Misty World: January 2024

Monday, January 29, 2024

Review: In the Roses of Pieria, by Anna Burke

When Clara Eden is offered a job as an archivist working for eccentric estate owner Agatha Montague, she thinks her prayers have been answered. Soon, she finds herself sucked into her research world, captivated by a romantic correspondence thousands of years old. But as her feelings for her employer's assistant, Fiadh, deepen, so does her suspicion that something about Agatha Montague isn't right. Unfortunately for Clara, it is far too late to run by the time her suspicions are confirmed.

"I'll paint your face into the histories". Anna Burke's In the Roses of Pieria is a sapphic horror novel with a complex worldbuilding and academic overtones that really enrich the experience. The story is interspersed with a millennia-old correspondence that tugs at the heartstrings with its lyrical passages and references to Sappho's fragments, while slowly unease creeps into Clara and the readers alike as the main character realizes the truth behind the letters.

The fictional Nektopolis, created by the author as a backdrop to such an ancient love story, is so vividly described that makes one wonder whether it's real; the novel begins with an academic discussion that goes on for pages and sets the atmosphere well. The genre-savvy reader will understand immediately what takes Clara a little more time to wrap her head around, but the novel is still full of surprises with an exciting (and mildly horrific) take on the fae.

As the story unfolds, so does the love story between Clara and Fiadh, speeding through the unraveling horror making itself known. Fiadh is a compelling love interest, mysterious and intricate in her loyalties, but fierce in her passions. The adventurous second part of the novel allows to explore her more as a character, and revelations abound. The story, while pretty self-contained, ends with an abrupt cliffhanger that leaves you wanting the second installment in the duology immediately.

In the Roses of Pieria is a gloriously weird sapphic vampire story.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Long Time Dead, Samara Breger

for: sapphic vampires, love through the ages

Monday, January 22, 2024

Review: Legacy of the Vermillion Blade, by Jay Tallsquall

Talon Cour-Vermane is not only the sole inheritor of his House’s lands, titles, and political power, but also of the pact his family has forged with darkness through countless generations. From birth, Talon’s father tethered his son’s life to the family’s bloodline and his own ambitions of power, but everything changes when a new blacksmith and his young apprentice, Richen, join the staff at the Cour-Vermane estate. With their fateful meeting, Talon’s life changes course forever, derailing the meticulously laid out existence planned for him. From his family’s estates and the countryside of Eleryon to the extents of the Xallian Empire and the dwarven kingdom of Lymehold, Talon discovers the different aspects of love, true family, and himself as he battles his cursed blood and the shackles to darkness his father bound him with.

"Sometimes all you had in life was blind faith". Jay Tallsquall's Legacy of the Vermillion Blade trudges on as we follow the life of the main character, a lord's son who was possessed by powers bigger than him and attempts to free himself from them, while looking for his lost love and making connections along the way.

It's a lovely exploration of asexuality (especially towards the middle of the novel, as an older Talon explores his boundaries) but it's not a good fantasy novel. The narration jumps from one year to another to decades later with no real effort to make a cohesive story, only painting vignettes and telling us to trust that things are advancing. When it takes its time to breathe and explore the characters and situations, it's good, but that happens rarely.

The worldbuilding is confusing, not really clear, and the main character's father is almost cartoonish in the depiction of his villainy. This could have been a great novel, with some editing; it's rare we get a homoromantic asexual protagonist, so I was very excited for it, but it didn't deliver on the speculative fiction side.

Legacy of the Vermillion Blade is a book with a good premise and some great representation.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Perfect Assassin, by K.A. Doore

for: sword fights, asexual protagonist

Monday, January 15, 2024

Snippet: The Water Outlaws, by S.L. Huang

Lin Chong is an expert arms instructor, training the Emperor's soldiers in sword and truncheon, battle axe and spear, lance and crossbow. Unlike bolder friends who flirt with challenging the unequal hierarchies and values of Imperial society, she believes in keeping her head down and doing her job. Until a powerful man with a vendetta rips that carefully-built life away.
Disgraced, tattooed as a criminal, and on the run from an Imperial Marshall who will stop at nothing to see her dead, Lin Chong is recruited by the Bandits of Liangshan. Mountain outlaws on the margins of society, the Liangshan Bandits proclaim a belief in justice—for women, for the downtrodden, for progressive thinkers a corrupt Empire would imprison or destroy. They’re also murderers, thieves, smugglers, and cutthroats. Apart, they love like demons and fight like tigers. Together, they could bring down an empire.

"We shall be the storm of silk and steel that shelters all those in need". S.L. Huang's The Water Outlaws is a standalone anti-hero journey that genderbends a classic Chinese novel, Water Margin, mixing things up with interesting magic. It's a violent tale about rebelling against a broken system - one that allows rape and abuse of power, where dissidents are thrown into prison - and making the most of what one has, about finding community even amongst violent people. The cast is huge, but the two main characters, once friends and now possibly on opposite sides, undergo major character development that feels organic and earned. The tale slows down towards the middle only to pick up towards an explosive finale that accounts for all the loose threads.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Order of the Pure Moon Reflected in Water, by Zen Cho

for: banditry, queer wuxia

Monday, January 8, 2024

Review: A Power Unbound, by Freya Marske

Jack Alston, Lord Hawthorn, would love a nice, safe, comfortable life. After the death of his twin sister, he thought he was done with magic for good. But with the threat of a dangerous ritual hanging over every magician in Britain, he’s drawn reluctantly back into that world. Now Jack is living in a bizarre puzzle-box of a magical London townhouse, helping an unlikely group of friends track down the final piece of the Last Contract before their enemies can do the same. And to make matters worse, they need the help of writer and thief Alan Ross.
Cagey and argumentative, Alan is only in this for the money. The aristocratic Lord Hawthorn, with all his unearned power, is everything that Alan hates. And unfortunately, Alan happens to be everything that Jack wants in one gorgeous, infuriating package. When a plot to seize unimaginable power comes to a head at Cheetham Hall―Jack’s ancestral family estate, a land so old and bound in oaths that it’s grown a personality as prickly as its owner―Jack, Alan and their allies will become entangled in a night of champagne, secrets, and bloody sacrifice . . . and the foundations of magic in Britain will be torn up by the roots before the end.

"Broken items wanted to be whole". Freya Marske's A Power Unbound sticks the landing with this exhilarating conclusion to the Last Binding trilogy. A new set of main characters takes center stage, but this time the protagonists of the two previous volumes are more entangled with the plot and even undergo more development as this big, queer found family races against time to unveil a plot that could destroy everything.

After the enclosed setting of the second book, we find ourselves once again in England, between estates and magical parliament; we also see poorer parts of the city as Alan, who was introduced in the previous book, is an immigrant with a big family he works hard to support. This allows the book to introduce themes of class and power dynamics that work very well in the general context of the series and give it more depth. The journalist who's secretly a writer of queer erotica finds his perfect partner in bisexual Lord Hawthorn, as the two of them slowly dismantle their walls over the course of the book and a couple of intense sex scenes.

Every loose thread from the first two books is accounted for in this finale that asks questions about family, power, and abuse. The magic is made bigger and more interesting as the roots of power are explained and explored; every character has a moment to shine, from the medium that facilitates a heart-wrenching heart-to-heart with a ghost, to the nobleman who once thought he wasn't as powerful as his peers, from the seer to the powerful actress to the one who got violently torn from his own magic. And then there's Alan, who isn't magical but who can disrupt magic, and the surrounding cast of magicians, friends and foes, enstranged family and abusive brothers, and mothers who'll tear the world apart for their children.

The book weaves a rich tapestry that's much more deeper for its focus on land and contracts, the places where we live that protect us, and the free contracts between two people. It's a honest exploration of unconventional desires, woven together by the books written by Alan and mentioned in the first two installments: a thread that slowly reveals itself and makes the whole series almost a metanarrative.

A Power Unbound is a powerful exploration of love and the ties that bind.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Magpie Lord, by K.J. Charles

for: Edwardian England, power dynamics