Anneke has a complicated relationship with her father, Abraham Van Helsing—doctor, scientist, and madman devoted to studying vampires—up until the night she comes home to find him murdered, with a surreally beautiful woman looming over his body. A woman who leaves no trace behind, other than the dreams and nightmares that plague Anneke every night. Spurred by her desire for vengeance and armed with the latest in forensic and investigatory techniques, Anneke puts together a team of detectives to catch her mysterious serial killer. Because her father isn’t the only inexplicably dead body. There’s a trail of victims across Europe and Anneke is certain they’re all connected.
But during the years spent relentlessly hunting the killer, Anneke keeps some crucial evidence to herself: infuriatingly coy letters, addressed only to Anneke, occasionally soaked in blood, and always signed Diavola. Devil. The obsession is mutual, and all the more dangerous for it. The closer Anneke gets to her devil, though, the less sense the world makes. Maybe her father wasn’t a madman, after all. Diavola might be something much worse than a serial killer . . . and much harder to destroy. Because as Anneke unearths more of Diavola’s tragic past, she suspects there’s still a heart somewhere in that undead body. A heart that beats for Anneke alone.
“Every contact leaves a trace.”
Kiersten White's The Fox and the Devil is a horror mystery filled with sapphic yearning. Much like the author's previous novel Lucy Undying (HERE you can find my review), it takes inspiration from Dracula, although at a much smaller level, only pulling out the character of Van Helsing as a starting point. Here we follow his daughter Anneke as she contends with the fact that monster are indeed real, and we follow her investigation across Europe as she hunts a hunter, a horrific serial killer. Having Dracula in mind meant that I had my own preconceptions about what was happening behind the scenes, and it was delightful to be proven wrong.
White instead writes something that is only marginally about vampires, and more about yearning and obsession and finding something to live for again. Despite her inner turmoil, Anneke is a competent character, a sharp detective, and together with her coterie of friends she solves impossible murders. Diavola is a great foil, and once we get to know her better, a fascinating character. The progression of their relationship, from foes to something more, is slow and quiet, keeping in line with the times.
The writing is simpler than White's previous novel, where she experimented with different formats with stunning results, but this is a quieter story. The author did a lot of research about the society and historical figures of the Nineteenth Century, and it shows.
The Fox and the Devil is an excellent book.
✨ 4 stars
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