Review: The Stagsblood Brother, by Gideon E. Wood

The goddesses and gods have restored King Tel’s magic. His power over dirt, wind, fire, and rain is keener than ever. Still, his people are in danger. The sorcery of the antlered ones has also returned to his exiled brother, Lag. Hungry for power and revenge, Lag will cross any moral boundary to defeat his older brother—and make him suffer in the process. He’ll exploit Tel’s faith, decency, and generous heart to win the advantage in a war that will spill blood over the heart of Feigh. He’ll terrorize unarmed innocents. He’ll use sinful magic to transform the man Tel loves into a weapon.
To end the bloodshed and secure the kingdom, Tel must ready himself to meet his brother and lover on the battlefield and eliminate the threat to peace and justice, whatever the cost. To do that, he’ll need to realize the final confrontation is really with the darkness, tragedy, and grief of his own past. The last war must be won inside himself.

"Fortune has surrounded me with good people".

Gideon E. Wood's The Stagsblood Brother sticks the landing with this incredible conclusion to the Stagsblood Trilogy, where all the loose threads are tied up and the final confrontation between Tel and his sadistic brother takes center place, pushing Tel beyond his limit. He will have to battle with himself and with his own, and make hard decisions that might haunt him; but he might find healing in the end.

This book deals with loss, grief, memory, and healing in such a poignant way. Tel, a recovering alcoholic, must do his best to avoid the lure of the drink when all things seem to go wrong; he has help, from his friends and loved ones, as he battles both himself and the dangers that threaten to tear not only his kingdom apart, but the known world, the cluster of six kingdoms inhabited by different races of humanity who hail from the gods and goddesses. The gods of the Stagsblood Trilogy are very real and passionate and meddle in the human affairs, appearing to Tel ever since the first book; the prophecy that was at the center of the second book takes here new meaning, for an extraordinary and quiet ending where wounds begin to heal and peace might be found.

The world-building keeps being effective and rich, painting the history of the nations, the struggles of the smallfolk, and the powers that control the world in all their irrationality. Lag is a perfect antagonist because he's truly unhinged, stopping at nothing in his quest for blood purity. He maimes and corrupts and revels with childlike delight in the destruction of his own kingdom, showing no remorse and a chilling amorality. The mental torture he subjects his own brother to is painful and difficult to read.

The author course-corrects all the things that prevented the previous books from being truly excellent (especially the second book, that was a step down from the quality of the first while still narrating a beautiful journey of healing), adjusting the way he recounts events and the pace of the book. The heart of his writing, the emotional passages that tear at the reader, he keeps and strengthens, creating a novel that doesn't shy away from the ugly in order to make it beautiful, that uses language at times very crude but always precise. This is a journey in three books, and he doesn't forget what started Tel's emotional journey towards healing, but always keeps it at the forefront of the reader's mind. The decision to tear Tel apart so cruelly in the first novel, followed by the way he begins to give Tel peace in the second, might make some readers decide to pull away, but I admire his decision to show that life doesn't end after a terrible tragedy.

Unfortunately this book is still saddled with numerous typos and small mistakes that take aback and stop the flow of reading, although it's less than in the first two books. But the strength of the narration is so intense that I'm inclined to forgive the lack of proper editing. The author also has a list of trigger warnings on his website, that I urge to check before embarking on this fulfilling but dark journey.

The Stagsblood Brother is a beautiful exploration of grief and healing.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* All the Hidden Paths, by Foz Meadows

for: trauma, healing

Snippet: The Stagsblood Prince, by Gideon E. Wood

Tel, crown prince of Feigh, has negotiated an end to the war between his country and the strange queendom of Omela. He looks forward to an easy reign of wild parties and wilder men. When his father dies suddenly, Tel is outmaneuvered by his brother, losing the throne. Tel’s faith prohibits him from raising his sword and spilling blood, so he accepts the humiliation, working to temper his brother’s baser impulses. But the new king’s reign takes a dark turn, and his collaborators begin to round up undesirables, including those with a magic called the stagsblood.
Tel must decide: Flee or fight? Running means abandoning his people to his brother’s evil whims. Standing his ground means the sin of total war. He has no army and only a few allies—and his magical secret. Caip, his closest friend and protector, brings military experience and blunt advice. Her right hand, Dar, is the picture of loyalty. Tough, battle-scarred Bin doesn’t suffer fools gladly. And Vared, a mysterious singer-turned-diplomat from Omela, speaks the truth to Tel in ways no one else can.

"How do I make war when all I want is to be tender?".

Gideon E. Wood's The Stagsblood Prince is a poignant exploration of duty, addiction, and grief, a beautiful tale of finding one's purpose after a terrible loss, of persevering against all odds. It's a tragic tale of love and loss. The narration is a little weak in pieces, strongly relying on the later recounting of events when it might be better to show them as they happen; but the sheer intensity of the events described, especially in the second half, more than make up for it. The book features a few very descriptive and explicit sex scenes, and a tragic twist that will leave you sobbing uncontrollably.

✨ 4 stars

Review: Every Exquisite Thing, by Laura Steven

Penny Paxton is the daughter of an icon. Her supermodel mother has legions of adoring fans around the world, and Penny is ready to begin her journey to international adoration, starting with joining the elite Dorian Drama School. When Penny’s new mentor offers her an opportunity she cannot refuse, to have a portrait painted by a mysterious artist who can grant immortal beauty to all his subjects, Penny happily follows in the footsteps of Dorian’s most glittering alumni, knowing that stardom is sure to soon be hers. But when her trusted mentor is found murdered, Penny realises she’s made a terrible mistake – a sinister someone is using the uncanny portraits to kill off the subjects one by one. As more perfectly beautiful students start to fall, Penny knows her time is running out . . . A seductive and searing exploration of beauty, identity, and what the pursuit of perfection can truly cost.

"Girls don't want beauty. Girls want power. And sometimes beauty is the closest substitute".

Laura Steven's Every Exquisite Thing is a YA feminist and sapphic retelling of The Portrait of Dorian Gray, with elements from the classic being woven in an interesting way. Without getting too much into spoiler territory, the link isn't as tenuous as one may think at first. The book comes with a much appreciated note at the beginning, detailing the book's trigger warnings.

The narration in first person serves the novel well, highlighting the main character's growing unease with the very real threat to her life and with the supernatural happenings around her. We get to feel her helplessness and see her struggle with anorexia in a way that is disconcerting and unnerving.

The book delves deep into the themes of beauty, control, and identity, aided by a prose that is stunning in its simplicity. The execution is lacking in some parts, especially in the second half, but the book makes up for it with its heart; perhaps the revelations towards the end might have been foreshadowed better.

Queer longing permeates the pages, with the tension between the two leads coming to an end in a frenzied scene that works all the better because the ending softens the edges and makes this novel a very real journey of self-discovery that can only end with healing. But while the main trio, and the relationship they shared, is well-developed, the other two recurring characters in Penny's set of friends end up being criminally underdeveloped. The adults, on the other hand, are written better, especially the tragic figure of Penny's mother.

Every Exquisite Thing is a book that helps young women.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* I Feed Her to the Beast and the Beast Is Me, by Jamison Shea

for: deals, sacrifice

ARC Review: Running Close to the Wind, by Alexandra Rowland

Avra Helvaçi, former field agent of the Arasti Ministry of Intelligence, has accidentally stolen the single most expensive secret in the world―and the only place to flee with a secret that big is the open sea. To find a buyer with deep enough pockets, Avra must ask for help from his on-again, off-again ex, the pirate Captain Teveri az-Haffar. They are far from happy to see him, but together, they hatch a plan: take the information to the isolated pirate republic of the Isles of Lost Souls, fence it, profit.
The only things in their way? A calculating new Arasti ambassador to the Isles of Lost Souls who's got his eyes on Avra's every move; Brother Julian, a beautiful, mysterious new member of the crew with secrets of his own and a frankly inconvenient vow of celibacy; the fact that they're sailing straight into sea serpent breeding season and almost certain doom. But if they can find a way to survive and sell the secret on the black market, they’ll all be as wealthy as kings―and, more importantly, they'll be legends.

My thanks to the author for providing an ARC copy.

Alexandra Rowland's Running Close to the Wind is a cozy low-stakes pirate adventure set in the same world of the excellent A Taste of Gold and Iron, loosely connected to it by a plot point. The two books couldn’t be more different, as Running Close to the Wind is funny. Hysterically, being-in-stitches, laughing-on-the-floor funny. It’s so funny that it’s too funny sometimes, but it’s a joy to read a book that doesn’t take itself so seriously while simultaneously delivering some very profound reflections in the more serious segments.

The trio of main characters is a delight, their banter on point as the dynamic between Avra and Teveri expands with the arrival of the mysterious Julian and his wiles. The characters are unapologetically horny, but the book is surprisingly chaste in that regard, while also being incredibly tender in parts. I especially enjoyed the few conversations about having and defending one’s boundaries. The rest of the cast, from the colorful crew to the pirates on the island, were all painted in deft strokes, resulting in vivid characters with so much to say. It really was reminiscent of Our Flag Means Death, as it was pitched, and it was an absolute romp.

The world gets expanded in a really clever subversion of what we know from A Taste of Gold and Iron, showing what the outside world thinks exactly of the choice to keep for themselves the only way to sail safely during a certain time of the year. There’s sea serpents and giant turtles and ghosts that need a complex reference guide to be handled, and it’s all so delightful. This choice to have loosely interconnected stories where the world is explored more and more is an intriguing one, and I can’t wait to see what’s next.

Running Close to the Wind is a fun adventure with hidden depths.

✨ 4 stars