Monday, August 25, 2025

Review: The Sun Blessed Prince, by Lindsey Byrd


 

Prince Elician is a Giver – a closely-guarded secret. He can heal any wound and bring the dead back to life. He also can’t be killed, so is cursed to watch his country wage an endless war. Reapers can kill with a single touch. And when one attacks Prince Elician near a hotly contested battlefield, the Reaper expects a terrible punishment. Instead, Elician offers him a new life on enemy territory.
Cat, as Elician calls him, hadn’t realized he could ever find someone who would make life worth living. Yet Elician’s enemies plan to turn his kindness against him. As the pieces of a deadly plot come together, tensions escalate at court and on the battlefield. The fires of conflict burst into new flame – but can those who wield the powers of life and death find peace?

"To heal a wound, you need to start small."

Lindsey Byrd's The Sun Blessed Prince is an excellent epic fantasy with a slow-burn achillean romance subplot. First in a duology, this book sets the stage for what promises to be an explosive conclusion by introducing a varied cast of characters, two realms at constant war, and two very different sets of beliefs based on the gods of Life and Death. Blessed by their respective gods, Cat and Elician are going to do their best to change things for the people in their realms.

Their relationship develops slowly. It's not too much of a spoiler to say that they're separated for most of the book, but their brief time together made an impression on both, and when they reunite they pick up from where they've left, changed forever by what occurred in the meantime. The final chapter is a very moving piece of writing, and almost brought me to tears.

Romance is decidedly not the focus. This is a great political fantasy with lots of moving pieces, twists (I spoiled myself on a big one by looking for the second book while still reading, but there's still so much more going on), and social commentary on slavery especially. There's a great focus on science, unexpected but fairly contained, and it worked well within the narrative. It's a big book with big themes and a list of trigger warnings one may want to check out before reading.

The trio of POVs is completed by Elician's young sister, a girl who’s grappling with her powers and with her place in the world. Her narration might feel out of place, but it provides much context, and her journey is one to pay attention too. The rest of the cast has its moments to shine, starting from Elician's devoted best friend.

My only gripe with this book and the only reason why I'm not giving it five stars is that the passage of a time in a certain portion of the book was unclear, and the same portion would have benefitted from a few more chapters with Elician's POV.

The Sun Blessed Prince is an incredible debut.

✨ 4.5 stars

 

🤴🏻☀ So you want to read about duty-bound princes?

Here's my review of Laura R. Samotin's The Sins on their Bones 


 

Monday, August 18, 2025

Snippet: The Gilda Stories, by Jewelle Gomez


 

This remarkable novel charts the unending life of Gilda, a young woman who - after escaping slavery in Louisiana in 1850 - is made into a vampire. After being initiated into eternal life as one who 'shares the blood', Gilda spends the next two hundred years searching for a way to exist in the world.

“Pledge yourself to pursue only life, never bitterness or cruelty.”

Jewelle Gomez' The Gilda Stories is a lesbian classic and an extraordinary exploration of the horror of slavery and racism, combined with all the trappings of a vampire novel. This literary classic doesn't have a plot per se, but it's more of a sequence of moments over the course of two hundred years, and the reader follows happily along as Gilda meets people and makes fundamental changes. At its core, it's a novel about being Black and queer in America, and about giving back what you're given. It's a healing experience, a beautiful read.

✨ 4 stars

Monday, August 11, 2025

Review: Confounding Oaths, by Alexis Hall

The year is 1815, and Mr. John Caesar is determined to orchestrate a successful coming-out for his younger sister, Mary. Despite his best efforts, he is thwarted by the various interventions of a ragtag regiment of soldiers, a mysterious military cult, and a malicious fairy godmother.
When Mary is cursed by the fair folk, the dandyish Mr. Caesar is forced to work with the stolidly working-class—yet inescapably heroic—Captain James to rescue her. While Mr. Caesar is no stranger to dallying with soldiers, until now he's never expected one to stay. Or wanted one to. But even if the captain felt the same, there'd be no chance of anything lasting between them. After all, he and Mr. Caesar come from different worlds.

"The world is chaos. We try to understand it and to shape it, but we cannot unsee it."

Alexis Hall's Confounding Oaths is a sequel, but as the spirited narrator tells us, we don't need to have read the first installment Mortal Follies (HERE you can read my review) to enjoy it, although the reading experience might be dampened if you haven't. Puck returns here to tell another story about the same family, as the helpful cousin from the first book is brought to the fore, and his immediate family faces the dangers this time. This tale delivers just as the first, with the right mix of humor (coming from Puck's witty comments), gravitas, and swoon-worthy romance.

As with the first book, the threat comes from both the supernatural world and the mundane, and we see more of the fairy court and its workings, more fairy characters, and gods again. We also see issues of class and racism, which didn't appear in the first book, adding some much needed edge; and the exploration of sexism and homophobia from the first book of course make a return, with a focus on what society deems beautiful. As Puck warns in the beginning, there is cruelty in these novels, but also a relatively happy resolution.

The romance goes fast, going from a strong initial physical attraction, which is immediately acted upon, to the slow and tender lowering of the walls the duo had to build around their hearts. The focus is mostly on Mr. Caesar and his struggles as the first and only male child, but Captain James has his say in more ways than one.

There are a lot more characters in this one, but they are all treated with care. Maelys and Georgiana return, of course, allowing us to see what became of them, and so does Miss Bickle, who I imagine will be the main character of a possible new novel.

Confounding Oaths is a delightful romp.

✨ 4 stars

 

🦋🕷 So you want to read about conniving fae in an alternate England?

Here's my review of Trip Galey's A Market of Dreams and Destiny  


 

Monday, August 4, 2025

Review: The Incandescent, by Emily Tesh


 

Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions.
Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.

"What matters is how you meet failure, and how you face up to it."

Emily Tesh's The Incandescent is a scintillating standalone novel following a competent professor in her thirties as she faces the greatest battle of all: grading. This book really delves into the minutiae of working as a teacher, with a focus on the dynamics of a classrom, the relationships with colleagues, and the administrative part, with the added twist of it being a magical academy of course. It's fresh and interesting and it really breathes to life in a captivating way. At the same time, it handles the challenges of acadamia from an intersectional point of view while also showing that adults don't have everything perfectly together and it's a challenge of its own. It's very hopeful in its discussion of depression, trauma, and bad coping mechanisms. 

The magical plot slowly unveils itself as powerful demons living in the shadow of the school make themselves known and it falls to Saffy to face them. The book can be roughly divided in two parts, with two different threats to face, while Saffy, a true disaster bisexual, is also torn between the hot magical guard in charge of school security, a competent butch with a sword, and the new security advisor, an asshole who feels very sure of himself. The resolution of this particular plot point is worth the wait and frustration.

The star of the book, though, is the phoenix, a powerful demon who learns to navigate the human world and human concepts while being so utterly alien. Their PoV gave me chills and moved me to tears.

The Incandescent is an intriguing concept done perfectly right.

✨ 4.5 stars

 

📖🦚 So you want to read about queer magical professors?

Here's my reviews of Madeleine Nakamura's duology  

Monday, July 28, 2025

Review: Emberclaw, by L.R. Lam

Arcady faces their greatest heist yet: posing as a noble student at the arcane University of Vatra. When the University announces the reinstatement of archaic trials of magic, the ever-penniless Arcady seizes the chance. If they win, they not only prove their worth, but the scholarship will give them more time to unlock secrets and reveal, once and for all, that their grandsire was not the Plaguebringer. Yet grief still leaves Arcady broken, and when they close their eyes, they dream of a certain dragon.
Everen, once the hope of dragons, is now hated by his kind. When he is eventually released from his prison, the Queen is clear: while he may help protect the island from wraith attacks, he is no longer a prince of the realm. As he struggles to find his place in Vere Celene, visions of the past, the future, and tantalizing glimpses of Arcady still haunt him. If he steers the wrong path through fate’s storm, he may never be able to create a future where both humans and dragons live in harmony.
Arcady soon realizes that to survive the rising threats from both their old life and their new one, they must use every trick at their disposal—even magic stolen from a dragon they thought dead. And as time runs out before an ancient danger awakens, Everen must fight his way back to Arcady, earn their forgiveness, and learn what it truly means to be an Emberclaw.

"Humans always attack what they fear."

L.R. Lam's Emberclaw concludes the duology that started with the excellent Dragonfall (click here to read my review), but unfortunately it doesn't quite stick the landing, losing everything that made the first installment so unique in favor of a generic magical academia/trials plot. This is to the absolute detriment of the series, which started off so strong, with a packed heist plot and interesting things to say about gender and the weight of expectations.

The core duo spends half of the book apart, each of them dealing with issues that seem to just be there in order to make the book long. The academia/trials part is the most meandering, with no clear sense of direction and new characters we feel no connection to, but Evemer's slow plot doesn't do him any favors either. Things start picking up speed and some semblance of form once the book hits the halfway point, but by that point it's too late and the existential threat feels more like an afterthought. The relationship between Evemer and Arkady, too, feels shallow and unearned after the fireworks of the first novel.

One good narrative thread that gets explored more, and has an interesting development, is Sorin. She takes center stage as she develops doubts and more agency and is, in general, a more well-rounded character.

Emberclaw is not a strong finish.

✨ 3.5 stars

 

🐲📚 So you want to read about dragons and academia?

Here's my review of Moniquill Blackgoose's To Shape a Dragon's Breath
 

Monday, July 21, 2025

Review: A Treachery of Swans, by A.B. Poranek


 

Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It’s perfectly simple. Impersonate a princess, infiltrate the palace, steal the king's enchanted crown and restore magic to the kingdom. 
But when the King is unexpectedly murdered, she’s forced to recruit the help of Marie d'Odette, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of who to trust. Soon though Odile must decide – her mission or the girl she’s falling for?

"Power comes with a price, but it also comes with promise."

A.B. Poranek's A Treachery of Swans is a sapphic YA retelling of Swan Lake, a fanciful murder mystery with a gothic feel. I would have been obsessed with this as a young girl, but the writing and intended audience is a bit juvenile. Still, it's a compelling journey for an adult reader. Narrated entirely from the point of view of Odile, foil and antagonist from the ballet, this novel gives her some much needed depth and gives a fresh new perspective to Tchaikovsky's story, using bits and pieces from the many versions of the ballet. The author has done their research, and it shows, but the story doesn't match completely the tragic vibes of the ballet.

In a world where golden-blooded people are shunned for their affinity with a magic whose misuse has thrown the kingdom into chaos, Odile does everything her father tells her in order to restore magic and thus find her own place. A witty actress and a vicious thief, Odile once struck a friendship with her mark Marie d'Odette, and it's her now that she has to impersonate to deceive and marry the prince, but she finds herself drawn into a conspiracy where nothing is as it seems at first. Her relationship with Odette, who appears rarely in the first half of the novel, grows from the roots of what they once were for each other, from a moment that still fills Odile with shame. Their slow-burn romance is sweet. In a book where everyone just aches to belong, Odette is her perfect counterpart, warm and kind and wounded, but also made of steel. The character work in this is superb, especially Odile's slow realization of her own worth and her reckoning with an abusive parental figure.

The decision to have a French-inspired court and terms works, lending to the dreamy, soft atmosphere, reading like a court tale from Seventeenth Century France. There's a hint of the Phantom of the Opera, too, in the lake and the masked villain - which also comes from Tchaikovsky, of course, as the imagery of the owl. The fantasy aspects blend well, weaving a tale of revenge, magic, and a journey of self-acceptance. The explosive ending is followed by an abrupt epilogue that is still enough athmospheric to work, but it takes away a bit of the brilliance.

The supporting cast does the work. Odile's father, of course, is a grandiose antagonist, while the Dauphin gets some more depth too, adding to the bare bones of Tchaikovsky's Prince Siegfried. There's also a hint of an achillean relationship, which adds to the tension somewhat, but it's woefully underdeveloped. Odile's brother is a welcome addition.

A Treachery of Swans is the Swan Lake sapphic retelling I've been waiting for two decades.

✨ 4 stars

 

😈👩🏻 So you want to read a sapphic villain retelling?

Here's my review of Heather Walter's Misrule  

Monday, July 14, 2025

Snippet: Finding Echoes, by Foz Meadows

Snow Kidama speaks to ghosts amongst the local gangs of Charybdis Precinct, isolated from the rest of New Arcadia by the city’s ancient walls. But when his old lover, Gem—a man he thought dead—shows up in need of his services, Snow is forced to reevaluate everything. Snow and Gem must navigate not only a city on the edge of collapse, but also their feelings for each other.

“Some plants thrive best when fed on blood and bone, and perhaps change is too.”

Foz Meadows' Finding Echoes is a perfectly self-contained novella, with complex worldbuilding and top-notch characterization developing over the course of a very short story. It explores with a deft hand themes of oppression and addiction, while also finding time for a bit of queer romance. Told in first person POV, this packed novella follows a lonely and wounded figure as he reckons with his past and with a threat to society, while navigating his power of being able to talk to the dead and confronting the gut-punch of a sudden revelation. I got the feeling that this might become a series of standalone novellas, not necessarily about the same characters.

✨ 4 stars

 

👥🦴 So you want to read about achillean men who speak with the dead?

Check out my reviews of Katherine Addison's novels! 

Monday, July 7, 2025

Review: Bury Our Bones in the Midnight Soil, by V.E. Schwab


 

1532. Santo Domingo de la Calzada.
A young girl grows up wild and wily—her beauty is only outmatched by her dreams of escape. But María knows she can only ever be a prize, or a pawn, in the games played by men. When an alluring stranger offers an alternate path, María makes a desperate choice. She vows to have no regrets.
1827. London.
A young woman lives an idyllic but cloistered life on her family’s estate, until a moment of forbidden intimacy sees her shipped off to London. Charlotte’s tender heart and seemingly impossible wishes are swept away by an invitation from a beautiful widow—but the price of freedom is higher than she could have imagined.
2019. Boston.
College was supposed to be her chance to be someone new. That’s why Alice moved halfway across the world, leaving her old life behind. But after an out-of-character one-night stand leaves her questioning her past, her present, and her future, Alice throws herself into the hunt for answers . . . and revenge.
 

"We grow together in this garden."

V.E. Schwab's Bury Our Bones in the Midnight Soil is a somptuous tale of revenge, hunger, and female rage. Set in three different time periods, it meanders with little plot and beautiful atmospheric vibes, reading like one of the early Anne Rice novels. At its core, it's a story about what we are willing to do to survive in a world that tries to control us, a world where women are silenced. Even the latest portion, set in more recent times, shows how things might not be like in the Sixteenth Century, but women are still used and abused. And when the characters have the means to escape such a prison, it's not pretty. Schwab's vampires are full of contradictions, soft but violent, ruled by a hunger that cannot be sated.

Each of the three main characters is so completely different, in how vampirism takes and in their own needs and desires, but each of them longs for freedom. Sabine is larger than life, a creature of paroxysmal desires, made vicious by marital rape; uncaring of anything but her comfort, she lashes out and hers is a slow descent to madness, one all vampires must feel sooner or later. Charlotte lived a sheltered life, making her susceptible to the trap springing around her; she contains the most contradictions, a sweet girl whose need for warmth and connection leads to terrible acts maybe not of her doing, but maybe something that she could prevent. Alice is half formed, her past trauma revealing itself through flashbacks, now a young woman in need of direction and a new hope; of the three of them, she is the only one that can live her sexuality freely, but that doesn't mean that she's any more free. Their lives intertwine and tangle them together while they try to make sense of their new state. 

Schwab draws on the mythos, taking from Rice and Stoker and Le Fanu and making new rules. The poem at the heart of the novel, the metaphor of the rose, is quite evocative and once again it reminds of Rice's Savage Garden. We see other vampires, adding to the context and showing different ways to be a vampire, perhaps some better than others. The book careens towards an explosive ending that may seem a little abrupt after the intense buildup, but it works incredibly well.

Half star off because at this level of notoriety the author should have someone check if the sprinkled foreign language - in this case, Italian - she uses is actually correct. I also have my doubts about seadas being served in a restaurant in Rome in the Fifties.

Bury Our Bones in the Midnight Soil is a terrific vampire novel.

✨ 4.5 stars

 

👩🏽🩸👩🏻‍🦰 So you want to read about sapphic vampires?

Click here to see what I've reviewed so far! 

Monday, June 30, 2025

List: Most Anticipated Books of 2025 - July to December

 


Here are my most anticipated books for the second half of the year, in order of publication.

"Human Rites", by Juno Dawson (pub July 1, 2025)

"Volatile Memory", by Seth Haddon  (pub July 22, 2025)

"House of Dusk", by Deva Fagan  (pub August 26, 2025)

"Lady Dragon", by A.M. Strickland  (pub August 26, 2025) 

"To Clutch a Razor", by Veronica Roth (pub September 16, 2025)

"Fate's Bane", by C.L. Clark (pub September 30, 2025) 

"The Sovereign", by C.L. Clark (pub September 30, 2025)

"The Isle in the Silver Sea", by Tasha Suri (pub October 21, 2025)

"When They Burned the Butterfly", by Wen-yi Lee (pub October 21, 2025)

"The Wolf and his King", by Finn Longman (pub November 27, 2025) 

 

 

 

Monday, June 23, 2025

ARC Review: The Witch Who Chases the Sun, by Dawn Chen

A decade after the war that resulted in the death of someone important to them both, the Aixauhan Alchemist Cai-Li Ying seeks out to rekindle their relationship with her estranged lover, the Inabrian Oracle, Anne Barberry. However, a lot has changed in the past decade. Anne barricades herself in the Castle on a hill where her family‘s dark secrets lie. Chely has gained the reputation of being the Blood Hawk, who dabbles in dark magic, much to Anne’s disgust. Rumors has it that Anne herself is responsible for the disappearance of visitors who went to the Castle.
Other things are happening as the two witches reunite. Old ghosts come back to haunt them. People they know from the war come and go. Scars left by the war does not easily fade. Are they truly each other's salvation, or are they doomed to repeat the past that tore them apart?

Thank you to the author for providing the e-arc. This book is set to be published on October 1st, 2025.

Dawn Chen's The Witch Who Chases the Sun is a poignant reflection on the horrors of war and the grief of loss, drawing from Chinese myth to build a beautiful anti-colonial epic. It takes a while for the reader to get used to the mixture of past and present tense that defies expectation, undoubtedly an interesting choice to narrate the book; once one gets in the swing of things, though, the peculiar narration is not so strange. Another compelling aspect of the language used is the choice to employ chinese ideograms and sayings, without worrying about holding the reader's hand. This helps convey the racism and imperialism as we see how much the Aixauhan characters are forced to conform.

Cai-Li and Anne are complex and compelling, their relationship both sweet and intense as we get to see various stages of their lives. They're flawed characters, heroes and avengers, killers and saviors, with complex agendas that are not so easily anticipated. In fact, the twists and turns of this book are delightful and gasp-worthy. Their relationship mirrors in a way the cycle of violence brought on by war, but you never get the sense that there is no love, even when things appear grim. While this isn't a romantasy, readers might approach it with the expectation of a traditional HEA, and I will warn that while the ending is beautiful and hopeful and just perfect, perfectly encapsulating the world of the story, it very much is not HEA.

The cast is enriched by three other characters, two of which I'm hesitant to call merely side characters. Cole and Ark are just as well-rounded as the main two, driven by their own past, complex and terrible and so easy to empathize with. Their arcs intertwine and juxtapose with each other's and with the main characters, creating beautiful layers and intricate webs of honor, understanding, sacrifice, and forgiveness.

The worldbuilding is vivid, deftly painting the conflict between two nations inspired by England and China. The Chinese equivalent especially is expertly woven, showing the complexity of different etnic groups within the community.

The Witch Who Chases the Sun is a compelling tragedy.

✨ 4 stars