Monday, January 27, 2025

Review: Peregrine Seas, by R.C. Ballad

Prince Peregrine couldn’t be happier to be kidnapped by pirates. Peregrine wasn’t cut out for the restrictive life of a nobleman – he's hungry for adventure, prone to duelling, and his family refuse to believe he's any kind of man at all. Despite his royal origins, he has more in common with the outcasts and rebels aboard the Cygnus that anyone onshore.He just needs to convince the captain of that before his ransom's paid.
Captain Alastar Macdara knows better than to trust an English prince. He has his hands full keeping his ragged crew together, and the last thing he needs is to be burdened with some foppish dandy—however charming. This particular hostage is more trouble than Alastar planned used to getting his own way, as stubborn as Alastar and not afraid to tell him when he’s wrong. But Alastar knows a thing or two about being an outcast, and his honourable streak refuses to let him send Peregrine back to a life of misery. The ransom might be off, but that doesn’t mean Peregrine is part of the crew.

"The art of negotation."

R.C. Ballad's Peregrine Seas is a fun and quick pirate story featuring a sorta-merman pirate captain and a kidnapped prince who's more than willing to leave his kingdom. Set in our world, this fast-paced novel tells a delicate and funny story about found family, belonging, and making the most of your situation.

The love story between captain and prince develops fairly quickly, born from attraction at first, but it gets interesting beats towards the end. The real gem of this book however is the colorful crew, some of them with intriguing secrets, and the sea serpents and krakens the crew have to face.

The book draws clear inspiration from Our Flag Means Death, and in fact one could definitely depict most of the cast while reading. The tone is the same too, making for a heartfelt tribute.

Peregrine Seas is perfect for a relaxing read.

✨ 3.5 stars

Monday, January 20, 2025

Review: The Last Hour Between Worlds, by Melissa Caruso

Kembral Thorne is spending a few hours away from her newborn, and she's determined to enjoy the party no matter what. But when the guests start dropping dead, Kem has no choice but to get to work. She's a member of the Guild of Hounds, after all, and she can't help picking up the scent of trouble. She's not the only one. Her professional and personal nemesis, notorious burglar Rika Nonesuch, is on the prowl.
They quickly identify what's causing the mayhem: a mysterious grandfather clock that sends them down an Echo every time it chimes. In each strange new layer of reality, time resets and a sinister figure appears to perform a blood-soaked ritual. As Kem and Rika fall into increasingly macabre versions of their city, they'll need to rely on their wits - and each other - to unravel the secret of the clock and save their city.

"Your life was always worth something, you insufferable fool."

Melissa Caruso's The Last Hour Between Worlds is an excellent magical mystery with a Groundhog Day twist, immaculate world-building, and a compelling relationship developing in a matter of hours. This first volume in a trilogy that promises to be explosive sets the scene for a story with clear stakes and memorable characters.

The main character and sole PoV, Kembral, is a great protagonist. On leave after giving birth to her daughter, she's quick to action and set on doing the right thing, even if it might mean not seeing her infant child again. She's a competent protagonist without being overpowered, even if she does have a special skill that sets her aside from the rest of her colleagues, but it's a learned skill, and she's not the only one to have it. Her dynamics with rival Guild member Rika are a delight, their shared past the real meat of the story, and Rika's an equally compelling character with secrets of her own. Their verbal sparring is fun and the way they set to work together a marvel.

This isn't a romantasy, the central mystery means they're on a clock, and the book balances that out pretty well. The supporting cast does a lot of heavy lifting, a number of colorful and interesting characters, each with their own voice and their own complex relationships. I especially loved the fiery swordswoman and her sibling, and I can't wait to see them explored more.

The worldbuilding is precise while not being overwhelming. It doesn't hand-feed the reader, but rather it allows to glean everything from context in a clear and concise manner. The Echoes, parallel universes of sorts, were especially interesting with their slighter differences the deeper one goes, and the Empyreans - functionally demigods - were appropriately eerie. The inner workings were clear if one is familiar with Faerie and fairy deals, spinning a familiar environment for the reader while doing something new with it. The Prime world had a lot of interesting dynamics and politics, too, which I can't wait to read more about.

The Last Hour Between Worlds is a delightful introduction to a new world.

✨ 4.5 stars

Monday, January 13, 2025

Snippet: The Wizard and the Welshman, by Laura Rayndrop

London, December 1886. A woman is gruesomely murdered, a mysterious organ missing from her cracked-open chest. Investigating the case, Kensington’s top inspector, Hal Hawthorne, quickly discovers that the victim wasn't human—and neither is her killer. When he saves the captivating wizard November from becoming the next target, Hal is thrust into a world of nightmarish creatures and dark magic. But the deeper Hal becomes entangled in the case, the more he comes to believe that November isn’t just a wizard with mind-bending powers, but also holds the key to unraveling the web of dark magic and murder.
Can Hal solve the case and protect November, or will the murderer claim him and destroy Hal’s life forever? And what will Hal have to sacrifice to stop the killings and save the man he’s come to love?

“Every person who entered a crime scene took something from it.”

Laura Rayndrop's The Wizard and the Welshman is a cozy way to start the new year, a romantasy mystery featuring a no-nonsense cop with a painful past, a male sex worker with a secret, and a chaotic world-building. The mystery at the heart of the story is a series of gruesome murders; to solve the case, the cop will have to tangle himself with a magical underworld he had no idea existed. The story is pretty simple in its beats, but simple is good sometimes. The worldbuilding is where it falls flat, with a plethora of magical beings all lumped together and no clear worldbuilding. This is balanced by a heartfelt exploration of child trauma and homophobia, culminating in a precious moment at the end. This book is the first in a trilogy.

✨ 3.5 stars

Monday, January 6, 2025

Review: Countess, by Suzan Palumbo

Virika Sameroo lives in colonized space under the Æerbot Empire, much like her ancestors before her in the British West Indies. After years of working hard to rise through the ranks of the empire’s merchant marine, she’s finally become first lieutenant on an interstellar cargo vessel.
When her captain dies under suspicious circumstances, Virika is arrested for murder and charged with treason despite her lifelong loyalty to the empire. Her conviction and subsequent imprisonment set her on a path to justice, determined to take down the evil empire that wronged her, all while the fate of her people hangs in the balance.

"Success or perish."

Suzan Palumbo's Countess is a Caribbean sci-fi retelling of The Count of Montecristo, an anti-colonial novella that takes the beloved character of Edmond Dantes and makes him a queer immigrant woman on a quest for revenge. Set in an inter-galactic Empire, the book follows the classic's plot pretty closely, giving it its own spin and exploring well the themes of homophobia, racism and colonialism.

The low page number doesn't do the story any favors, picking up speed and summarily summarising plot points that should have been given time to breathe. This is especially true in the second half, where the main character barrels through scene after scene after finding a crew of rebels. The heightened finale, though heart-breaking, doesn't fully work because we didn't have the time to truly appreciate the characters.

Countess is an ambitious experiment.

✨ 3.5 stars