Review: The Stagsblood Brother, by Gideon E. Wood

The goddesses and gods have restored King Tel’s magic. His power over dirt, wind, fire, and rain is keener than ever. Still, his people are in danger. The sorcery of the antlered ones has also returned to his exiled brother, Lag. Hungry for power and revenge, Lag will cross any moral boundary to defeat his older brother—and make him suffer in the process. He’ll exploit Tel’s faith, decency, and generous heart to win the advantage in a war that will spill blood over the heart of Feigh. He’ll terrorize unarmed innocents. He’ll use sinful magic to transform the man Tel loves into a weapon.
To end the bloodshed and secure the kingdom, Tel must ready himself to meet his brother and lover on the battlefield and eliminate the threat to peace and justice, whatever the cost. To do that, he’ll need to realize the final confrontation is really with the darkness, tragedy, and grief of his own past. The last war must be won inside himself.

"Fortune has surrounded me with good people".

Gideon E. Wood's The Stagsblood Brother sticks the landing with this incredible conclusion to the Stagsblood Trilogy, where all the loose threads are tied up and the final confrontation between Tel and his sadistic brother takes center place, pushing Tel beyond his limit. He will have to battle with himself and with his own, and make hard decisions that might haunt him; but he might find healing in the end.

This book deals with loss, grief, memory, and healing in such a poignant way. Tel, a recovering alcoholic, must do his best to avoid the lure of the drink when all things seem to go wrong; he has help, from his friends and loved ones, as he battles both himself and the dangers that threaten to tear not only his kingdom apart, but the known world, the cluster of six kingdoms inhabited by different races of humanity who hail from the gods and goddesses. The gods of the Stagsblood Trilogy are very real and passionate and meddle in the human affairs, appearing to Tel ever since the first book; the prophecy that was at the center of the second book takes here new meaning, for an extraordinary and quiet ending where wounds begin to heal and peace might be found.

The world-building keeps being effective and rich, painting the history of the nations, the struggles of the smallfolk, and the powers that control the world in all their irrationality. Lag is a perfect antagonist because he's truly unhinged, stopping at nothing in his quest for blood purity. He maimes and corrupts and revels with childlike delight in the destruction of his own kingdom, showing no remorse and a chilling amorality. The mental torture he subjects his own brother to is painful and difficult to read.

The author course-corrects all the things that prevented the previous books from being truly excellent (especially the second book, that was a step down from the quality of the first while still narrating a beautiful journey of healing), adjusting the way he recounts events and the pace of the book. The heart of his writing, the emotional passages that tear at the reader, he keeps and strengthens, creating a novel that doesn't shy away from the ugly in order to make it beautiful, that uses language at times very crude but always precise. This is a journey in three books, and he doesn't forget what started Tel's emotional journey towards healing, but always keeps it at the forefront of the reader's mind. The decision to tear Tel apart so cruelly in the first novel, followed by the way he begins to give Tel peace in the second, might make some readers decide to pull away, but I admire his decision to show that life doesn't end after a terrible tragedy.

Unfortunately this book is still saddled with numerous typos and small mistakes that take aback and stop the flow of reading, although it's less than in the first two books. But the strength of the narration is so intense that I'm inclined to forgive the lack of proper editing. The author also has a list of trigger warnings on his website, that I urge to check before embarking on this fulfilling but dark journey.

The Stagsblood Brother is a beautiful exploration of grief and healing.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* All the Hidden Paths, by Foz Meadows

for: trauma, healing

Snippet: The Stagsblood Prince, by Gideon E. Wood

Tel, crown prince of Feigh, has negotiated an end to the war between his country and the strange queendom of Omela. He looks forward to an easy reign of wild parties and wilder men. When his father dies suddenly, Tel is outmaneuvered by his brother, losing the throne. Tel’s faith prohibits him from raising his sword and spilling blood, so he accepts the humiliation, working to temper his brother’s baser impulses. But the new king’s reign takes a dark turn, and his collaborators begin to round up undesirables, including those with a magic called the stagsblood.
Tel must decide: Flee or fight? Running means abandoning his people to his brother’s evil whims. Standing his ground means the sin of total war. He has no army and only a few allies—and his magical secret. Caip, his closest friend and protector, brings military experience and blunt advice. Her right hand, Dar, is the picture of loyalty. Tough, battle-scarred Bin doesn’t suffer fools gladly. And Vared, a mysterious singer-turned-diplomat from Omela, speaks the truth to Tel in ways no one else can.

"How do I make war when all I want is to be tender?".

Gideon E. Wood's The Stagsblood Prince is a poignant exploration of duty, addiction, and grief, a beautiful tale of finding one's purpose after a terrible loss, of persevering against all odds. It's a tragic tale of love and loss. The narration is a little weak in pieces, strongly relying on the later recounting of events when it might be better to show them as they happen; but the sheer intensity of the events described, especially in the second half, more than make up for it. The book features a few very descriptive and explicit sex scenes, and a tragic twist that will leave you sobbing uncontrollably.

✨ 4 stars

Review: Every Exquisite Thing, by Laura Steven

Penny Paxton is the daughter of an icon. Her supermodel mother has legions of adoring fans around the world, and Penny is ready to begin her journey to international adoration, starting with joining the elite Dorian Drama School. When Penny’s new mentor offers her an opportunity she cannot refuse, to have a portrait painted by a mysterious artist who can grant immortal beauty to all his subjects, Penny happily follows in the footsteps of Dorian’s most glittering alumni, knowing that stardom is sure to soon be hers. But when her trusted mentor is found murdered, Penny realises she’s made a terrible mistake – a sinister someone is using the uncanny portraits to kill off the subjects one by one. As more perfectly beautiful students start to fall, Penny knows her time is running out . . . A seductive and searing exploration of beauty, identity, and what the pursuit of perfection can truly cost.

"Girls don't want beauty. Girls want power. And sometimes beauty is the closest substitute".

Laura Steven's Every Exquisite Thing is a YA feminist and sapphic retelling of The Portrait of Dorian Gray, with elements from the classic being woven in an interesting way. Without getting too much into spoiler territory, the link isn't as tenuous as one may think at first. The book comes with a much appreciated note at the beginning, detailing the book's trigger warnings.

The narration in first person serves the novel well, highlighting the main character's growing unease with the very real threat to her life and with the supernatural happenings around her. We get to feel her helplessness and see her struggle with anorexia in a way that is disconcerting and unnerving.

The book delves deep into the themes of beauty, control, and identity, aided by a prose that is stunning in its simplicity. The execution is lacking in some parts, especially in the second half, but the book makes up for it with its heart; perhaps the revelations towards the end might have been foreshadowed better.

Queer longing permeates the pages, with the tension between the two leads coming to an end in a frenzied scene that works all the better because the ending softens the edges and makes this novel a very real journey of self-discovery that can only end with healing. But while the main trio, and the relationship they shared, is well-developed, the other two recurring characters in Penny's set of friends end up being criminally underdeveloped. The adults, on the other hand, are written better, especially the tragic figure of Penny's mother.

Every Exquisite Thing is a book that helps young women.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* I Feed Her to the Beast and the Beast Is Me, by Jamison Shea

for: deals, sacrifice

ARC Review: Running Close to the Wind, by Alexandra Rowland

Avra Helvaçi, former field agent of the Arasti Ministry of Intelligence, has accidentally stolen the single most expensive secret in the world―and the only place to flee with a secret that big is the open sea. To find a buyer with deep enough pockets, Avra must ask for help from his on-again, off-again ex, the pirate Captain Teveri az-Haffar. They are far from happy to see him, but together, they hatch a plan: take the information to the isolated pirate republic of the Isles of Lost Souls, fence it, profit.
The only things in their way? A calculating new Arasti ambassador to the Isles of Lost Souls who's got his eyes on Avra's every move; Brother Julian, a beautiful, mysterious new member of the crew with secrets of his own and a frankly inconvenient vow of celibacy; the fact that they're sailing straight into sea serpent breeding season and almost certain doom. But if they can find a way to survive and sell the secret on the black market, they’ll all be as wealthy as kings―and, more importantly, they'll be legends.

My thanks to the author for providing an ARC copy.

Alexandra Rowland's Running Close to the Wind is a cozy low-stakes pirate adventure set in the same world of the excellent A Taste of Gold and Iron, loosely connected to it by a plot point. The two books couldn’t be more different, as Running Close to the Wind is funny. Hysterically, being-in-stitches, laughing-on-the-floor funny. It’s so funny that it’s too funny sometimes, but it’s a joy to read a book that doesn’t take itself so seriously while simultaneously delivering some very profound reflections in the more serious segments.

The trio of main characters is a delight, their banter on point as the dynamic between Avra and Teveri expands with the arrival of the mysterious Julian and his wiles. The characters are unapologetically horny, but the book is surprisingly chaste in that regard, while also being incredibly tender in parts. I especially enjoyed the few conversations about having and defending one’s boundaries. The rest of the cast, from the colorful crew to the pirates on the island, were all painted in deft strokes, resulting in vivid characters with so much to say. It really was reminiscent of Our Flag Means Death, as it was pitched, and it was an absolute romp.

The world gets expanded in a really clever subversion of what we know from A Taste of Gold and Iron, showing what the outside world thinks exactly of the choice to keep for themselves the only way to sail safely during a certain time of the year. There’s sea serpents and giant turtles and ghosts that need a complex reference guide to be handled, and it’s all so delightful. This choice to have loosely interconnected stories where the world is explored more and more is an intriguing one, and I can’t wait to see what’s next.

Running Close to the Wind is a fun adventure with hidden depths.

✨ 4 stars

ARC Review: The Fealty of Monsters, by Ladz

Winter 1917. After years on the run from a dangerous cult, twenty-three-year-old Sasza and his father have established themselves among the Odonic Empire’s ruling class. But there’s a problem: Sasza is a vampire, and vampires aren’t supposed to get involved in human governance. What the aristocracy doesn’t know, after all, cannot hurt them. Unfortunately, Sasza is far more involved than a stealth vampire should be. Not only does he work to quell the rumors of the vampires’ responsibility for an unsolved massacre, his lover is also the pro-proletariat Ilya, the Empire’s Finance Minister, who tries to recruit Sasza into the same cult hunting him.
Then—the Emperor declares war against the Vampire States. Diplomacy has failed. Sasza quickly learns that he will do anything to preserve peace–including giving in to the monstrosity he spent so many years concealing from even himself.

My thanks to the author for providing an ARC copy.

Ladz's The Fealty of Monsters is a gory retelling of the Russian Revolution, with monstrous vampires and even more monstrous politicians. We follow three POV characters as tensions amongst the Empire and independent vampire states are ramped up by an incident that seems tailored to ignite a war. The main character, Sasza, battles with his own depravity and the ambitions of others, while coming to terms with his relationship with a much older member of the government.

This is a highly political book, with characters who have complex motivations, from the ambitious princess to Sasza's addicted father, from the traitorous Minister to the soldiers who have very different ideas about their role as protectors; not to mention the intriguing vampire doctor. Characters share a past that is carefully unveiled in some cases, giving tantalizing glimpses. The court is full of intrigue, and war seems inevitable; the conflict between the poverty of the people and the excesses of the aristocracy was also done well, leading to an explosive finale that leaves the reader on the edge of their seat and begging for the next book in the series.

The book is very crude, with an evocative prose that leaves nothing to the imagination, be it sexual acts or murder. It comes with a very helpful list of trigger warnings, which the reader should pay every attention to. The vampires in this book are not refined creatures, as there are some types which are truly monstrous, insectoid creatures who engorge themselves on blood and gore. This was a very refreshing take on the usual vampire trope, more reminiscent of the classics.

The book comes with illustrations from the artist Soren Häxan, but the ARC copy didn't contain them.

The Fealty of Monsters is a solid horror story with political overtones.

✨ 4 stars

Review: Cursebreakers, by Madeleine Nakamura

Adrien Desfourneaux, professor of magic and disgraced ex-physician, has discovered a conspiracy. Someone is inflicting magical comas on the inhabitants of the massive city of Astrum, and no one knows how or why. Caught between a faction of scheming magical academics and an explosive schism in the ranks of Astrum’s power-hungry military, Adrien is swallowed by the growing chaos. Alongside Gennady, an unruly, damaged young soldier, and Malise, a brilliant healer and Adrien’s best friend, Adrien searches for a way to stop the spreading curse before the city implodes. He must survive his own bipolar disorder, his self-destructive tendencies, and his entanglement with the man who doesn’t love him back.

"In my greater and lesser moments, I fear that I must be fated for sainthood". Madeleine Nakamura's Cursebreakers is a quiet standalone debut about overcoming conspiracies and living with mental illness. Adrien is an extraordinary protagonist, sharp and hurting, haunted by wrong choices and by his bipolar disorder, which is here called akrasia. A skilled magician and a former healer, with a caustic personality, he finds himself drawn right into the thick of action while being a non-combatant in his forties who nonetheless strives to do the right thing. The exploration of his bipolar disorder, and later, of his addiction, is heartbreaking and poignant: we see the pain and desperation and the anguish of not being believed due to his condition; we suffer with him.

The supporting cast is equally good, painted in vivid strokes that make them jump out of the pages. Adrien's reluctant ally, a member of the dangerous militia that oversees the city's security, is such a complicated character, perennially angry and impulsive, but ultimately he endears himself with his desire to do and be better; the dynamic that grows between them is a joy to read. Adrien's best friend, a sapphic healer who helps him combat the worse effects of his bipolar disorder, is another exquisitely rendered character; her love for him is tangible, and so is her despair for his well-being. Then there's the man Adrien is in painfully unrequited love with, a fellow scholar who has agreed to be Adrien's keeper when the worst hits. Their dynamic is painful and vivid, Adrien's ache for him a constant throughout the book, and the resolution of their strange and frustating relationship is such a refreshing, well-executed take.

The resolution of the main conflict is also executed masterfully, with a final showdown that keeps you on the edge of your seat. However, there were whispers of deus-ex-machina and the world isn't as well-developed as I would have liked, while still being painted well enough for the purposes of a standalone novel. The relationship between the soldiers and their bonded raches, especially, could have warranted some more focus, but it was fascinating in what we could see. The setting of a magical school from the point of view of one of its professors, and the approach to the study of magic, was especially refreshing.

The prose is gorgeous, concise and at times archaic; I devoured this book in a matter of hours.

Cursebreakers is an extraordinary debut that deals with issues often going unseen in fantasy novels.

✨ 4.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Councillor, by E.J. Beaton

for: addiction, academia

Snippet: Merciless Waters, by Rae Knowles

Aboard the ship Scylla, there is no future or past. Jaq, her fickle lover Lily, and their all-female crew exist in an endless present. It’s better this way. At least it keeps Lily by Jaq’s side, where she belongs. But the meddling gods care little for Jaq’s longing, and despite her protective rituals, their punishment arrives all the same: a man, adrift on the open ocean. Delivered to snatch Lily from Jaq’s arms forever.
Jaq knows what to do. She’s lost Lily before. Her lover will return—when this interloper, this distraction, is snuffed out. But Jaq’s murderous schemes may not be enough. The intruder’s presence infects her crew with a plague her spells cannot cure: memory. And as the women recall how they came to Scylla, their minds bend one by one towards revenge.

"We crave violence, so we swallow violent men". Rae Knowles' Merciless Waters is a sapphic novella with horror undertones that are inspired by the figure of the rusalka. The narrator lulls the reader with her story, and the slow return of her memories, while thoughts of vengeance tint the narration with blood and gore. The lyrical prose and the oneiric images make for a little gem of a story, where violence against women is punished with relish. The sea krait was a delightful addition.

✨ 4 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* Providence Girls, by Morgan Dante

for: sea horrors, existential dread

Review: Reborn, by Seth Haddon

When the Rezwyn Empire mysteriously cuts diplomatic ties with the Kingdom of Usleth, merchant lord Oren Radek is sent to investigate. But when he discovers a coup brewing against the emperor, Radek's life and his country's safety is suddenly under threat. Izra Dziove, visionary advisor to the Rezwyn Emperor, is trying to hold the turbulent Rezwyn court together while being plagued by dreams of his fated man. But when Izra’s adversaries launch an attack on the diplomatic party from Usleth, he is forced to take action to protect them and prevent a war.
Forced to trust one another, both men must put aside their differences to save the future of both their nations, while also contending with the growing attraction between them— all while trying to understand their mysterious connection and the forces guiding their shared destiny. Can their fated love change the destiny of nations?

"To survive something as final as death". Seth Haddon's Reborn is a companion novel to the author's debut Reforged, set in the same world, but with a different set of characters. The world-building grows in depth and scope, with the introducion of new ways of thinking, new gods, new lore. The main characters are fated to be, and the fact that only one of them is aware of it creates an interest contrast; they are also opposites, in a way, and that makes for a good dynamic.

The plot structure was better than in the previous book, but the editing could use some work; the mistakes were jarring at times, and took me right out of the flow of reading. The supporting cast was less fleshed out too, which is a shame because that was a definite plus of the first book. It's like in fleshing out more the main characters' relationship, the author had to resort to making the other characters utterly monodimensional.

Reborn is a step down from its predecessor.

✨ 3.5 stars

Review: In the Roses of Pieria, by Anna Burke

When Clara Eden is offered a job as an archivist working for eccentric estate owner Agatha Montague, she thinks her prayers have been answered. Soon, she finds herself sucked into her research world, captivated by a romantic correspondence thousands of years old. But as her feelings for her employer's assistant, Fiadh, deepen, so does her suspicion that something about Agatha Montague isn't right. Unfortunately for Clara, it is far too late to run by the time her suspicions are confirmed.

"I'll paint your face into the histories". Anna Burke's In the Roses of Pieria is a sapphic horror novel with a complex worldbuilding and academic overtones that really enrich the experience. The story is interspersed with a millennia-old correspondence that tugs at the heartstrings with its lyrical passages and references to Sappho's fragments, while slowly unease creeps into Clara and the readers alike as the main character realizes the truth behind the letters.

The fictional Nektopolis, created by the author as a backdrop to such an ancient love story, is so vividly described that makes one wonder whether it's real; the novel begins with an academic discussion that goes on for pages and sets the atmosphere well. The genre-savvy reader will understand immediately what takes Clara a little more time to wrap her head around, but the novel is still full of surprises with an exciting (and mildly horrific) take on the fae.

As the story unfolds, so does the love story between Clara and Fiadh, speeding through the unraveling horror making itself known. Fiadh is a compelling love interest, mysterious and intricate in her loyalties, but fierce in her passions. The adventurous second part of the novel allows to explore her more as a character, and revelations abound. The story, while pretty self-contained, ends with an abrupt cliffhanger that leaves you wanting the second installment in the duology immediately.

In the Roses of Pieria is a gloriously weird sapphic vampire story.

✨ 5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* A Long Time Dead, Samara Breger

for: sapphic vampires, love through the ages

Review: Legacy of the Vermillion Blade, by Jay Tallsquall

Talon Cour-Vermane is not only the sole inheritor of his House’s lands, titles, and political power, but also of the pact his family has forged with darkness through countless generations. From birth, Talon’s father tethered his son’s life to the family’s bloodline and his own ambitions of power, but everything changes when a new blacksmith and his young apprentice, Richen, join the staff at the Cour-Vermane estate. With their fateful meeting, Talon’s life changes course forever, derailing the meticulously laid out existence planned for him. From his family’s estates and the countryside of Eleryon to the extents of the Xallian Empire and the dwarven kingdom of Lymehold, Talon discovers the different aspects of love, true family, and himself as he battles his cursed blood and the shackles to darkness his father bound him with.

"Sometimes all you had in life was blind faith". Jay Tallsquall's Legacy of the Vermillion Blade trudges on as we follow the life of the main character, a lord's son who was possessed by powers bigger than him and attempts to free himself from them, while looking for his lost love and making connections along the way.

It's a lovely exploration of asexuality (especially towards the middle of the novel, as an older Talon explores his boundaries) but it's not a good fantasy novel. The narration jumps from one year to another to decades later with no real effort to make a cohesive story, only painting vignettes and telling us to trust that things are advancing. When it takes its time to breathe and explore the characters and situations, it's good, but that happens rarely.

The worldbuilding is confusing, not really clear, and the main character's father is almost cartoonish in the depiction of his villainy. This could have been a great novel, with some editing; it's rare we get a homoromantic asexual protagonist, so I was very excited for it, but it didn't deliver on the speculative fiction side.

Legacy of the Vermillion Blade is a book with a good premise and some great representation.

✨ 3.5 stars

📚📚📚 IF YOU LOVE THIS, YOU MIGHT LIKE:

* The Perfect Assassin, by K.A. Doore

for: sword fights, asexual protagonist