone has to win that war.

This novella is a love letter. This is How You Lose the Time War, by Amal El-Mohtar and Max Gladstone, needs no introduction; it was vastly acclaimed and it's still an instant classic. The prose is lyrical, intense, grandiose; the plot a mosaic slowly coming together. This book is an experience.

✨ 5 stars

Review: Reforged, by Seth Haddon

 

Since time immemorial the warriors of the Paladin Order have harnessed arcane powers to protect their rulers. For Balen, who has given up his chance at love and fought his way to the top of the Paladin Order, there can be no greater honor than to serve his king. But when assassins annihilate the royal family, Balen suddenly finds himself sworn to serve the very man he abandoned.
Now with their nation threatened by enemies both within and outside the kingdom, Balen must fight hidden traitors and unnatural assassins, while also contending with the biting wit and dangerous charm of young King Zavrius. To save themselves and their nation they will have to put aside their past and reforge that trust they lost so long ago.

This was a treat! Seth Haddon's Reforged is a lovely stand-alone fantasy novel with a tight plot and a steamy romance. Balen is a sympathetic protagonist and his past relationship with his King makes for a good conflict in the first half of the novel. Zavrius is irritating at first, and the way he treats his ex-lover in the beginning is kind of appalling, but he does magic by making music with his instruments and I fully admit that I'm biased towards that kind of thing. As the novel goes on he also opens up about a terrible trauma to Balen, so one can see where the previous behavior was coming from.

The supporting cast is pretty good, varied and fleshed out. I often think that's the supporting cast that makes this kind of novel, because the central relationship is obviously well-developed, but a cast made up of walking cliches ruins everything. This one had two friend-types with surprising hidden depths and two really good characters, the King's aunt and the King's uncle, the both of them with important roles in the palace.

The world is well-developed, with mysterious carcasses of creatures granting magical powers, but not without a price; I liked that the consequences weren't brushed off, but that they had a meaning in the plot. One scene especially, with this gigantic body on the ground, was most lyrical and evocative.

Now, not every decision of the characters makes perfect sense, especially in the second half, where our heroes have to fight against an overthrow of the government. The resolution is pretty abrupt. But the narration manages to tie up everything, which is difficult with this kind of stand-alone novels.

Reforged is a solid fantasy adventure with a good central relationship.

✨ 4 stars

Review: The Queen of Ieflaria, by Effie Calvin

 

Princess Esofi of Rhodia and Crown Prince Albion of Ieflaria have been betrothed since they were children but have never met. At age seventeen, Esofi’s journey to Ieflaria is not for the wedding she always expected but instead to offer condolences on the death of her would-be husband.
But Ieflaria is desperately in need of help from Rhodia for their dragon problem, so Esofi is offered a new betrothal to Prince Albion’s younger sister, the new Crown Princess Adale. But Adale has no plans of taking the throne, leaving Esofi with more to battle than fire-breathing beasts.

I don't think I'll be reading the rest of the series. Effie Calvin's The Queen of Ieflaria is the first in a five-book series that, to my understanding, follows different characters in every book. It's a sweet romance with minimal plot; the book starts in medias res and the threat of dragons feels perfunctory. Esofi's ladies in waiting are walking stereotypes; Esofi's self-righteous and talks about burning down a temple but she's the cute little protagonist and so there's no backlash apart from Adale's perplexed retort. Adale's court is no better, with cartoonish villains and sovereigns that talk like disgruntled parents even during official occasions.

It's still a coherent narrative, and the romance really is very sweet. The writing is good enough to allow an immersive experience. There were long bits about the different kinds of gods and types of worhips, that I suppose are setting up for the other books, and those bits were intriguing, just not enough to make me continue the series. But it's a honest romance with plenty of cute moments.

The Queen of Ieflaria is a nice quick read to pass the time without thinking too much.

✨ 3 stars

Review: Miranda in Milan, by Katharine Duckett

 

After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.
With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.

Full fathom five thy father lies. Katharine Duckett's Miranda in Milan attempts to be a sequel to the fascinating Shakespearean play The Tempest. After arriving in Milan, Miranda finds herself lost in an intricate web of lies with the sole help of one of her maids. The mystery behind the whispers following her everywhere, when solved, is by far the best part of the novella, with an intriguing twist on the classical characters.

The pacing is uneven, likely due to the short format. The relationships between Miranda and Dorothea develops far too quickly, not giving the reader a moment to breathe. But Dorothea is a fascinating character, unwilling to be shackled, and there are particularly good moments where she puts into question Miranda's sheltered worldview, challenging her racism.

Miranda in Milan is a good read for anyone who wants a queer take on the play.

✨ 3.5 stars