Monday, December 9, 2024

Review: The Lotus Empire, by Tasha Suri

Malini has claimed her rightful throne as the empress of Parijatdvipa, just as the nameless gods prophesied. Now, in order to gain the support of the priesthood who remain loyal to the fallen emperor, she must consider a terrible Claim her throne and burn in order to seal her legacy—or find another willing to take her place on the pyre. Priya has survived the deathless waters and now their magic runs in her veins. But a mysterious yaksa with flowering eyes and a mouth of thorns lies beneath the waters. The yaksa promises protection for Ahiranya. But in exchange, she needs a sacrifice. And she's chosen Priya as the one to offer it.
Two women once entwined by fate now stand against each other. But when an ancient enemy rises to threaten their world, Priya and Malini will find themselves fighting together once more – to prevent their kingdoms, and their futures, from burning to ash.

"To swim through rage and grief and rise, alive, on the other side."

Tasha Suri's The Lotus Empire is the heart-wrenching conclusion to the spectacular Burning Kingdoms trilogy, expertly weaving a tale of loss, solitude, revenge, and grief. No thread is left unacknowledged, everything accounted for, in this tragedy about love and duty and sacrifice, a masterful story with a bittersweet ending.

We begin as the last book ended, with our lovers separated by war and a bitter betrayal, but still aching for one another, on the edge between love and hate. Malini has to navigate her Court while waging a war against the supernatural threat of the Yaksa and attempting to survive the fanatical clergy calling for her burning; Priya has to contend with the monsters wearing loved ones’ faces, and with the great empire bent on destroying and assimilating her people. Still in dreams they return to each other, their bond too strong and, perhaps, the key to the end of the war.

Amidst the odd POV characters, the POVs of Bhumika and Rao shine with their journeys, to self-love and peace respectively, as they face the circumstances that left them reeling in the previous book. Both of their storylines reach satisfying conclusions.

The worldbuilding expands to new neighboring kingdoms, new people, and an exploration of the Yaksa and of the goddesses of Malini's people. Not every question is answered, and there's a sense of unfinished business, but the powerful moments leading to the end more than make up for it.

The Lotus Empire is the stunning conclusion to a great trilogy.

✨ 5 stars

Monday, December 2, 2024

Review: The Shabti, by Megaera C. Lorenz

Can you flimflam a ghost? It’s 1934. Former medium Dashiel Quicke travels the country debunking spiritualism and false mediums while struggling to stay ahead of his ex-business partner and lover who wants him back at any cost. During a demonstration at a college campus, Dashiel meets Hermann Goschalk, an Egyptologist who’s convinced that he has a genuine haunted artifact on his hands. Certain there is a rational explanation for whatever is going on with Hermann’s relics, Dashiel would rather skip town, but soon finds himself falling for Hermann. He agrees to take a look after all and learns that something is haunting Hermann’s office indeed. Faced with a real ghost Dashiel is terrified, but when the haunting takes a dangerous turn, he must use the tools of the shady trade he left behind to communicate with this otherworldly spirit before his past closes in.

"Are you actually suggesting that we try to flim-flam a ghost?"

Megaera C. Lorenz's The Shabti is an atmospheric ghost story set in the Thirties, featuring two protagonists in their forties while they try to solve a mystery and they helplessly fall in love. The only POV, a former swindler with a conscience, gets increasingly attached to an impossibly kind Egyptologist plagued by an infestation problem, and the resulting closed door romance is a sweet affair that warms the heart.

The supernatural threat stems from a possessed figurine, the eponymous shabti, and dealing with it results in very suggestive pages, especially during the scenes set in dark places. Another far more human threat comes from Dashiel's jilted lover and former associate, grounding the narration when needed.

The attention to detail shown in the descriptions of Egyptology of the time, also shows in the usage of appropriate language for that time period, featuring old-timey turns of phrase that make the reading experience a delight. The author also takes their time exploring the world of fake spiritualism with a firm hand, but the chaotic ending doesn't really stick the landing.

The Shabti is a fun adventure for ghost story lovers.

✨ 3.5 stars